Re-recording Mixer
Rosewater (2014)
Directed by: Jon Stewart
Cinematography by: Bobby Bukowski
Edited by: Jay Rabinowitz
Cameras: ARRI ALEXA Plus Camera
Re-recording Mixer
A Walk Among the Tombstones (2014)
Directed by: Scott Frank
Cinematography by: Mihai Malaimare Jr.
Edited by: Jill Savitt
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Re-recording Mixer
Blue Jasmine (2013)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Re-recording Mixer
Premium Rush (2012)
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Re-recording Mixer
To Rome with Love (2012)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Re-recording Mixer
Midnight in Paris (2011)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Re-recording Mixer
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Re-recording Mixer
You Will Meet a Tall Dark Stranger (2010)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Re-recording Mixer
The Tempest (2010)
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer: Sound One Corp.
Whatever Works (2009)
Directed by: Woody Allen
Cinematography by: Harris Savides
Edited by: Alisa Lepselter
Supervising Sound Mixer
Julie & Julia (2009)
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Re-recording Mixer: Sound One Corp.
Vicky Cristina Barcelona (2008)
Directed by: Woody Allen
Cinematography by: Javier Aguirresarobe
Edited by: Alisa Lepselter
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Re-recording Mixer
The Happening (2008)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Re-recording Mixer
The Reader (2008)
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Doubt (2008)
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Re-recording Mixer
Cassandra's Dream (2007)
Directed by: Woody Allen
Cinematography by: Vilmos Zsigmond
Edited by: Alisa Lepselter
Re-recording Mixer
Across the Universe (2007)
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Charlie Wilson's War (2007)
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Re-recording Mixer
The Nanny Diaries (2007)
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Re-recording Mixer
The Darjeeling Limited (2007)
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Re-recording Mixer
Margot at the Wedding (2007)
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Re-recording Mixer
The Good Shepherd (2006)
Directed by: Robert De Niro
Cinematography by: Robert Richardson
Edited by: Tariq Anwar
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Re-recording Mixer
Lady in the Water (2006)
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Sound Re-recording Mixer: New York
Notes on a Scandal (2006)
Directed by: Richard Eyre
Cinematography by: Chris Menges
Lenses: Cooke S4 Lenses
Re-recording Mixer
Match Point (2005)
Directed by: Woody Allen
Cinematography by: Remi Adefarasin
Edited by: Alisa Lepselter
Re-recording Mixer
Casanova (2005)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Supervising Sound Mixer
Secret Window (2004)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Re-recording Mixer
The Village (2004)
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Re-recording Mixer
The Stepford Wives (2004)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Re-recording Mixer
The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (2003)
Directed by: Errol Morris
Cameras: Sony HDW-F900 Camera
Re-recording Mixer
Anything Else (2003)
Directed by: Woody Allen
Cinematography by: Darius Khondji
Edited by: Alisa Lepselter
Re-recording Mixer
The Human Stain (2003)
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Re-recording Mixer
The Hours (2002)
Directed by: Stephen Daldry
Cinematography by: Seamus McGarvey
Edited by: Peter Boyle
Re-recording Mixer: Sound One Corporation
Hollywood Ending (2002)
Directed by: Woody Allen
Cinematography by: Wedigo von Schultzendorff
Edited by: Alisa Lepselter
Re-recording Mixer
Changing Lanes (2002)
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Re-recording Mixer
Signs (2002)
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Barbara Tulliver
Re-recording Mixer
The Score (2001)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Re-recording Mixer
Wit (2001)
Directed by: Mike Nichols
Cinematography by: Seamus McGarvey
Edited by: John Bloom
Re-recording Mixer
The Shipping News (2001)
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Re-recording Mixer
Unbreakable (2000)
Directed by: M. Night Shyamalan
Cinematography by: Eduardo Serra
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Additional Sound Re-recording Mixer
Shaft (2000)
Directed by: John Singleton
Cinematography by: Donald E. Thorin
Re-recording Mixer
What Planet Are You From? (2000)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Re-recording Mixer
Bowfinger (1999)
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Re-recording Mixer
Sleepy Hollow (1999)
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Re-recording Mixer
The Deep End of the Ocean (1999)
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Re-recording Mixer: Sound One Corp.
Sweet and Lowdown (1999)
Directed by: Woody Allen
Cinematography by: Fei Zhao
Edited by: Alisa Lepselter
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
You've Got Mail (1998)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Sound Re-recording Mixer: Sound One Corp.
Celebrity (1998)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Re-recording Mixer
Primary Colors (1998)
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Re-recording Mixer
Snake Eyes (1998)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Re-recording Mixer
The Devil's Own (1997)
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Re-recording Mixer: Sound One Corp.
Deconstructing Harry (1997)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Re-recording Mixer
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Re-recording Mixer
In & Out (1997)
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer: Sound One Corp.
Everyone Says I Love You (1996)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Re-recording Mixer
The Birdcage (1996)
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
Get Shorty (1995)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Re-recording Mixer: Sound One Corp.
Mighty Aphrodite (1995)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Sound Re-recording Mixer: Sound One Corporation
Bullets Over Broadway (1994)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Re-recording Mixer
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Re-recording Mixer
Mixed Nuts (1994)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Re-recording Mixer
It Could Happen to You (1994)
Directed by: Andrew Bergman
Cinematography by: Caleb Deschanel
Edited by: Barry Malkin
Re-recording Mixer
The Hudsucker Proxy (1994)
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Re-recording Mixer
Nobody's Fool (1994)
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Re-recording Mixer
What's Eating Gilbert Grape (1993)
Directed by: Lasse Hallström
Cinematography by: Sven Nykvist
Edited by: Andrew Mondshein
Re-recording Mixer
Mad Dog and Glory (1993)
Directed by: John McNaughton
Cinematography by: Robby Müller
Re-recording Mixer
Carlito's Way (1993)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Cameras: Panavision Panaflex Gold II Camera
Re-recording Mixer
For Love or Money (1993)
Directed by: Barry Sonnenfeld
Cinematography by: Oliver Wood
Edited by: Jim Miller
Re-recording Mixer
Sleepless in Seattle (1993)
Directed by: Nora Ephron
Cinematography by: Sven Nykvist
Edited by: Robert M. Reitano
Re-recording Mixer
Manhattan Murder Mystery (1993)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Re-recording Mixer
A Bronx Tale (1993)
Directed by: Robert De Niro
Cinematography by: Reynaldo Villalobos
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Re-recording Mixer
HouseSitter (1992)
Directed by: Frank Oz
Cinematography by: John A. Alonzo
Edited by: John Jympson
Re-recording Mixer
Far and Away (1992)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
Cameras: ARRIFLEX 765 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision 65mm Prime Lenses, Zeiss Lenses
Re-recording Mixer
Husbands and Wives (1992)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Re-recording Mixer
Billy Bathgate (1991)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Re-recording Mixer: Sound One Corp.
Shadows and Fog (1991)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Re-recording Mixer
The Man in the Moon (1991)
Directed by: Robert Mulligan
Cinematography by: Freddie Francis
Edited by: Trudy Ship
Re-recording Mixer
Once Around (1991)
Directed by: Lasse Hallström
Cinematography by: Theo van de Sande
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Sound Re-recording Mixer: Sound One Corporation
Regarding Henry (1991)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Cameras: Panavision Cameras
Re-recording Mixer
Miller's Crossing (1990)
Cinematography by: Barry Sonnenfeld
Edited by: Michael R. Miller
Re-recording Mixer: Sound One Corporation
Alice (1990)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Re-recording Mixer
Family Business (1989)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Re-recording Mixer: Sound One Corp.
Crimes and Misdemeanors (1989)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Re-recording Mixer
Casualties of War (1989)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Re-recording Mixer: Sound One Corp.
Another Woman (1988)
Directed by: Woody Allen
Cinematography by: Sven Nykvist
Edited by: Susan E. Morse
Re-recording Mixer
Funny Farm (1988)
Directed by: George Roy Hill
Cinematography by: Miroslav Ondrícek
Edited by: Alan Heim
Re-recording Mixer: Sound One Corp.
Radio Days (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Rerecording Mixer
Orphans (1987)
Directed by: Alan J. Pakula
Cinematography by: Donald McAlpine
Edited by: Evan A. Lottman
Sound Re-recording Engineer
Dead of Winter (1987)
Directed by: Arthur Penn
Cinematography by: Jan Weincke
Edited by: Rick Shaine
Cameras: Panavision Cameras
Re-recording Mixer
September (1987)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Cameras: Panavision Cameras
Re-recording Mixer: Sound One Corporation
Hannah and Her Sisters (1986)
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Re-recording Mixer
Maximum Overdrive (1986)
Directed by: Stephen King
Cinematography by: Armando Nannuzzi
Edited by: Evan A. Lottman
Re-recording Mixer
Peggy Sue Got Married (1986)
Directed by: Francis Ford Coppola
Cinematography by: Jordan Cronenweth
Edited by: Barry Malkin
Re-recording Mixer
Power (1986)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Andrew Mondshein
Cameras: Panavision Cameras
Re-recording Mixer
Silver Bullet (1985)
Directed by: Daniel Attias
Cinematography by: Armando Nannuzzi
Edited by: Daniel Loewenthal
Sound Re-recordist: Sound One Corp.
Desperately Seeking Susan (1985)
Directed by: Susan Seidelman
Cinematography by: Edward Lachman
Edited by: Andrew Mondshein
Sound Re-recordist
Finnegan Begin Again (1985)
Directed by: Joan Micklin Silver
Cinematography by: Robby Müller
Edited by: Jay Freund
Cameras: ARRIFLEX 35 BL4s Camera
Re-recording Mixer
The Muppets Take Manhattan (1984)
Directed by: Frank Oz
Cinematography by: Robert Paynter
Edited by: Evan A. Lottman
Re-recording Mixer
The Cotton Club (1984)
Directed by: Francis Ford Coppola
Cinematography by: Stephen Goldblatt
Cameras: Panavision Cameras
Re-recording Mixer
Star 80 (1983)
Directed by: Bob Fosse
Cinematography by: Sven Nykvist
Edited by: Alan Heim
Re-recording Mixer
Deathtrap (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Jack Fitzstephens
Re-recording Mixer
Sophie's Choice (1982)
Directed by: Alan J. Pakula
Cinematography by: Néstor Almendros
Edited by: Evan A. Lottman
Re-recording Mixer
The Verdict (1982)
Directed by: Sidney Lumet
Cinematography by: Andrzej Bartkowiak
Edited by: Peter C. Frank
Cameras: Panavision Cameras
Re-recording Mixer
Still of the Night (1982)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Cameras: Panavision Cameras
Re-recording Mixer
Friday the 13th Part 2 (1981)
Directed by: Steve Miner
Cinematography by: Peter Stein
Edited by: Susan E. Cunningham
Sound Re-recordist
Friday the 13th (1980)
Directed by: Sean S. Cunningham
Cinematography by: Barry Abrams
Edited by: Bill Freda
Re-recording Mixer
Ruckus (1980)
Directed by: Max Kleven
Cinematography by: Don Burgess
Edited by: Angelo Bernarducci
Cameras: Panavision Cameras