Visual Effects
X-Men: Apocalypse (2016)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Leitz Summilux-C Series Lenses
Visual Effects Supervisor: Rising Sun Pictures
X-Men: Days of Future Past (2014)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera
Visual Effects: Rising Sun Pictures
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Rising Sun Pictures
The Wolverine (2013)
Directed by: James Mangold
Cinematography by: Ross Emery
Edited by: Michael McCusker
Cameras: ARRI ALEXA Camera
Visual Effects Supervisor: Rising Sun Pictures
The Incredible Burt Wonderstone (2013)
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Visual Effects: Rising Sun Pictures
Prometheus (2012)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Visual Effects Supervisor: Rising Sun Pictures
The Way Back (2010)
Directed by: Peter Weir
Cinematography by: Russell Boyd
Edited by: Lee Smith
Visual Effects Supervisor: Rising Sun Pictures
Mao's Last Dancer (2009)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Visual Effects
Dark Frontier (2009)
Directed by: Kriv Stenders
Cinematography by: Jules O'Loughlin
Edited by: Gabriella Muir
Cameras: ARRIFLEX 16SR2 Camera, ARRIFLEX 16SR3 Camera
Compositing Supervisor: Rising Sun Pictures
28 Weeks Later (2007)
Directed by: Juan Carlos Fresnadillo
Cinematography by: Enrique Chediak
Edited by: Chris Gill
Visual Effects Supervisor: Rising Sun Pictures
Superman Returns (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Visual Effects: Rising Sun Pictures
Blood Diamond (2006)
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk C-Series Lenses, Hawk V-Series Lenses
Visual Effects: Rising Sun Pictures
Harry Potter and the Goblet of Fire (2005)
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Visual Effects Supervisor: Rising Sun Pictures
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Digital Effects Supervisor: Rising Sun Pictures
The Lord of the Rings: The Return of the King (2003)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Visual Effects Supervisor: Rising Sun Pictures
Paycheck (2003)
Directed by: John Woo
Cinematography by: Jeffrey L. Kimball
Digital Intermediate Supervisor
Travelers and Magicians (2003)
Directed by: Khyentse Norbu
Cinematography by: Alan Kozlowski
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera
Digital Effects Supervisor: Rising Sun Pictures
The Core (2003)
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Visual Effects Supervisor: Rising Sun Pictures
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Digital Artist: Weta Digital
The Lord of the Rings: The Fellowship of the Ring (2001)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Lead Compositor: Titles
Sample People (2000)
Directed by: Clinton Smith
Cinematography by: David Foreman
Edited by: Frans Vandenburg
Lead Digital Compositor: Dfilm Digital Effects
Two Hands (1999)
Directed by: Gregor Jordan
Cinematography by: Malcolm McCulloch
Edited by: Lee Smith
Digital Composite Supervisor: DFilm Services
The Matrix (1999)
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Senior Compositor 2D: Visual Effects Unit
Dark City (1998)
Directed by: Alex Proyas
Cinematography by: Dariusz Wolski
Edited by: Dov Hoenig
Cameras: Panavision Panaflex Gold II Camera
Lead Compositor
What Dreams May Come (1998)
Directed by: Vincent Ward
Cinematography by: Eduardo Serra
Digital Compositor
Paradise Road (1997)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Tim Wellburn
