Visual Effects Pulls
The Man from U.N.C.L.E. (2015)
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Film Recording , Visual Effects Pulls
The Gunman (2015)
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Film Recording
Paddington (2014)
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Digital Scanning
The Monuments Men (2014)
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Digital Intermediate Scanner And Recorder
Edge of Tomorrow (2014)
Directed by: Doug Liman
Cinematography by: Dion Beebe
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Film Recording
Pacific Rim (2013)
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Vfx Pulls
The Book Thief (2013)
Directed by: Brian Percival
Cinematography by: Florian Ballhaus
Edited by: John Wilson
Cameras: ARRI ALEXA Camera, ARRI ALEXA XT Plus Camera
Editing System: Avid Editing System
Digital Scanning
Mandela: Long Walk to Freedom (2013)
Directed by: Justin Chadwick
Cinematography by: Lol Crawley
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Digital Recording
Trance (2013)
Directed by: Danny Boyle
Cinematography by: Anthony Dod Mantle
Edited by: Jon Harris
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-1D Mark IV Camera, Canon EOS-C500 Camera, indiePOV Camera
Editing System: Avid Editing System
Film Recording
Gravity (2013)
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Cameras: ARRI ALEXA Camera, ARRIFLEX 765 Camera
Lenses: ARRI / Zeiss Lenses, Panavision Primo Close Focus Spherical Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Scanner And Recorder
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Digital Film Recording
The Raven (2012)
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Film Recording
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Film Recording
The Pact (2012)
Directed by: Nicholas McCarthy
Cinematography by: Bridger Nielson
Edited by: Adriaan van Zyl
Cameras: ARRI ALEXA Camera
Digital Intermediate Scanner And Recorder
Salmon Fishing in the Yemen (2011)
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Lisa Gunning
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Digital Scanning
Chalet Girl (2011)
Directed by: Phil Traill
Cinematography by: Ed Wild
Edited by: Robin Sales
Digital Intermediate Scanner And Recorder
Unknown (2011)
Directed by: Jaume Collet-Serra
Cinematography by: Flavio Martínez Labiano
Edited by: Timothy Alverson
Film Recording
Real Steel (2011)
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Film Recording
Tinker Tailor Soldier Spy (2011)
Directed by: Tomas Alfredson
Cinematography by: Hoyte Van Hoytema
Edited by: Dino Jonsäter
Editing System: Avid Editing System
Digital Intermediate Scanner And Recorder
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Film Recording
War Horse (2011)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Film Recording
Harry Potter and the Deathly Hallows: Part 2 (2011)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Digital Intermediate Scanner And Recorder
Attack the Block (2011)
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Digital Intermediate Scanner And Recorder
Sherlock Holmes: A Game of Shadows (2011)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Digital Scanning
The American (2010)
Directed by: Anton Corbijn
Cinematography by: Martin Ruhe
Edited by: Andrew Hulme
Digital Intermediate Scanner And Recorder
Brighton Rock (2010)
Directed by: Rowan Joffe
Cinematography by: John Mathieson
Edited by: Joe Walker
Film Recording
Harry Potter and the Deathly Hallows: Part 1 (2010)
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Digital Intermediate Film Recorder
Four Lions (2010)
Directed by: Christopher Morris
Cinematography by: Lol Crawley
Edited by: Billy Sneddon
Cameras: Sony HDW-F900 Camera
Digital Scanning And Recording
Centurion (2010)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Chris Gill
Editing System: Lightworks Editing System
Digital Intermediate Scanner And Recorder
It's a Wonderful Afterlife (2010)
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Oral Norrie Ottey
Digital Intermediate Scanner And Recorder
Cemetery Junction (2010)
Cinematography by: Remi Adefarasin
Edited by: Valerio Bonelli
Digital Intermediate Scanner And Recorder
127 Hours (2010)
Directed by: Danny Boyle
Edited by: Jon Harris
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, IDT / Redlake Y5 Camera, Moviecam Compact MK2 Camera, Moviecam Superlight Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Digital Intermediate Scanner And Recorder
Burke and Hare (2010)
Directed by: John Landis
Cinematography by: John Mathieson
Edited by: Mark Everson
Digital Scanning
The Imaginarium of Doctor Parnassus (2009)
Directed by: Terry Gilliam
Cinematography by: Nicola Pecorini
Edited by: Mick Audsley
Lenses: Zeiss Ultra Prime Lenses
Digital Scanning And Recording
Dorian Gray (2009)
Directed by: Oliver Parker
Cinematography by: Roger Pratt
Edited by: Guy Bensley
Lenses: Angenieux Lenses, Cooke S4 Lenses
Digital Intermediate Scanner And Recorder
Sherlock Holmes (2009)
Directed by: Guy Ritchie
Cinematography by: Philippe Rousselot
Edited by: James Herbert
Digital Scanning
St Trinian's 2: The Legend of Fritton's Gold (2009)
Cinematography by: David Higgs
Edited by: Emma E. Hickox
Digital Scanning
Last Chance Harvey (2008)
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
Digital Scanning
Slumdog Millionaire (2008)
Cinematography by: Anthony Dod Mantle
Edited by: Chris Dickens
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera
Editing System: Avid Editing System
Digital Scanning
St. Trinian's (2007)
Cinematography by: Gavin Finney
Edited by: Alex Mackie
Lenses: Cooke S4 Lenses
Film Recording
King Kong (2005)
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
