Cameras » ARRI Cameras » ARRI ARRIFLEX Series Cameras » ARRIFLEX 35mm Cameras

ARRIFLEX 235 Camera : 162ARRIFLEX 35 BL Camera : 30ARRIFLEX 35 BL2 Camera : 4ARRIFLEX 35 BL3 Camera : 16ARRIFLEX 35 BL4 Camera : 37ARRIFLEX 35 BL4s Camera : 18ARRIFLEX 35 Camera : 1ARRIFLEX 35 IIA Camera : 3ARRIFLEX 35 IIB Camera : 1ARRIFLEX 35 IIC Camera : 43ARRIFLEX 35 III Camera : 81ARRIFLEX 35 IIIC Camera : 5ARRIFLEX 435 Advanced Camera : 15ARRIFLEX 435 Camera : 201ARRIFLEX 435 ES Camera : 72ARRIFLEX 435 Xtreme Camera : 24ARRIFLEX 535 B Camera : 82ARRIFLEX 535 Camera : 56

ARRIFLEX 35mm Cameras | 649 Titles

ARRIFLEX 35mm Cameras 3.00/5 2 Votes

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War Horse (2011)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Jeremy Irvine, Emily Watson, David Thewlis, Benedict Cumberbatch

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

The Chronicles of Narnia: Prince Caspian (2008)

Motion Picture | 2D | Color | 2.35:1 | 150 Minutes

The Chronicles of Narnia: Prince Caspian | ShotOnWhat?

Directed by | Andrew Adamson | Cinematography by | Karl Walter Lindenlaub | Editing by | Josh Campbell, Sim Evan-Jones

Starring | Ben Barnes, Skandar Keynes, Georgie Henley, William Moseley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Zeiss Master Prime Lenses

Friday the 13th (2009)

Motion Picture | 2D | Color | 2.35:1 | 97 Minutes

Friday the 13th | ShotOnWhat?

Directed by | Marcus Nispel | Cinematography by | Daniel Pearl | Editing by | Ken Blackwell

Starring | Jared Padalecki, Amanda Righetti, Derek Mears, Danielle Panabaker

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux HR Zoom Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Close Focus Spherical Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Artworks (2003)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Jim Amatulli | Cinematography by | Jeff Barklage | Editing by | Howard Heard

Starring | Virginia Madsen, Rick Rossovich, Eddie Mills, Daniel von Bargen

Cameras | ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

Agent Crush (2008)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Sean Robinson | Cinematography by | Peter Field | Editing by | David Freemantle

Starring | Brian Blessed, Neve Campbell, Brian Cox, Jon Culshaw

Cameras | ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Place Beyond the Pines (2012)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Directed by | Derek Cianfrance | Cinematography by | Sean Bobbitt | Editing by | Jim Helton, Ron Patane

Starring | Ryan Gosling, Bradley Cooper, Eva Mendes, Craig Van Hook

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4/i Lenses

Black Joy (1977)

Motion Picture | 2D | Color | 97 Minutes

Directed by | Anthony Simmons | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Norman Beaton, Trevor Thomas, Dawn Hope, Floella Benjamin

Cameras | ARRIFLEX 35 BL Camera

The Big Lebowski (1998)

Motion Picture | 2D | Color | 117 Minutes

Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke

Starring | Jeff Bridges, John Goodman, Julianne Moore, Steve Buscemi

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera

Waiting Alone (2004)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 107 Minutes

Directed by | Dayyan Eng | Cinematography by | Toby Oliver | Editing by | Dayyan Eng

Starring | Yu Xia, Bingbing Li, Beibi Gong, Qi Gao

Cameras | ARRIFLEX 535 B Camera

Robin Hood (2010)

Motion Picture | 2D | Color | 2.39:1 | 140 Minutes

Robin Hood | ShotOnWhat?

Directed by | Ridley Scott | Cinematography by | John Mathieson | Editing by | Pietro Scalia

Starring | Russell Crowe, Cate Blanchett, Matthew Macfadyen, Max von Sydow

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera

Lenses | Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Elizabeth: The Golden Age (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 114 Minutes

Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock

Starring | Cate Blanchett, Clive Owen, Geoffrey Rush, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Mad Max (1979)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | George Miller | Cinematography by | David Eggby | Editing by | Cliff Hayes, Tony Paterson

Starring | Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley

Cameras | ARRIFLEX 35 BL Camera

Lenses | Todd-AO Lenses

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

Troy (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 163 Minutes

Directed by | Wolfgang Petersen | Cinematography by | Roger Pratt | Editing by | Peter Honess

Starring | Brad Pitt, Eric Bana, Orlando Bloom, Julian Glover

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke S4 Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

The Bourne Ultimatum (2007)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 115 Minutes

Directed by | Paul Greengrass | Cinematography by | Oliver Wood | Editing by | Christopher Rouse

Starring | Matt Damon, Edgar Ramírez, Joan Allen, Julia Stiles

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Billy Elliot (2000)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Stephen Daldry | Cinematography by | Brian Tufano | Editing by | John Wilson

Starring | Jamie Bell, Julie Walters, Jean Heywood, Jamie Draven

Cameras | Aaton 35-III Camera, ARRIFLEX 35 BL4 Camera

Lenses | Zeiss Lenses

The Last Samurai (2003)

Motion Picture | 2D | Color | 2.39:1 | 154 Minutes

Directed by | Edward Zwick | Cinematography by | John Toll | Editing by | Victor Du Bois, Steven Rosenblum

Starring | Tom Cruise, Ken Watanabe, Billy Connolly, William Atherton

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

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