24 fps Distribution | 604 Titles
Easy A (2010)
Directed by | Will Gluck | Cinematography by | Michael Grady | Editing by | Susan Littenberg
Cameras | Panavision Genesis Camera
The Final Destination (2009)
Directed by | David R. Ellis | Cinematography by | Glen MacPherson | Editing by | Mark Stevens
Cameras | Sony CineAlta F23 Camera, Sony HDC-F950 Camera
L’amour dure trois ans (2011)
Directed by | Frédéric Beigbeder | Cinematography by | Yves Cape | Editing by | Stan Collet, Stéphane Garnier
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Lenses
Farewell, My Queen (2012)
Directed by | Benoît Jacquot | Cinematography by | Romain Winding | Editing by | Luc Barnier, Nelly Ollivault
Cameras | ARRI ALEXA Camera
Death at a Funeral (2010)
Directed by | Neil LaBute | Cinematography by | Rogier Stoffers | Editing by | Tracey Wadmore-Smith
Cameras | Panavision Genesis Camera
A Very Harold & Kumar 3D Christmas (2011)
Directed by | Todd Strauss-Schulson | Cinematography by | Michael Barrett | Editing by | Eric Kissack
Cameras | Panavision Genesis Camera
Grown Ups (2010)
Directed by | Dennis Dugan | Cinematography by | Theo van de Sande | Editing by | Tom Costain
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Johnny English Reborn (2011)
Directed by | Oliver Parker | Cinematography by | Danny Cohen | Editing by | Guy Bensley
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Phantom Flex Camera, Phantom HD Gold Camera
Lenses | Zeiss Master Prime Lenses
Rampart (2011)
Directed by | Oren Moverman | Cinematography by | Bobby Bukowski | Editing by | Jay Rabinowitz
Cameras | ARRI ALEXA Camera
Never Let Me Go (2010)
Directed by | Mark Romanek | Cinematography by | Adam Kimmel | Editing by | Barney Pilling
Lenses | ARRI / Zeiss Master Anamorphic Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses
Once Upon a Time in Mexico (2003)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Harry Brown (2009)
Directed by | Daniel Barber | Cinematography by | Martin Ruhe | Editing by | Joe Walker
Cameras | Sony CineAlta F35 Camera
Predators (2010)
Directed by | Nimród Antal | Cinematography by | Gyula Pados | Editing by | Dan Zimmerman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Le renard et l’enfant (2007)
Directed by | Luc Jacquet | Cinematography by | Eric Dumage, Gérard Simon | Editing by | Sabine Emiliani
State of Play (2009)
Directed by | Kevin Macdonald | Cinematography by | Rodrigo Prieto | Editing by | Justine Wright
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Hot Tub Time Machine (2010)
Directed by | Steve Pink | Cinematography by | Jack N. Green | Editing by | George Folsey Jr., James Thomas
Cameras | Panavision Cameras
Thelma & Louise (1991)
Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | Thom Noble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Bienvenue à bord (2011)
Directed by | Eric Lavaine | Cinematography by | Stéphane Le Parc | Editing by | Vincent Zuffranieri
Cameras | ARRI ALEXA Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Kite Runner (2007)
(Untitled) (2009)
Directed by | Jonathan Parker | Cinematography by | Svetlana Cvetko | Editing by | Keiko Deguchi
Cameras | Panavision Genesis Camera
