Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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Rush Hour 2 (2001)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Brett Ratner | Cinematography by | Matthew F. Leonetti | Editing by | Mark Helfrich, Robert K. Lambert

Starring | Jackie Chan, Chris Tucker, John Lone, Ziyi Zhang

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

300 (2006)

Motion Picture | Color | 2.35:1 | 117 Minutes

300 | ShotOnWhat?

Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy

Starring | Gerard Butler, Lena Headey, David Wenham, Dominic West

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Boogie Nights (1997)

Motion Picture | 2D | Color | 2.39:1 | 155 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Mark Wahlberg, Julianne Moore, Burt Reynolds, Luis Guzmán

Cameras | Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses

Basic Instinct (1992)

Motion Picture | 2D | Color | 2.39:1 | 127 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jan de Bont | Editing by | Frank J. Urioste

Starring | Michael Douglas, Sharon Stone, George Dzundza, Jeanne Tripplehorn

Cameras | Panavision Panaflex Camera

Lenses | Panavision Primo Anamorphic Lenses

The Twilight Saga: Breaking Dawn – Part 1 (2011)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Bill Condon | Cinematography by | Guillermo Navarro | Editing by | Virginia Katz

Starring | Kristen Stewart, Robert Pattinson, Taylor Lautner, Gil Birmingham

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Zodiac (2007)

Motion Picture | 2D | Color | 2.35:1 | 157 Minutes

Directed by | David Fincher | Cinematography by | Harris Savides | Editing by | Angus Wall

Starring | Jake Gyllenhaal, Robert Downey Jr., Mark Ruffalo, Anthony Edwards

Cameras | Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

The Wolfman (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Walter Murch, Dennis Virkler, Mark Goldblatt

Starring | Benicio Del Toro, Anthony Hopkins, Emily Blunt, Simon Merrells

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

There Will Be Blood (2007)

Motion Picture | 2D | Color | 2.39:1 | 158 Minutes

Directed by | Paul Thomas Anderson | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Daniel Day-Lewis, Paul Dano, Ciarán Hinds, Martin Stringer

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Pathé 43 mm (Modified by Dan Sasaki) Lens

Total Recall (1990)

Motion Picture | 2D | Color | 113 Minutes

Directed by | Paul Verhoeven | Cinematography by | Jost Vacano | Editing by | Carlos Puente, Frank J. Urioste

Starring | Arnold Schwarzenegger, Sharon Stone, Michael Ironside, Rachel Ticotin

Cameras | ARRIFLEX Camera

Lenses | Zeiss Lenses

Bridesmaids (2011)

Motion Picture | 2D | Color | 2.39:1 | 125 Minutes

Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale

Starring | Kristen Wiig, Maya Rudolph, Rose Byrne, Terry Crews

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Little Princess (1995)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Steven Weisberg

Starring | Liesel Matthews, Eleanor Bron, Liam Cunningham, Rusty Schwimmer

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Rockaway (2007)

Motion Picture | 2D | Color | 2.35:1 | 78 Minutes

Directed by | Jeff Crook, Josh Crook | Cinematography by | John Ashmore | Editing by | Michael D. Thomson

Starring | Nicholas Gonzalez, Mario Cimarro, Oleg Taktarov, Vitali Baganov

Cameras | Kinor 235 Camera, Kinor 35H 9KSN Camera

The Man Who Loved Women (1977)

Motion Picture | 2D | Black & White, Color | 1.66:1 | 120 Minutes

Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué

Starring | Charles Denner, Brigitte Fossey, Nelly Borgeaud, Geneviève Fontanel

Cameras | ARRIFLEX 35 BL Camera

Lenses | Zeiss Super Speed Lenses

National Treasure: Book of Secrets (2007)

Motion Picture | 2D | Color | 2.35:1 | 124 Minutes

National Treasure: Book of Secrets | ShotOnWhat?

Directed by | Jon Turteltaub | Cinematography by | Amir Mokri, John Schwartzman | Editing by | William Goldenberg, David Rennie

Starring | Nicolas Cage, Diane Kruger, Justin Bartha, Jon Voight

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Centurion (2010)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Centurion | ShotOnWhat?

Directed by | Neil Marshall | Cinematography by | Sam McCurdy | Editing by | Chris Gill

Starring | Michael Fassbender, Dominic West, Olga Kurylenko, Andreas Wisniewski

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Safe House (2012)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 115 Minutes

Safe House | ShotOnWhat?

Directed by | Daniel Espinosa | Cinematography by | Oliver Wood | Editing by | Richard Pearson

Starring | Denzel Washington, Ryan Reynolds, Robert Patrick, Vera Farmiga

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Let Me In (2010)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Let Me In | ShotOnWhat?

Directed by | Matt Reeves | Cinematography by | Greig Fraser | Editing by | Stan Salfas

Starring | Kodi Smit-McPhee, Chloë Grace Moretz, Richard Jenkins, Cara Buono

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

The Natural (1984)

Motion Picture | 2D | Color | 1.85:1 | 138 Minutes

Directed by | Barry Levinson | Cinematography by | Caleb Deschanel | Editing by | Stu Linder, Christopher Holmes

Starring | Robert Redford, Robert Duvall, Glenn Close, Kim Basinger

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The Green Mile (1999)

Motion Picture | 2D | Color | 1.85:1 | 189 Minutes

Directed by | Frank Darabont | Cinematography by | David Tattersall | Editing by | Richard Francis-Bruce

Starring | Tom Hanks, Michael Clarke Duncan, David Morse, Bonnie Hunt

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Classic Spherical Lenses

Rush Hour 3 (2007)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

Rush Hour 3 | ShotOnWhat?

Directed by | Brett Ratner | Cinematography by | James M. Muro | Editing by | Mark Helfrich, Dean Zimmerman, Don Zimmerman

Starring | Jackie Chan, Chris Tucker, Max von Sydow, Hiroyuki Sanada

Cameras | Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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