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24 fps Distribution | 604 Titles

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Public Enemies (2009)

Motion Picture | 2D | Color | 2.35:1 | 140 Minutes

Directed by | Michael Mann | Cinematography by | Dante Spinotti | Editing by | Jeffrey Ford, Paul Rubell

Starring | Christian Bale, Johnny Depp, Christian Stolte, Jason Clarke

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Sony HDC-F950 Camera, Sony PMW-EX1 Camera

Lenses | Cooke S4 Lenses, Fujinon E Series Lenses, Zeiss DigiPrime Lenses

Coraline (2009)

Motion Picture | 3D | 2K Project | Black & White, Color | 1.85:1 | 100 Minutes

Directed by | Henry Selick | Cinematography by | Pete Kozachik | Editing by | Christopher Murrie, Ronald Sanders

Starring | Dakota Fanning, Teri Hatcher, John Hodgman, Jennifer Saunders

Cameras | Nikon 80 Camera, Princeton Instruments MEGAPLUS ES 11000 Camera, Red One Camera

Serenity (2005)

Motion Picture | 2D | Color | 2.35:1 | 119 Minutes

Serenity | ShotOnWhat?

Directed by | Joss Whedon | Cinematography by | Jack N. Green | Editing by | Lisa Lassek

Starring | Nathan Fillion, Gina Torres, Chiwetel Ejiofor, Alan Tudyk

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Vidocq (2001)

Motion Picture | 2D | HD Project | Color | 1.85:1 | 98 Minutes

Directed by | Pitof | Cinematography by | Jean-Pierre Sauvaire, Jean-Claude Thibaut | Editing by | Thierry Hoss

Starring | Gérard Depardieu, Guillaume Canet, Inés Sastre, André Dussollier

Cameras | Sony Cameras, Sony HDW-F900 Camera

A Rat’s Tale (1997)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Directed by | Michael F. Huse | Cinematography by | Piotr Lenar | Editing by | Timothy McLeish

Starring | Josef Ostendorf, Beverly D'Angelo, Lauren Hutton, Jerry Stiller

Cameras | Panavision Panaflex Gold II Camera, Panavision Panastar II Camera

Lenses | Panavision C Anamorphic Flare Lenses, Panavision C Anamorphic Portrait Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Smurfs (2011)

Motion Picture | 3D | Color | 1.85:1 | 103 Minutes

Directed by | Raja Gosnell | Cinematography by | Phil Meheux | Editing by | Ellier Dov, Sabrina Plisco

Starring | Hank Azaria, Katy Perry, Jonathan Winters, Neil Patrick Harris

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Classic Spherical Lenses

Apocalypse and the Beauty Queen (2005)

Direct to Video | 2D | Film Project | Color | 1.85:1 | 95 Minutes

TRON (2010)

Motion Picture | 3D | 2K Project | Color | 1.78:1 (16x9), 2.39:1 | 125 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | James Haygood

Starring | Jeff Bridges, Garrett Hedlund, Olivia Wilde, Bruce Boxleitner

Cameras | Phantom HD Camera, Sony CineAlta F35 Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Master Prime Lenses

Schemer (2010)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

Directed by | Hanro Smitsman | Cinematography by | Joost Rietdijk | Editing by | Marc Bechtold

Starring | Matthijs van de Sande Bakhuyzen, Gaite Jansen, Roos Netjes, Robert de Hoog

Cameras | Red One Camera

Lenses | Cooke S4 Lenses

Straw Dogs (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Rod Lurie | Cinematography by | Alik Sakharov | Editing by | Sarah Boyd

Starring | James Marsden, Kate Bosworth, Alexander Skarsgård, James Woods

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Lost (2004)

Television Series | 2D | Color | 1.78:1 (16x9) | 44 Minutes

Lost | ShotOnWhat?

| Cinematography by | John S. Bartley, Michael Bonvillain, Cort Fey, Larry Fong, Stephen St. John, Edward J. Pei | Editing by | Stephen Semel, Mark Goldman, Christopher Nelson, Mary Jo Markey, Sarah Boyd, Henk Van Eeghen, David Eisenberg, Lance Stubblefield, Robert Florio, Sue Blainey, Jo Francis, Martin Nicholson, Chris Braun

Starring | Jorge Garcia, Josh Holloway, Yunjin Kim, Evangeline Lilly

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Broken (2008)

Motion Picture | 2D | Color | 2.40:1 | 93 Minutes

The Broken | ShotOnWhat?

Directed by | Sean Ellis | Cinematography by | Angus Hudson | Editing by | Scott Thomas

Starring | Lena Headey, Ulrich Thomsen, Melvil Poupaud, Michelle Duncan

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Harry Potter and the Prisoner of Azkaban (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 142 Minutes

Directed by | Alfonso Cuarón | Cinematography by | Michael Seresin | Editing by | Steven Weisberg

Starring | Daniel Radcliffe, Emma Watson, Rupert Grint, Richard Griffiths

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera

Lenses | Cooke S4 Lenses

The Roommate (2011)

Motion Picture | 2D | Color | 2.39:1 | 91 Minutes

The Roommate | ShotOnWhat?

Directed by | Christian E. Christiansen | Cinematography by | Phil Parmet | Editing by | Randy Bricker

Starring | Minka Kelly, Leighton Meester, Cam Gigandet, Aly Michalka

Cameras | Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

The Darkest Hour (2011)

Motion Picture | 3D | 2K Project | Color | 2.39:1 | 89 Minutes

Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White

Starring | Emile Hirsch, Olivia Thirlby, Max Minghella, Rachael Taylor

Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera

Lenses | Panavision Primo Primes Spherical Lenses

S. Darko (2009)

Motion Picture | 2D | Color | 1.78:1 (16x9), 1.85:1 | 103 Minutes

Directed by | Chris Fisher | Cinematography by | Marvin V. Rush | Editing by | Kent Beyda

Starring | Daveigh Chase, Briana Evigan, James Lafferty, Ed Westwick

Cameras | Red One Camera

The Lovely Bones (2009)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 135 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Rachel Weisz, Mark Wahlberg, Saoirse Ronan, Susan Sarandon

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Iconix HD-RH1 Camera, Red One Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Chronicles of Narnia: The Voyage of the Dawn Treader (2010)

Motion Picture | 3D | Color | 2.35:1 | 113 Minutes

The Chronicles of Narnia: The Voyage of the Dawn Treader | ShotOnWhat?

Directed by | Michael Apted | Cinematography by | Dante Spinotti | Editing by | Rick Shaine

Starring | Ben Barnes, Skandar Keynes, Georgie Henley, Will Poulter

Cameras | Sony CineAlta F23 Camera

Ted (2012)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Mark Wahlberg, Mila Kunis, Seth MacFarlane, Joel McHale

Cameras | Panavision Genesis Camera, Sony PMW-EX3 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Drive (2011)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Nicolas Winding Refn | Cinematography by | Newton Thomas Sigel | Editing by | Matthew Newman

Starring | Ryan Gosling, Carey Mulligan, Bryan Cranston, Albert Brooks

Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Master Prime Lenses

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