Visual Effects
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Creative Director: DNEG
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Visual Effects
Dune (2021)
Directed by: Denis Villeneuve
Cinematography by: Greig Fraser
Edited by: Joe Walker
Visual Effects
Tenet (2020)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Jennifer Lame
Cameras: ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Visual Effects
Avengers: Endgame (2019)
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Visual Effects
Black Panther (2018)
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Vfx Creative Director: India
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Stereo Creative Director - India
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Vfx Creative Director
Sin City: A Dame to Kill For (2014)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: ARRI ALEXA M Camera
Lenses: Fujinon Premier Lenses
Editing System: Avid Editing System
Stereo Creative Director - India
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Head Of Visual Effects: Prime Focus World India
Non-Stop (2014)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Jim May
VFX Creative Director - India
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Global Head Of Visual Effects Production: Prime Focus
Out of the Furnace (2013)
Directed by: Scott Cooper
Cinematography by: Masanobu Takayanagi
Edited by: David Rosenbloom
Editing System: Avid Editing System
Vfx Creative Director: India
Yeh Jawaani Hai Deewani (2013)
Directed by: Ayan Mukherjee
Cinematography by: Manikandan
Edited by: Akiv Ali
Vfx Creative Director: India
White House Down (2013)
Directed by: Roland Emmerich
Cinematography by: Anna Foerster
Edited by: Adam Wolfe
Vfx Creative Director: India
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Creative Director
Matru ki Bijlee ka Mandola (2013)
Directed by: Vishal Bhardwaj
Cinematography by: Kartik Vijay
Edited by: A. Sreekar Prasad
Cameras: ARRI ALEXA Camera, ARRI Cameras
Editing System: Avid Editing System
Visual Effects Creative Supervisor: Prime Focus
Movie 43 (2013)
Directed by: Elizabeth Banks, Steven Brill, Steve Carr, Rusty Cundieff, James Duffy, Griffin Dunne, Peter Farrelly, Patrik Forsberg, Will Graham, James Gunn, Brett Ratner, Jonathan van Tulleken, Bob Odenkirk
Cinematography by: Mattian Anderssonn Rudh, Frank G. DeMarco, Steve Gainer, Matthew F. Leonetti, Daryn Okada, William Rexer, Eric Scherbarth, Newton Thomas Sigel, Tim Suhrstedt
Edited by: Debra Chiate, Patrick J. Don Vito, Suzy Elmiger, Mark Helfrich, Craig Herring, Myron Kerstein, Jason Macdonald, Joe Randall-Cutler, Sam Seig, Cara Silverman, Sandy S. Solowitz, Jonathan van Tulleken, Håkan Wärn, Paul Zucker
Cameras: Red One MX Camera
Visual Effects Creative Director
Dabangg 2 (2012)
Directed by: Arbaaz Khan
Cinematography by: Aseem Mishra
Edited by: Hemal Kothari
Cameras: ARRICAM Lite (LT) Camera
Visual Effects Creative Director
Agent Vinod (2012)
Directed by: Sriram Raghavan
Cinematography by: C.K. Muraleedharan
Edited by: Pooja Ladha Surti
Visual Effects Creative Director
Cocktail (2012)
Directed by: Homi Adajania
Cinematography by: Anil Mehta
Edited by: A. Sreekar Prasad
Head Of Visual Effects: Prime Focus India
Mirror Mirror (2012)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Cameras: Sony CineAlta F35 Camera
Visual Effects Creative Director
Ek Tha Tiger (2012)
Directed by: Kabir Khan
Cinematography by: Aseem Mishra
Edited by: Rameshwar S. Bhagat
Vfx Creative Director: India
Resident Evil: Retribution (2012)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Vfx Creative Director: India
Men in Black 3 (2012)
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Visual Effects Creative Director
Bollywood: The Greatest Love Story Ever Told (2011)
Visual Effects Executive Producer: Prime Focus
Scream 4 (2011)
Directed by: Wes Craven
Cinematography by: Peter Deming
Edited by: Peter McNulty
Cameras: Panavision Cameras
Vfx Creative Director: India
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Vfx Creative Director: India
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Additional Visual Effects
The Eagle (2011)
Directed by: Kevin Macdonald
Cinematography by: Anthony Dod Mantle
Edited by: Justine Wright
Visual Effects Creative Director
Rockstar (2011)
Directed by: Imtiaz Ali
Cinematography by: Anil Mehta
Edited by: Aarti Bajaj
Vfx Creative Director: India
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Visual Effects Creative Director
Prince (2010)
Directed by: Kookie Vikas Gulati
Cinematography by: Vishnu Rao
Edited by: Nicolas Trembasiewicz
Visual Effects Creative Director
Love Aaj Kal (2009)
Directed by: Imtiaz Ali
Cinematography by: Nataraja Subramanian
Edited by: Aarti Bajaj
Visual Effects Supervisor
Kambakkht Ishq (2009)
Directed by: Sabir Khan
Cinematography by: Vikas Sivaraman
Visual Effects Supervisor
The Sickhouse (2008)
Directed by: Curtis Radclyffe
Cinematography by: Sam McCurdy
Edited by: Joseph Pisano
Head Of Visual Effects: Prime Focus India
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Visual Effects Supervisor
Guru (2007)
Directed by: Mani Ratnam
Cinematography by: Rajiv Menon
Edited by: A. Sreekar Prasad
Lenses: Angenieux Optimo Zoom Lenses
Visual Effects Supervisor
Jaan-E-Mann: Let's Fall in Love... Again (2006)
Directed by: Shirish Kunder
Cinematography by: Sudeep Chatterjee
Edited by: Shirish Kunder
Visual Effects Supervisor
Omkara (2006)
Directed by: Vishal Bhardwaj
Cinematography by: Tassaduq Hussain
Edited by: Meghna Manchanda Sen
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Stereo Creative Director: India
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Editor, Promos Designer
Khakee (2004)
Directed by: Rajkumar Santoshi
Cinematography by: K.V. Anand
Edited by: Merzin Tavaria
Stereo Creative Director: India
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Stereo Creative Director: India
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
