Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

« Previous 1 … 33 34 35 36 37 … 75 Next »

LessUpdatedTitleYear

Breaking and Entering (2006)

Motion Picture | 2D | Color | 2.35:1 | 120 Minutes

Breaking and Entering | ShotOnWhat?

Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning

Starring | Jude Law, Robin Wright, Vera Farmiga, Martin Freeman

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Ultra Prime Lenses

Waitress (2007)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Waitress | ShotOnWhat?

Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey

Starring | Keri Russell, Nathan Fillion, Jeremy Sisto, Cheryl Hines

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

Pirates of the Caribbean: Dead Man’s Chest (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 151 Minutes

Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood

Starring | Johnny Depp, Orlando Bloom, Keira Knightley, Jack Davenport

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Tempest (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Julie Taymor | Cinematography by | Stuart Dryburgh | Editing by | Françoise Bonnot

Starring | Helen Mirren, Felicity Jones, Djimon Hounsou, Russell Brand

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Suspiria (1977)

Motion Picture | 2D | Color | 2.39:1 | 92 Minutes

Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli

Starring | Jessica Harper, Stefania Casini, Flavio Bucci, Miguel Bosé

Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera

Lenses | Technovision Lenses

Road to Perdition (2002)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock

Starring | Tom Hanks, Tyler Hoechlin, Rob Maxey, Liam Aiken

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Primo Primes Spherical Lenses

Captain America: The First Avenger (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford

Starring | Chris Evans, Hugo Weaving, Samuel L. Jackson, Hayley Atwell

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Miss Pettigrew Lives for a Day (2008)

Motion Picture | 2D | Color | 2.35:1 | 92 Minutes

Miss Pettigrew Lives for a Day | ShotOnWhat?

Directed by | Bharat Nalluri | Cinematography by | John de Borman | Editing by | Barney Pilling

Starring | Frances McDormand, Amy Adams, Ciarán Hinds, David Alexander

Cameras | Panavision Cameras

The Legend of Zorro (2005)

Motion Picture | 2D | Color | 2.35:1 | 129 Minutes

The Legend of Zorro | ShotOnWhat?

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird

Starring | Antonio Banderas, Catherine Zeta-Jones, Rufus Sewell, Alberto Reyes

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Gong yuan 2000 AD (2000)

Motion Picture | 2D | Color | 1.85:1 | 109 Minutes

Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan

Starring | Aaron Kwok, Phyllis Quek, James Lye, Daniel Wu

Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Lenses

Manda Bala (Send a Bullet) (2007)

Motion Picture | 2D | Color | 85 Minutes

Manda Bala (Send a Bullet) | ShotOnWhat?

Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses

Where the Hell’s That Gold?!!? (1988)

Television Movie | 2D | Color | 1.33:1 (4x3) | 91 Minutes

Where the Hell’s That Gold?!!? | ShotOnWhat?

Directed by | Burt Kennedy | Cinematography by | John Elsenbach | Editing by | Warner E. Leighton

Starring | Willie Nelson, Delta Burke, Jack Elam, Alfonso Arau

Cameras | Panavision Cameras

Something Borrowed (2011)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

Something Borrowed | ShotOnWhat?

Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad

Starring | Ginnifer Goodwin, Kate Hudson, Colin Egglesfield, John Krasinski

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Help (2011)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

The Help | ShotOnWhat?

Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne

Starring | Emma Stone, Viola Davis, Octavia Spencer, Bryce Dallas Howard

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Erin Brockovich (2000)

Motion Picture | 2D | Color | 1.85:1 | 131 Minutes

Directed by | Steven Soderbergh | Cinematography by | Edward Lachman | Editing by | Anne V. Coates

Starring | Julia Roberts, Albert Finney, David Brisbin, Dawn Didawick

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

Io sono l’amore (2009)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Luca Guadagnino | Cinematography by | Yorick Le Saux | Editing by | Walter Fasano

Starring | Tilda Swinton, Flavio Parenti, Edoardo Gabbriellini, Alba Rohrwacher

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Zeiss ARRI Macro Lenses

84 Charing Cross Road (1987)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

84 Charing Cross Road | ShotOnWhat?

Directed by | David Hugh Jones | Cinematography by | Brian West | Editing by | Chris Wimble

Starring | Anne Bancroft, Anthony Hopkins, Judi Dench, Jean De Baer

Cameras | ARRIFLEX 35 BL Camera

Laughing Dead (1998)

Motion Picture | 2D | Color | 1.85:1 | 85 Minutes

Laughing Dead | ShotOnWhat?

Directed by | Patrick Gleason | Cinematography by | Neal Fredericks, Tom Jensen | Editing by | Robert McFalls

Starring | Fern Finer, Patrick Gleason, Nancy Rhee, Rico Cymone

Cameras | Aaton XTR Prod Camera

Rocky IV (1985)

Motion Picture | 2D | Black and White, Color | 1.37:1, 1.85:1 | 91 Minutes

Rocky IV | ShotOnWhat?

Directed by | Sylvester Stallone | Cinematography by | Bill Butler | Editing by | John W. Wheeler, Don Zimmerman

Starring | Sylvester Stallone, Talia Shire, Burt Young, Carl Weathers

Cameras | Panavision Panaflex Gold Camera

Luther (2003)

Motion Picture | 2D | Color | 1.85:1 | 123 Minutes

Luther | ShotOnWhat?

Directed by | Eric Till | Cinematography by | Robert Fraisse | Editing by | Clive Barrett

Starring | Joseph Fiennes, Bruno Ganz, Peter Ustinov, Alfred Molina

Cameras | ARRIFLEX 535 Camera

Lenses | Cooke S4 Lenses

« Previous 1 … 33 34 35 36 37 … 75 Next »

©2012 - 2025 ShotOnWhat?

20254.20