Dailies Operator
Labor Day (2013)
Directed by: Jason Reitman
Cinematography by: Eric Steelberg
Edited by: Dana E. Glauberman
Cameras: Red Epic Camera
Dailies Operator
Anchorman 2: The Legend Continues (2013)
Directed by: Adam McKay
Cinematography by: Oliver Wood
Cameras: ARRI ALEXA Camera
Dailies Operator
Jack Reacher (2012)
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Dailies Operator
Mud (2012)
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Dailies Operator
Taken 2 (2012)
Directed by: Olivier Megaton
Cinematography by: Romain Lacourbas
Dailies Operator
The Twilight Saga: Breaking Dawn - Part 2 (2012)
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Dailies Operator
Django Unchained (2012)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Dailies Operator
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Dailies Operator
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Dailies Operator
Argo (2012)
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Dailies Operator
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Dailies Operator
Vampires Suck (2010)
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Dailies Operator
Public Enemies (2009)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Telecine Assistant
The Mysteries of Pittsburgh (2008)
Directed by: Rawson Marshall Thurber
Cinematography by: Michael Barrett
Edited by: Barbara Tulliver
Digital Intermediate Assistant
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Dailies Operator
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Dailies Operator
'Mad Men' Long Weekend (2007)
Directed by: Tim Hunter
Cinematography by: Bill Roe
Edited by: Malcolm Jamieson
Dailies Operator
'Mad Men' Ladies Room (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Dailies Operator
'Mad Men' Indian Summer (2007)
Directed by: Tim Hunter
Cinematography by: Steve Mason
Edited by: David Siegel
Dailies Operator
'Mad Men' Shoot (2007)
Directed by: Paul Feig
Cinematography by: Bill Roe
Edited by: David Siegel
Dailies Operator
'Mad Men' The Hobo Code (2007)
Directed by: Phil Abraham
Cinematography by: Steve Mason
Edited by: Leo Trombetta
Dailies Operator
'Mad Men' Red in the Face (2007)
Directed by: Tim Hunter
Cinematography by: Frank G. DeMarco
Edited by: David Siegel
Dailies Operator
'Mad Men' Babylon (2007)
Directed by: Andrew Bernstein
Cinematography by: Phil Abraham
Dailies Operator
'Mad Men' New Amsterdam (2007)
Directed by: Tim Hunter
Cinematography by: Phil Abraham
Edited by: Malcolm Jamieson
Dailies Operator
'Mad Men' 5G (2007)
Directed by: Lesli Linka Glatter
Cinematography by: Frank G. DeMarco
Edited by: Leo Trombetta
Dailies Operator
'Mad Men' Marriage of Figaro (2007)
Directed by: Ed Bianchi
Cinematography by: Phil Abraham
Edited by: David Siegel
Dailies Operator
'Mad Men' Smoke Gets in Your Eyes (2007)
Directed by: Alan Taylor
Cinematography by: Phil Abraham
Edited by: Malcolm Jamieson
Dailies Operator
'Mad Men' Nixon vs. Kennedy (2007)
Directed by: Alan Taylor
Cinematography by: Steve Mason
Edited by: Christopher Nelson
Dailies Operator
'Mad Men' The Wheel (2007)
Directed by: Matthew Weiner
Cinematography by: Steve Mason
Edited by: Malcolm Jamieson
Dailies Operator - 13 Episodes, 2007
Mad Men (2007)
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Digital Intermediate Assistant
Rush Hour 3 (2007)
Directed by: Brett Ratner
Cinematography by: James M. Muro
Digital Intermediate Assistant
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Digital Intermediate Assistant
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Digital Intermediate Assistant
Transformers (2007)
Directed by: Michael Bay
Cinematography by: Mitchell Amundsen
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
Editing System: Avid Editing System, Final Cut Pro Editing System
Digital Intermediate Assistant
Into the Wild (2007)
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Digital Intermediate Assistant
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Telecine Assistant
The Long Shot (2004)
Directed by: Georg Stanford Brown
Cinematography by: Geza Sinkovics
Edited by: Jennifer Jean Cacavas
Telecine Assistant
The Grudge (2004)
Directed by: Takashi Shimizu
Cinematography by: Hideo Yamamoto
Edited by: Jeff Betancourt
