ARRIFLEX 35mm Cameras | 649 Titles
Trespass (2011)
Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Bill Pankow
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
Bubba Ho-Tep (2002)
Directed by | Don Coscarelli | Cinematography by | Adam Janeiro | Editing by | Scott J. Gill, Donald Milne
Cameras | ARRIFLEX 535 Camera
L: Change the World (2008)
Directed by | Hideo Nakata | Cinematography by | Tokushô Kikumura | Editing by | Nobuyuki Takahashi
Cameras | ARRIFLEX 535 B Camera
Secretariat (2010)
Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | John Wright
Cameras | ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera
Lenses | Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens
Out of Africa (1985) 
Directed by | Sydney Pollack | Cinematography by | David Watkin | Editing by | Pembroke J. Herring, Sheldon Kahn, Fredric Steinkamp, William Steinkamp
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
Luna (1979)
Directed by | Bernardo Bertolucci | Cinematography by | Vittorio Storaro | Editing by | Gabriella Cristiani
Cameras | ARRIFLEX 35 BL Camera
Swades (2004)
Directed by | Ashutosh Gowariker | Cinematography by | Mahesh Aney | Editing by | Ballu Saluja
Cameras | ARRIFLEX 435 Camera
Dracula (1992)
Directed by | Francis Ford Coppola | Cinematography by | Michael Ballhaus | Editing by | Anne Goursaud, Glen Scantlebury, Nicholas C. Smith
Cameras | ARRIFLEX 535 Camera
The Raven (2012)
Emmett’s Mark (2002)
Directed by | Keith Snyder | Cinematography by | Lawrence Sher | Editing by | Caroline Ross
Cameras | Aaton 35 I Camera, ARRIFLEX 535 B Camera
Con Air (1997)
Directed by | Simon West | Cinematography by | David Tattersall | Editing by | Chris Lebenzon, Steve Mirkovich, Glen Scantlebury
Cameras | ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses | Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Babylon A.D. (2008)
Directed by | Mathieu Kassovitz | Cinematography by | Thierry Arbogast | Editing by | Benjamin Weill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Xtreme Camera, ARRIFLEX 535 B Camera
Lenses | Panavision Primo Anamorphic Lenses
4 Months, 3 Weeks and 2 Days (2007)
Directed by | Cristian Mungiu | Cinematography by | Oleg Mutu | Editing by | Dana Bunescu
Cameras | ARRIFLEX 535 B Camera
Lenses | Zeiss Ultra Prime Lenses
Terminator Salvation (2009)
Directed by | McG | Cinematography by | Shane Hurlbut | Editing by | Conrad Buff IV
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Zelary (2003)
Alvin and the Chipmunks: The Squeakquel (2009)
Directed by | Betty Thomas | Cinematography by | Anthony B. Richmond | Editing by | Matt Friedman
Lenses | Cooke S4 Lenses
300 (2006)
Directed by | Zack Snyder | Cinematography by | Larry Fong | Editing by | William Hoy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
The Twilight Saga: Breaking Dawn – Part 1 (2011)
Bridesmaids (2011)
Directed by | Paul Feig | Cinematography by | Robert D. Yeoman | Editing by | William Kerr, Michael L. Sale
The Man Who Loved Women (1977)
Directed by | François Truffaut | Cinematography by | Néstor Almendros | Editing by | Martine Barraqué
Cameras | ARRIFLEX 35 BL Camera
Lenses | Zeiss Super Speed Lenses
