ARRIFLEX 35mm Cameras | 649 Titles
The Young Girl and the Monsoon (1999)
Directed by | James Ryan | Cinematography by | Benjamin Wolf | Editing by | John David Allen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Super Speed Lenses
Dogfight (1991)
Directed by | Nancy Savoca | Cinematography by | Bobby Bukowski | Editing by | John Tintori
Cameras | ARRIFLEX 35 BL4s Camera
Lenses | Cooke Lenses
The Golden Seal (1983)
Directed by | Frank Zuniga | Cinematography by | Eric Saarinen | Editing by | Robert Q. Lovett
Cameras | ARRIFLEX 35 III Camera
Attack the Block (2011)
Directed by | Joe Cornish | Cinematography by | Thomas Townend | Editing by | Jonathan Amos
Lenses | Cooke S4 Lenses
Blood and Chocolate (2007)
All the Boys Love Mandy Lane (2006)
Hope and Glory (1987)
Directed by | John Boorman | Cinematography by | Philippe Rousselot | Editing by | Ian Crafford
Cameras | ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Gorillas in the Mist (1988)
Directed by | Michael Apted | Cinematography by | John Seale | Editing by | Stuart Baird
Cameras | ARRIFLEX 35 BL4s Camera
Sherlock Holmes: A Game of Shadows (2011)
Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera
Lenses | Panavision Primo Anamorphic Lenses
A Cry in the Wild (1990)
Directed by | Mark Griffiths | Cinematography by | Gregg Heschong | Editing by | Carol Oblath
Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 35 III Camera
Dune (1984)
Hao men ye yan (1991)
Directed by | Alfred Cheung, Tung Cho 'Joe' Cheung, Clifton Ko, Hark Tsui | Cinematography by | David Chung, Ardy Lam, Andrew Lau Wai-Keung, Kin Keung Lee, Tak-Wai Lee, Peter Pau, Chi-Wai Tam, Wing-Hang Wong | Editing by | Ma Kam, Marco Mak, David Wu, Shao Feng Yu
Cameras | ARRIFLEX 35 BL4s Camera
Nadine (1987)
Directed by | Robert Benton | Cinematography by | Néstor Almendros | Editing by | Sam O'Steen
Cameras | ARRIFLEX 35 BL4 Camera
Lenses | Zeiss Lenses
Breaking and Entering (2006)
Directed by | Anthony Minghella | Cinematography by | Benoît Delhomme | Editing by | Lisa Gunning
Lenses | Zeiss Ultra Prime Lenses
Excalibur (1981)
Directed by | John Boorman | Cinematography by | Alex Thomson | Editing by | John Merritt, Donn Cambern
Cameras | ARRI Cameras, ARRIFLEX 35 BL3 Camera
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Suspiria (1977)
Directed by | Dario Argento | Cinematography by | Luciano Tovoli | Editing by | Franco Fraticelli
Cameras | ARRIFLEX 35 IIC Camera, Mitchell BNC Camera
Lenses | Technovision Lenses
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Gong yuan 2000 AD (2000)
Directed by | Gordon Chan | Cinematography by | Arthur Wong | Editing by | Ki-Hop Chan
Cameras | ARRIFLEX 435 ES Camera, Moviecam Compact Camera
Lenses | Angenieux Lenses, Zeiss Lenses































































