General Manger: Legend3D
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
General Manger: Legend3D
Maleficent (2014)
Directed by: Robert Stromberg
Cinematography by: Dean Semler
General Manger: Legend3D
The Amazing Spider-Man 2 (2014)
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
General Manger: Legend3D
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Compositing Manager: Legend3D
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Compositing Manager: Legend3D
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Compositing Manager: Legend3D
Life of Pi (2012)
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Compositing Manager: Legend3D
Ghost Rider: Spirit of Vengeance (2011)
Cinematography by: Brandon Trost
Edited by: Brian Berdan
Cameras: Red One MX Camera
Compositing Manager: Legend3D
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Compositing Manager: Legend3D
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Compositing Manager: Legend3D
Priest (2011)
Directed by: Scott Stewart
Cinematography by: Don Burgess
Compositing Manager: Legend3D
Green Lantern (2011)
Directed by: Martin Campbell
Cinematography by: Dion Beebe
Edited by: Stuart Baird
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System
Compositing Manager: Legend3D
The Smurfs (2011)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Cameras: Panavision Genesis Camera
Editing System: Avid Editing System
2d Manager: Digital Domain
Cinderella Man (2005)
Directed by: Ron Howard
Cinematography by: Salvatore Totino
2d Manager: Digital Domain
Stealth (2005)
Directed by: Rob Cohen
Cinematography by: Dean Semler
Edited by: Stephen E. Rivkin
2d Manager: Digital Domain
Dark Water (2005)
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
2d Manager: Digital Domain
Charlie and the Chocolate Factory (2005)
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
2d Manager: Digital Domain
Æon Flux (2005)
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
2d Manager: Digital Domain
I, Robot (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
2d Manager: Digital Domain
Flight of the Phoenix (2004)
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Don Zimmerman
Visual Effects Executive Producer: Modern VideoFilm
The Last Samurai (2003)
Directed by: Edward Zwick
Cinematography by: John Toll
Visual Effects Supervisor: Modern VideoFilm
Ghosts of the Abyss (2003)
Directed by: James Cameron
Cinematography by: Vince Pace
Visual Effects Executive Producer: Modern VideoFilm
The League of Extraordinary Gentlemen (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Creative Consultant: Main Titles
New Best Friend (2002)
Directed by: Zoe Clarke-Williams
Cinematography by: Tom Priestley Jr.
Cameras: Panavision Cameras
Visual Effects Supervisor: Modern VideoFilm
Deep Blue Sea (1999)
Directed by: Renny Harlin
Cinematography by: Stephen F. Windon
Visual Effects Supervisor: Modern VideoFilm
NetForce (1999)
Directed by: Robert Lieberman
Cinematography by: David Hennings
Edited by: Alan L. Shefland
Visual Effects Executive Producer: Modern VideoFilm
Knock Off (1998)
Directed by: Hark Tsui
Cinematography by: Arthur Wong
Visual Effects Executive Producer: Modern VideoFilm
Simon Birch (1998)
Directed by: Mark Steven Johnson
Cinematography by: Aaron Schneider
Edited by: David Finfer
Cameras: Panavision Cameras