ARRI ARRIFLEX Series Cameras | 756 Titles
The Hurricane (1999)
Directed by | Norman Jewison | Cinematography by | Roger Deakins | Editing by | Stephen E. Rivkin
Cameras | ARRIFLEX 535 B Camera, Moviecam Superlight Camera
Lenses | Cooke S4 Lenses
Children of the Corn (2009)
Directed by | Donald P. Borchers | Cinematography by | Jamie Thompson | Editing by | Danny Saphire
Cameras | ARRIFLEX 235 Camera, Moviecam Cameras
Lenses | Cooke Lenses
Master and Commander: The Far Side of the World (2003)
Directed by | Peter Weir | Cinematography by | Russell Boyd | Editing by | Lee Smith
Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
A Dog of Flanders (1999)
Directed by | Kevin Brodie | Cinematography by | Walther van den Ende | Editing by | Annamaria Szanto
Cameras | ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera
The Taste of Others (2000)
Directed by | Agnès Jaoui | Cinematography by | Laurent Dailland | Editing by | Hervé de Luze
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Elizabeth (1998)
Directed by | Shekhar Kapur | Cinematography by | Remi Adefarasin | Editing by | Jill Bilcock
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Cooke Varotal Lenses, Zeiss Super Speed Lenses
Ten Canoes (2006)
Directed by | Rolf de Heer, Peter Djigirr | Cinematography by | Ian Jones | Editing by | Tania Nehme
Cameras | ARRIFLEX 35 BL4s Camera
In Bruges (2008)
Piranha 3D (2010)
Directed by | Alexandre Aja | Cinematography by | John R. Leonetti | Editing by | Baxter
Lenses | Angenieux HR Zoom Lenses, Cooke S4 Lenses, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
The Hunger Games (2012)
Directed by | Gary Ross | Cinematography by | Tom Stern | Editing by | Christopher S. Capp, Stephen Mirrione, Juliette Welfling
Hanna (2011)
Directed by | Joe Wright | Cinematography by | Alwin H. Küchler | Editing by | Paul Tothill
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Taking Woodstock (2009)
Directed by | Ang Lee | Cinematography by | Eric Gautier | Editing by | Tim Squyres
Cameras | Aaton 35-III Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Camera, Bolex Cameras, Eclair Cameras
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Hancock (2008)
Directed by | Peter Berg | Cinematography by | Tobias A. Schliessler | Editing by | Colby Parker Jr., Paul Rubell
Lenses | Panavision Primo Anamorphic Lenses
The Last Airbender (2010)
Parada (2011)
Directed by | Srdjan Dragojevic | Cinematography by | Dusan Joksimovic | Editing by | Petar Markovic
Lenses | Zeiss Lenses
Cyclo (1995)
Directed by | Anh Hung Tran | Cinematography by | Benoît Delhomme | Editing by | Nicole Dedieu, Claude Ronzeau
The Man Who Wasn’t There (2001)
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen, Tricia Cooke
Cameras | ARRIFLEX 535 B Camera
Lenses | Cooke S4 Lenses
Collateral (2004)
Directed by | Michael Mann | Cinematography by | Dion Beebe, Paul Cameron | Editing by | Jim Miller, Paul Rubell
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Jarhead (2005)
Directed by | Sam Mendes | Cinematography by | Roger Deakins | Editing by | Walter Murch
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 35 IIIC Camera
Lenses | Cooke S4 Lenses
The Rules of Attraction (2002)
Directed by | Roger Avary | Cinematography by | Robert Brinkmann | Editing by | Sharon Rutter
Cameras | ARRIFLEX 535 Camera
