Compositing Supervisor: FuseFX
'Them' Covenant II. (2021)
Directed by: Craig William Macneill
Cinematography by: Checco Varese
Edited by: David Kashevaroff
Compositing Supervisor: FuseFX - 6 Episodes, 2021
Them (2021)
Cinematography by: Checco Varese
Edited by: David Kashevaroff, Jeff Israel, Kevin D. Ross, Genevieve Butler, Dan Downer, Andrew Parkhurst, Daniel Williams
Cameras: Sony CineAlta VENICE Camera
Compositing Supervisor: FuseFX
'Them' Day 3 (2021)
Directed by: Nelson Cragg
Cinematography by: Xavier Grobet
Edited by: David Kashevaroff
Compositing Supervisor: FuseFX
'Them' Day 6 (2021)
Directed by: Nelson Cragg
Cinematography by: Xavier Grobet
Compositing Supervisor: FuseFX
'Them' Covenant I. (2021)
Directed by: Janicza Bravo
Cinematography by: Checco Varese
Edited by: David Kashevaroff
Compositing Supervisor: FuseFX
'Them' Day 7: Morning (2021)
Directed by: Craig William Macneill
Cinematography by: Xavier Grobet
Edited by: Kevin D. Ross
Stereographic Supervisor: Sony Pictures Imageworks, Stereoscopic Supervisor: Sony Pictures Imageworks
Spider-Man: Homecoming (2017)
Directed by: Jon Watts
Cinematography by: Salvatore Totino
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Stereoscopic Supervisor: SPI
Suicide Squad (2016)
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Stereographer: MPC
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Compositor: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Compositor: Pixomondo
Beautiful Creatures (2013)
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Stereo 3D Supervisor
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Stereoscopic Artist
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Computer Graphics Supervisor: 3D
G-Force (2009)
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Computer Graphics Supervisor: 3D
Beowulf (2007)
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Lighting And Compositing Technical Director: SPI
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Computer Graphics Supervisor: SPI
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Computer Graphics Supervisor: SPI
The Forgotten (2004)
Directed by: Joseph Ruben
Cinematography by: Anastas N. Michos
Edited by: Richard Francis-Bruce
Computer Graphics Supervisor: SPI
Hollywood Homicide (2003)
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Computer Graphics Supervisor: SPI
Bad Boys II (2003)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
CG Supervisor: SPI
Stuart Little 2 (2002)
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Cg Supervisor: SPI
I Spy (2002)
Directed by: Betty Thomas
Cinematography by: Oliver Wood
Edited by: Peter Teschner
Computer Graphics Supervisor: SPI
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Digital Compositor: SPI
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Lighting TD: SPI
Stuart Little (1999)
Directed by: Rob Minkoff
Cinematography by: Guillermo Navarro
Edited by: Tom Finan
Cameras: Moviecam Compact Camera
Lenses: Zeiss Ultra Prime Lenses
Compositing Artist: SPI
Snow Falling on Cedars (1999)
Directed by: Scott Hicks
Cinematography by: Robert Richardson
Edited by: Hank Corwin
Cameras: Panavision Panaflex Platinum Camera
Compositor: SPI
The Replacement Killers (1998)
Directed by: Antoine Fuqua
Cinematography by: Peter Lyons Collister
Edited by: Jay Cassidy
Compositing Artist: SPI
Patch Adams (1998)
Directed by: Tom Shadyac
Cinematography by: Phedon Papamichael
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Lead Compositor: Sony Pictures Imageworks Inc.
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Compositor: SPI
The Postman (1997)
Directed by: Kevin Costner
Cinematography by: Stephen F. Windon
Edited by: Peter Boyle
