First Assistant Director: Aerial Unit
Blade Runner 2049 (2017)
| USA, UK, Hungary, Canada, Spain
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
First Assistant Director
Furious 7 (2015)
| USA, China, Japan, Canada, United Arab Emirates
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40mm T2.6 Lens, Angenieux Optimo 28-340mm T2.9 Lens, Angenieux Optimo 28-76mm T2.6 Lens, Fujinon Alura Zoom 15.5-45mm T2.8 Lens, Fujinon Alura Zoom 30-80mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
First Assistant Director
Insidious: Chapter 2 (2013)
| USA, Canada
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
First Assistant Director
The Conjuring (2013)
| USA
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leica Summilux-C Series Lenses
First Assistant Director: Second Unit
Pirates of the Caribbean: On Stranger Tides (2011)
| USA, UK
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
First Assistant Director: Second Unit
Priest (2011)
| USA
Directed by: Scott Stewart
Cinematography by: Don Burgess
First Assistant Director
Death at a Funeral (2010)
| USA
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Genesis Camera
First Assistant Director: Second Unit, New Mexico
The Eye (2008)
| USA, Canada
Cinematography by: Jeffrey Jur
Edited by: Patrick Lussier
First Assistant Director
Lakeview Terrace (2008)
| USA
Directed by: Neil LaBute
Cinematography by: Rogier Stoffers
Edited by: Joel Plotch
First Assistant Director
Death Sentence (2007)
| USA
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Michael N. Knue
First Assistant Director: Second Unit
'House M.D.' Human Error (2007)
| USA
Directed by: Katie Jacobs
Cinematography by: Gale Tattersall
Edited by: Kimberly Ray
First Assistant Director: Los Angeles
The Wicker Man (2006)
| USA, Germany, Canada
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
First Assistant Director: Second Unit
Walkout (2006)
| USA
Directed by: Edward James Olmos
Cinematography by: Donald M. Morgan
Edited by: Michael McCusker
First Assistant Director: Second Unit
Bewitched (2005)
| USA
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
First Assistant Director
'Arrested Development' For British Eyes Only (2005)
Directed by: John Fortenberry
Cinematography by: Greg Harrington
Edited by: Stuart Bass
First Assistant Director: Second Unit
Win a Date with Tad Hamilton! (2004)
| USA
Directed by: Robert Luketic
Cinematography by: Peter Lyons Collister
Edited by: Scott Hill
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
First Assistant Director: Second Unit
National Treasure (2004)
| USA
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
First Assistant Director - 1 Episode, 2007
House M.D. (2004)
| USA
Directed by: Greg Yaitanes, Deran Sarafian, David Straiton, Daniel Attias, Daniel Sackheim, Miguel Sapochnik, David Platt, Matt Shakman, Juan José Campanella, Katie Jacobs, Andrew Bernstein, Sanford Bookstaver, Peter O'Fallon, Fred Gerber, David Semel, Lesli Linka Glatter, Newton Thomas Sigel, Bryan Spicer, Bryan Singer, Frederick King Keller, David Shore, James Hayman, Martha Mitchell, Hugh Laurie, Tucker Gates, Tim Southam, Peter Medak, Paris Barclay, Guy Ferland, Keith Gordon, Tim Hunter, Bill Johnson, Nelson McCormick, Gloria Muzio, Randy Zisk, Jace Alexander, Félix Enríquez Alcalá, Laura Innes, John F. Showalter, Tony To, Elodie Keene, Paul McCrane, Matthew Penn, Nick Gomez, S.J. Clarkson, Kate Woods, Colin Bucksey, Julian Higgins, Stefan Schwartz, Peter Weller
Cinematography by: Gale Tattersall, Roy H. Wagner, Anthony Gaudioz, Walt Lloyd, Newton Thomas Sigel, Cort Fey, James Dillinger
Edited by: Dorian Harris, Chris Brookshire, Amy M. Fleming, Kimberly Ray, Lawrence Curtis, Zeborah Tidwell, Bonnie Koehler, Chad Mochrie, Marta Evry, Sue Blainey, Bill Johnson, Christopher Nelson, Tatiana S. Riegel, Deborah Moran, Arge O'Neal, Jo Francis, Elliot Graham, Anthony Pinker, Scott Boyd, Seth Clark, David Post, Stephen Semel
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
First Assistant Director: Second Unit
Taking Lives (2004)
| USA
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
First Assistant Director - 1 Episode, 2005
Arrested Development (2003)
| USA
Directed by: Troy Miller, Mitchell Hurwitz, Joe Russo, Paul Feig, Anthony Russo, Lee Shallat Chemel, Jay Chandrasekhar, Greg Mottola, John Fortenberry, Peter Lauer, Robert Berlinger, Lev L. Spiro, Jason Bateman, Patty Jenkins, Jeff Melman, John Amodeo, Andrew Fleming, Danny Leiner, Chuck Martin, Arlene Sanford, Rebecca Asher
Cinematography by: Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas
Edited by: Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath
Lenses: Angenieux Optimo Zoom Lenses
First Assistant Director: Second Unit
Charlie's Angels: Full Throttle (2003)
| USA
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
First Assistant Director: Second Unit
xXx (2002)
| USA
Directed by: Rob Cohen
Cinematography by: Dean Semler
First Assistant Director: Second Unit
15 Minutes (2001)
| USA, Germany
Directed by: John Herzfeld
Cinematography by: Jean-Yves Escoffier
Edited by: Steven Cohen
Cameras: Panavision Cameras
First Assistant Director: Second Unit
The Animal (2001)
| USA
Directed by: Luke Greenfield
Cinematography by: Peter Lyons Collister
First Assistant Director: Second Unit
Rat Race (2001)
| USA
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
First Assistant Director: Second Unit
The Last Castle (2001)
| USA
Directed by: Rod Lurie
Cinematography by: Shelly Johnson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director: Second Unit
Big Momma's House (2000)
| USA, Germany
Directed by: Raja Gosnell
Cinematography by: Michael D. O'Shea
First Assistant Director: Second Unit Australia
Mission: Impossible II (2000)
| USA, Germany
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
First Assistant Director
Universal Soldier: The Return (1999)
| USA
Directed by: Mic Rodgers
Cinematography by: Mike Benson
Edited by: Peck Prior
First Assistant Director: Second Unit
Lethal Weapon 4 (1998)
| USA
Directed by: Richard Donner
Cinematography by: Andrzej Bartkowiak
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director: Second Unit
Star Trek: Insurrection (1998)
| USA
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras: Panavision Cameras
First Assistant Director: Second Unit
Volcano (1997)
| USA
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
First Assistant Director: Second Unit
The Crow: City of Angels (1996)
| USA
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
First Assistant Director: Second Unit
Dunston Checks In (1996)
| USA
Directed by: Ken Kwapis
Cinematography by: Peter Lyons Collister
Edited by: Jon Poll
Cameras: Panavision Cameras
Second Assistant Director
Strange Days (1995)
| USA
Directed by: Kathryn Bigelow
Cinematography by: Matthew F. Leonetti
First Assistant Director: Second Unit
Virtuosity (1995)
| USA
Directed by: Brett Leonard
Cinematography by: Gale Tattersall
Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera
Second Assistant Director
Cops and Robbersons (1994)
| USA
Directed by: Michael Ritchie
Cinematography by: Gerry Fisher
Second Assistant Director
Beverly Hills Cop III (1994)
| USA
Directed by: John Landis
Cinematography by: Mac Ahlberg
Edited by: Dale Beldin
Second Assistant Director
And the Band Played On (1993)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Paul Elliott
Edited by: Lois Freeman-Fox
Second Assistant Director: Second Unit
Cliffhanger (1993)
| USA, Italy, France
Directed by: Renny Harlin
Cinematography by: Alex Thomson
Edited by: Frank J. Urioste
Cameras: Panavision Cameras
Second Assistant Director
The Bodyguard (1992)
| USA
Directed by: Mick Jackson
Cinematography by: Andrew Dunn
Second Assistant Director
Stop! Or My Mom Will Shoot (1992)
| USA
Directed by: Roger Spottiswoode
Cinematography by: Frank Tidy
Second Assistant Director
Mobsters (1991)
| USA
Directed by: Michael Karbelnikoff
Cinematography by: Lajos Koltai
Production Assistant
Jacknife (1989)
| USA, Canada
Directed by: David Hugh Jones
Cinematography by: Brian West
Edited by: John Bloom
Cameras: ARRI Cameras
Second Second Assistant Director
Lethal Weapon 2 (1989)
| USA
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Production Aide
Tequila Sunrise (1988)
| USA
Directed by: Robert Towne
Cinematography by: Conrad L. Hall
Edited by: Claire Simpson
Second Assistant Director
Nightforce (1987)
| USA
Directed by: Lawrence David Foldes
Edited by: Ed Hansen
Production Assistant
Tin Men (1987)
| USA
Directed by: Barry Levinson
Cinematography by: Peter Sova
Edited by: Stu Linder
