Senior Staff: ILM
Minority Report (2002)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Lenses: Panavision Lenses
Senior Staff: ILM
Planet of the Apes (2001)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Senior Staff: ILM
Magnolia (1999)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Dylan Tichenor
Cameras: Panavision Cameras, Pathé Cameras
Lenses: Panavision Lenses
Senior Staff: ILM
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Senior Production Staff: ILM
Speed 2: Cruise Control (1997)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Senior Staff Member: ILM
Men in Black (1997)
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Edited by: Jim Miller
Senior Staff: Industrial Light & Magic
Starship Troopers (1997)
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Lenses: Zeiss Lenses
Senior Staff: ILM
The Lost World: Jurassic Park (1997)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Senior Staff: ILM
Daylight (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Senior Staff: ILM
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Senior Staff: ILM
Star Trek: First Contact (1996)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Senior Staff: ILM
Jumanji (1995)
Directed by: Joe Johnston
Cinematography by: Thomas E. Ackerman
Edited by: Robert Dalva
Cameras: Panavision Cameras
Effects Senior Management
The American President (1995)
Directed by: Rob Reiner
Cinematography by: John Seale
Edited by: Robert Leighton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Senior Staff: ILM
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Senior Staff: ILM
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Executive In Charge Of Production: ILM
Wolf (1994)
Directed by: Mike Nichols
Cinematography by: Giuseppe Rotunno
Edited by: Sam O'Steen
Executive In Charge Of Production: ILM
Forrest Gump (1994)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Executive ICO Producer
In the Mouth of Madness (1994)
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Executive In Charge Of Production: Alien Sequence
Fire in the Sky (1993)
Directed by: Robert Lieberman
Cinematography by: Bill Pope
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Executive In Charge Of Production
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Executive In Charge Of Production: ILM
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Senior Staff: ILM
Schindler's List (1993)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Moviola Editing System
Executive In Charge Of Production: ILM
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Visual Effects Producer
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Visual Effects Producer: ILM
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Post-production Supervisor: ILM
Willow (1988)
Directed by: Ron Howard
Cinematography by: Adrian Biddle
Cameras: Panavision Panaflex Gold Camera
Special Visual Effects / Visual Effects Manager
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Production Coordinator: ILM
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Production Coordinator: ILM
Starman (1984)
Directed by: John Carpenter
Cinematography by: Donald M. Morgan
Edited by: Marion Rothman
Location Coordinator: ILM
Indiana Jones and the Temple of Doom (1984)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Gold Camera
Production Coordinator: ILM
The NeverEnding Story (1984)
Directed by: Wolfgang Petersen
Cinematography by: Jost Vacano
Edited by: Jane Seitz
Lenses: Technovision Lenses
Creature Coordinator
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Production Coordinator: ILM
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Production Secretary: Miniature And Optical Effects Unit
Star Wars: Episode V - The Empire Strikes Back (1980)
Directed by: Irvin Kershner
Cinematography by: Peter Suschitzky
