Randall K. Bean

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Gangs of New York | ShotOnWhat?

Scanning: ILM

Gangs of New York (2002)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

Minority Report | ShotOnWhat?

Scanning Operator: ILM

Minority Report (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Star Wars: Episode II - Attack of the Clones | ShotOnWhat?

Visual Effects Editorial And Imaging Services Group: ILM

Star Wars: Episode II - Attack of the Clones (2002)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, George Lucas

Cameras: Sony HDW-F900 Camera

Lenses: Panavision Primo Anamorphic Lenses

Space Cowboys | ShotOnWhat?

Scanning Operating

Space Cowboys (2000)

Directed by: Clint Eastwood

Cinematography by: Jack N. Green

Edited by: Joel Cox

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Star Wars: Episode I - The Phantom Menace | ShotOnWhat?

Film Scanning And Recording: ILM

Star Wars: Episode I - The Phantom Menace (1999)

Directed by: George Lucas

Cinematography by: David Tattersall

Edited by: Ben Burtt, Paul Martin Smith

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, Sony HDC-750 Camera

Lenses: Hawk C-Series Lenses

Sleepy Hollow | ShotOnWhat?

Film Scanning: ILM

Sleepy Hollow (1999)

Directed by: Tim Burton

Cinematography by: Emmanuel Lubezki

Edited by: Chris Lebenzon, Joel Negron

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Mummy | ShotOnWhat?

Film Scanning Operator: ILM

The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Deep Impact | ShotOnWhat?

Film Scanning: ILM

Deep Impact (1998)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: Paul Cichocki, David Rosenbloom

Cameras: ARRIFLEX 535 Camera

Deep Rising | ShotOnWhat?

Film Scanner Operator: ILM

Deep Rising (1998)

Directed by: Stephen Sommers

Cinematography by: Howard Atherton

Edited by: Bob Ducsay, John Wright

The Lost World: Jurassic Park | ShotOnWhat?

Senior Scanning Operator

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Daylight | ShotOnWhat?

Film Scanner Operator: ILM

Daylight (1996)

Directed by: Rob Cohen

Cinematography by: David Eggby

Edited by: Peter Amundson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

101 Dalmatians | ShotOnWhat?

Scanning Operator: ILM

101 Dalmatians (1996)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Indian in the Cupboard | ShotOnWhat?

Senior Scanning Operator

The Indian in the Cupboard (1995)

Directed by: Frank Oz

Cinematography by: Russell Carpenter

Edited by: Ian Crafford

Congo | ShotOnWhat?

Senior Scanning Operator: ILM

Congo (1995)

Directed by: Frank Marshall

Cinematography by: Allen Daviau

Edited by: Anne V. Coates

In the Mouth of Madness | ShotOnWhat?

Film Scanning Operator

In the Mouth of Madness (1994)

Directed by: John Carpenter

Cinematography by: Gary B. Kibbe

Edited by: Edward A. Warschilka

Forrest Gump | ShotOnWhat?

Senior Scanning Operator: ILM

Forrest Gump (1994)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Meteor Man | ShotOnWhat?

Scanning Operator

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Schindler's List | ShotOnWhat?

Scanning Operator: ILM

Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

Jurassic Park | ShotOnWhat?

Scanning Operator

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

Death Becomes Her | ShotOnWhat?

Senior Scanner Operator: ILM

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Star Trek VI: The Undiscovered Country | ShotOnWhat?

Scanning

Star Trek VI: The Undiscovered Country (1991)

Directed by: Nicholas Meyer

Cinematography by: Hiro Narita

Edited by: William Hoy, Ronald Roose

Terminator 2: Judgment Day | ShotOnWhat?

Scanning Operator: ILM

Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Hook | ShotOnWhat?

Scanning

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Back to the Future Part III | ShotOnWhat?

Computer Graphics

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

The Abyss | ShotOnWhat?

Scanning: ILM - Special Version

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Digital Scanning Operator - Special Version

Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Star Wars: Episode V - The Empire Strikes Back | ShotOnWhat?

Digital Scanning Operator: ILM - 1997 Special Version

Star Wars: Episode V - The Empire Strikes Back (1980)

Directed by: Irvin Kershner

Cinematography by: Peter Suschitzky

Edited by: T.M. Christopher, Paul Hirsch, George Lucas, Marcia Lucas

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Camera, Panavision Panaflex-X Camera, Panavision Silent Reflex PSR Camera, Panavision Super PSR R-200

Lenses: Panavision C Series Anamorphic Lenses

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