24 fps Distribution | 604 Titles
G-Force (2009)
Directed by | Hoyt Yeatman | Cinematography by | Bojan Bazelli | Editing by | Mark Goldblatt, Jason Hellmann
Yogi Bear (2010)
Shark Night 3D (2011)
Directed by | David R. Ellis | Cinematography by | Gary Capo | Editing by | Dennis Virkler
Cameras | Sony CineAlta F35 Camera
Lenses | Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens
Jin ling shi san chai (2011)
Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Peicong Meng
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens
Cop Out (2010)
Neighboring Sounds (2012)
Directed by | Kleber Mendonça Filho | Cinematography by | Pedro Sotero, Fabricio Tadeu | Editing by | João Maria, Kleber Mendonça Filho
Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Super Speed Lenses
A Fantastic Fear of Everything (2012)
Directed by | Crispian Mills, Chris Hopewell | Cinematography by | Simon Chaudoir | Editing by | Dan Roberts
Cameras | ARRI ALEXA Camera
Bedtime Stories (2008)
Directed by | Adam Shankman | Cinematography by | Michael Barrett | Editing by | Tom Costain, Michael Tronick
Lenses | Panavision Primo Anamorphic Lenses
Zookeeper (2011)
Directed by | Frank Coraci | Cinematography by | Michael Barrett | Editing by | Scott Hill
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Get Low (2009)
Directed by | Aaron Schneider | Cinematography by | David Boyd | Editing by | Aaron Schneider
Cameras | Panavision Panaflex Gold II Camera
Finding Neverland (2004)
Dark Shadows (2012)
Directed by | Tim Burton | Cinematography by | Bruno Delbonnel | Editing by | Chris Lebenzon
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Daughters of the Dust (1991)
Directed by | Julie Dash | Cinematography by | Arthur Jafa | Editing by | Joseph Burton, Amy Carey
Cameras | ARRI Cameras
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
21 (2008)
Directed by | Robert Luketic | Cinematography by | Russell Carpenter | Editing by | Elliot Graham
Cameras | Pan-Arri 435 Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Final Approach (2005)
Directed by | James Becket | Cinematography by | Denis Maloney | Editing by | Langdon Page
Cameras | ARRIFLEX Camera
Tinker Tailor Soldier Spy (2011)
Directed by | Tomas Alfredson | Cinematography by | Hoyte Van Hoytema | Editing by | Dino Jonsäter
Cameras | Panavision Panaflex Millennium Camera
Spy Kids 2: Island of Lost Dreams (2002)
Directed by | Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
Cameras | Sony HDW-F900 Camera
Gunjô: Ai ga shizunda umi no iro (2009)
Directed by | Yosuke Nakagawa | Cinematography by | Hiro'o Yanagida | Editing by | Hiroaki Morishita
Lenses | Fujinon E Series Lenses, Panavision Lenses
Date Night (2010)
Directed by | Shawn Levy | Cinematography by | Dean Semler | Editing by | Dean Zimmerman
Cameras | Panavision Genesis Camera
