Script Supervisor
'Grey's Anatomy' Good Shepherd (2019)
Directed by: Bill D'Elia
Edited by: Vanessa Delgado
Script Supervisor
'Grey's Anatomy' Silent All These Years (2019)
Directed by: Debbie Allen
Cinematography by: Alicia Robbins
Edited by: Vanessa Delgado
Additional Script Supervisor
'Grey's Anatomy' Blood and Water (2019)
Directed by: Pete Chatmon
Cinematography by: Herbert Davis
Additional Script Supervisor
'Grey's Anatomy' I Walk The Line (2019)
Directed by: Kevin McKidd
Cinematography by: Carlos González
Edited by: Chad Mochrie
Script Supervisor
'Grey's Anatomy' Girlfriend in a Coma (2019)
Directed by: Debbie Allen
Cinematography by: Herbert Davis
Edited by: Meghan Robertson
Script Supervisor
'Grey's Anatomy' The Winner Takes It All (2019)
Directed by: Allison Liddi-Brown
Cinematography by: Carlos González
Edited by: Chad Mochrie
Script Supervisor: MOCAP Unit
War for the Planet of the Apes (2017)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Additional Script Supervisor
'Grey's Anatomy' Leave It Inside (2017)
Directed by: Zetna Fuentes
Cinematography by: Herbert Davis
Edited by: Chad Mochrie
Additional Script Supervisor
'Grey's Anatomy' True Colors (2017)
Directed by: Kevin McKidd
Cinematography by: Herbert Davis
Edited by: Meghan Robertson
Additional Script Supervisor
'Grey's Anatomy' Ring of Fire (2017)
Directed by: Debbie Allen
Cinematography by: Herbert Davis
Edited by: Gregory Cusumano
Additional Script Supervisor
'Grey's Anatomy' Out of Nowhere (2017)
Directed by: Kevin McKidd
Cinematography by: Herbert Davis
Edited by: Gregory Cusumano
Script Supervisor: 2nd Unit
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Script Supervisor: Additional Photography
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Script Supervisor: Additional Photography
Captain America: Civil War (2016)
Cinematography by: Trent Opaloch
Script Supervisor: Additional Photography
The Finest Hours (2016)
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Script Supervisor: Additional Photography
The SpongeBob Movie: Sponge Out of Water (2015)
Cinematography by: Phil Meheux
Edited by: David Ian Salter
Cameras: ARRI ALEXA Camera
Script Supervisor: LA Unit
Get Hard (2015)
Directed by: Etan Cohen
Cinematography by: Tim Suhrstedt
Edited by: Michael L. Sale
Cameras: ARRI ALEXA XT Plus Camera
Script Supervisor: Additional Photography
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Script Supervisor: MOCAP Unit
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Script Supervisor: Additional Photography
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Script Supervisor: Second Unit
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Script Supervisor: Additional Photography
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Script Supervisor: Insert Unit
'Revenge' Power (2013)
Directed by: Roger Kumble
Cinematography by: John Smith
Edited by: Lance Luckey
Script Supervisor: Second Unit
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Script Supervisor: Second Unit Additional Photography
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Script Supervisor: Insert Unit
'Revenge' Sin (2013)
Directed by: John Scott
Cinematography by: John Smith
Edited by: John Axness
Script Supervisor: Insert Unit
'Revenge' Fear (2013)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: Lynne Willingham
Additional Script Supervisor
'Revenge' Illumination (2013)
Directed by: Bobby Roth
Cinematography by: John Smith
Edited by: Sue Blainey
Additional Script Supervisor
'Revenge' Victory (2013)
Directed by: Colin Bucksey
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Additional Script Supervisor
'Revenge' Retribution (2013)
Directed by: Helen Hunt
Cinematography by: Cynthia Pusheck
Edited by: John M. Valerio
Script Supervisor: Insert Unit
'Revenge' Sacrifice (2013)
Directed by: Stefan Schwartz
Cinematography by: John Smith
Edited by: Conrad Smart
Additional Script Supervisor
'Revenge' Collusion (2013)
Directed by: Matt Shakman
Cinematography by: John Smith
Edited by: John M. Valerio
Additional Script Supervisor
'Revenge' Sabotage (2013)
Directed by: John Scott
Cinematography by: Cynthia Pusheck
Edited by: Conrad Smart
Script Supervisor: Additional Photography , Script Supervisor: Second Unit/additional Photography
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Script Supervisor: Los Angeles
This Means War (2012)
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Nicolas De Toth
Script Supervisor: Pre-timing / Script Supervisor: Second Unit
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Additional Script Supervisor / Script Supervisor: Insert Unit
'Revenge' Penance (2012)
Directed by: Colin Bucksey
Cinematography by: Cynthia Pusheck
Edited by: Sue Blainey
Additional Script Supervisor / Script Supervisor: Insert Unit
'Revenge' Lineage (2012)
Directed by: Christopher Misiano
Cinematography by: John Smith
Edited by: Conrad Smart
Additional Script Supervisor
'Revenge' Revelations (2012)
Directed by: Kenneth Fink
Cinematography by: Cynthia Pusheck
Edited by: John M. Valerio
Additional Script Supervisor / Script Supervisor: Insert Unit - 12 Episodes, 2012-2013
Revenge (2011)
Directed by: Kenneth Fink, J. Miller Tobin, Bobby Roth, Matt Earl Beesley, John Terlesky, Sanford Bookstaver, Colin Bucksey, Matt Shakman, John Scott, Randy Zisk, Allison Liddi-Brown, Wendey Stanzler, Tim Hunter, Phillip Noyce, Christopher Misiano, Helen Hunt, Jennifer Wilkinson, Bethany Rooney, Jamie Babbit, David Grossman, Eric Laneuville, Jennifer Getzinger, Roger Kumble, Stefan Schwartz, Charlie Stratton, Hanelle M. Culpepper, Paul Holahan, Christine Moore, Romeo Tirone, Tara Nicole Weyr, Kate Woods, Rob Greenlea, Alrick Riley, Ty Trullinger
Edited by: Sue Blainey, John Axness, Conrad Smart, Martin Nicholson, John M. Valerio, Jennifer Barbot, Sunny Hodge, Lauren A. Schaffer, Lynne Willingham, Scott Gamzon, Chris Figler, Lance Luckey
Cameras: ARRI ALEXA Camera, Sony PMW-F3 Camera
Script Supervisor: Action Unit
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Script Supervisor: Second Unit
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Script Supervisor: Additional Photography
In Time (2011)
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Script Supervisor: Additional Photography
Takers (2010)
Directed by: John Luessenhop
Cinematography by: Michael Barrett
Edited by: Armen Minasian
Script Supervisor: Pre-timing
Burlesque (2010)
Directed by: Steve Antin
Cinematography by: Bojan Bazelli
Edited by: Virginia Katz
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Script Supervisor: Second Unit
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Script Supervisor: Second Unit
Pineapple Express (2008)
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Script Supervisor: Second Unit
Yes Man (2008)
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Script Supervisor: Second Unit
Hancock (2008)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Script Supervisor: Second Unit
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Script Supervisor: Second Unit
Superbad (2007)
Directed by: Greg Mottola
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Phantom HD Camera
Editing System: Avid Editing System
Script Supervisor: Insert Unit
Live Free or Die Hard (2007)
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Script Supervisor: Second Unit
The Bucket List (2007)
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Script Supervisor: Action Unit
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Script Supervisor: Additional Photography
Beerfest (2006)
Directed by: Jay Chandrasekhar
Cinematography by: Frank G. DeMarco
Edited by: Lee Haxall
Script Supervisor: Splinter Unit
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Script Supervisor: Second Unit
Lords of Dogtown (2005)
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Script Supervisor: Second Unit
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
Script Supervisor: Second Unit
Bewitched (2005)
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Tia Nolan
Script Supervisor
The Game of Their Lives (2005)
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Script Supervisor: Second Unit
xXx: State of the Union (2005)
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Additional Script Supervisor / Script Supervisor - 10 Episodes, 2017-2019
Grey's Anatomy (2005)
Directed by: Rob Corn, Kevin McKidd, Debbie Allen, Chandra Wilson, Allison Liddi-Brown, Jeannot Szwarc, Tony Phelan, Nicole Rubio, Michael W. Watkins, Tom Verica, Bill D'Elia, Mark Jackson, Peter Horton, Jeff Melman, Jessica Yu, Edward Ornelas, Stephen Cragg, Linda Klein, Daniel Minahan, Julie Anne Robinson, James Frawley, Michael Pressman, Ron Underwood, Geary McLeod, Adam Davidson, Wendey Stanzler, Randy Zisk, Michael Grossman, Steve Robin, Chris Hayden, Jesse Williams, Pete Chatmon, Mark Tinker, Susan Vaill, David Greenspan, Rob Greenlea, Bobby Roth, Zetna Fuentes, Kevin Rodney Sullivan, Michael Medico, Tony Goldwyn, Adam Arkin, Seith Mann, Christopher Misiano, Greg Yaitanes, Eric Stoltz, Rob Hardy, Cherie Nowlan, Eric Laneuville, Jann Turner, Cecilie A. Mosli, Ellen Pompeo, Nzingha Stewart, Sydney Freeland, Daniel Willis, Michael Watkins, Amyn Kaderali, Sarah Pia Anderson, Scott Brazil, John David Coles, Michael Dinner, Lesli Linka Glatter, Darnell Martin, Tricia Brock, Dan Lerner, David Paymer, Tamra Davis, Bethany Rooney, Joanna Kerns, Arlene Sanford, John Terlesky, Daniel Attias, Robert Berlinger, Rob Bailey, Donna Deitch, Laura Innes, Jesse Bochco, Paul McCrane, Thomas J. Wright, Charlotte Brändström, Victoria Mahoney, Denzel Washington, Oliver Bokelberg, Lisa Leone, Louis Venosta, Krista Vernoff, Gregory T. Evans, Deborah Pratt, Lindsay Cohen, Giacomo Gianniotti, Morenike Joela Evans, Kim Raver
Cinematography by: Herbert Davis, Alicia Robbins, Steven G. Fracol, Byron Shah, Tim Suhrstedt, Jeanne Tyson, Carlos González, Ross Riege, Robert LaBonge, Christian Sebaldt, Adam Kane, Walt Fraser, Oliver Bokelberg, Daryn Okada, Jeffrey Jur, Mark Jackson, John Simmons
Edited by: Susan Vaill, Joe Mitacek, Edward Ornelas, David Greenspan, Chad Mochrie, Jason Joseph, Meghan Robertson, Vanessa Delgado, Dan Rovetto, Justin Chinn, Briana London, Kathleen Latlip, Gregory Cusumano, Matthew Ramsey, Brandi Bradburn, Bjørn T. Myrholt, Victor Du Bois, Katherine Skjerping, Roger Nygard, Sarah Boyd, Stacy Katzman, Julia Grove, Heidi Scharfe, Philip Fowler, Karoliina Tuovinen, Tom Costain, Kyle Bond, Dino DeLorenzo, Aimee Jennings, Juan Soto
Script Supervisor: Second Unit
National Treasure (2004)
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Script Supervisor: Second Unit
2 Fast 2 Furious (2003)
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Script Supervisor: Additional Photography, Visual Effects Plate Unit Script Supervisor
Holes (2003)
Directed by: Andrew Davis
Cinematography by: Stephen St. John
Script Supervisor
Down with Love (2003)
Directed by: Peyton Reed
Cinematography by: Jeff Cronenweth
Edited by: Larry Bock
Cameras: Panavision Panaflex Platinum Camera
Script Supervisor: Second Unit
Dragonfly (2002)
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Don Zimmerman
Script Supervisor: Second Unit
Collateral Damage (2002)
Directed by: Andrew Davis
Cinematography by: Adam Greenberg
Script Supervisor: Second Unit
The Scorpion King (2002)
Directed by: Chuck Russell
Cinematography by: John R. Leonetti
Script Supervisor
Mockingbird Don't Sing (2001)
Directed by: Harry Bromley Davenport
Cinematography by: Jeff Baustert
Coordinator For Hair Department
How the Grinch Stole Christmas (2000)
Directed by: Ron Howard
Cinematography by: Donald Peterman
Script Supervisor: Second Unit
Fight Club (1999)
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
