Bob Leitelt

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Furious 7 | ShotOnWhat?

Rigging Key Grip: LA Unit

Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses

Guardians of the Galaxy | ShotOnWhat?

Key Grip: Los Angeles

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Thor: The Dark World | ShotOnWhat?

Key Grip: LA/Hong Kong Unit

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Rigging Key Grip

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Incredible Burt Wonderstone | ShotOnWhat?

Rigging Key Grip

The Incredible Burt Wonderstone (2013)

Directed by: Don Scardino

Cinematography by: Matthew Clark

Edited by: Lee Haxall

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A Thousand Words | ShotOnWhat?

First Company Rigging Grip

A Thousand Words (2012)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Green Lantern | ShotOnWhat?

Rigging Foreman

Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

The Change-Up | ShotOnWhat?

Rigging Key Grip

The Change-Up (2011)

Directed by: David Dobkin

Cinematography by: Eric Alan Edwards

Edited by: Lee Haxall, Greg Hayden

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Green Hornet | ShotOnWhat?

Dolly Grip: Second Unit

The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Abduction | ShotOnWhat?

Rigging Key Grip

Abduction (2011)

Directed by: John Singleton

Cinematography by: Peter Menzies Jr.

Edited by: Bruce Cannon

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

A Nightmare on Elm Street | ShotOnWhat?

Key Grip: Los Angeles & Insert Units

A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Couples Retreat | ShotOnWhat?

Rigging Grip Foreman

Couples Retreat (2009)

Directed by: Peter Billingsley

Cinematography by: Eric Alan Edwards

Edited by: Dan Lebental

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Land of the Lost | ShotOnWhat?

Rigging Foreman

Land of the Lost (2009)

Directed by: Brad Silberling

Cinematography by: Dion Beebe

Edited by: Peter Teschner

Cameras: Panavision Cameras

Street Kings | ShotOnWhat?

Key Grip

Street Kings (2008)

Directed by: David Ayer

Cinematography by: Gabriel Beristain

Edited by: Jeffrey Ford

Blades of Glory | ShotOnWhat?

Rigging Key Grip

Blades of Glory (2007)

Directed by: Josh Gordon, Will Speck

Cinematography by: Stefan Czapsky

Edited by: Richard Pearson

Lions for Lambs | ShotOnWhat?

Key Rigging Grip

Lions for Lambs (2007)

Directed by: Robert Redford

Cinematography by: Philippe Rousselot

Edited by: Joe Hutshing

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Norbit | ShotOnWhat?

Rigging Key Grip

Norbit (2007)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Cameras: Panavision Cameras

Lenses: Panavision Lenses

You, Me and Dupree | ShotOnWhat?

Rigging Key Grip

You, Me and Dupree (2006)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Charles Minsky

Edited by: Peter B. Ellis, Debra Neil-Fisher

The Shaggy Dog | ShotOnWhat?

Rigging Key Grip

The Shaggy Dog (2006)

Directed by: Brian Robbins

Cinematography by: Gabriel Beristain

Edited by: Ned Bastille

Gridiron Gang | ShotOnWhat?

Key Grip

Gridiron Gang (2006)

Directed by: Phil Joanou

Cinematography by: Jeff Cutter

Edited by: Joel Negron

Garfield: A Tail of Two Kitties | ShotOnWhat?

Rigging Key Grip

Garfield: A Tail of Two Kitties (2006)

Directed by: Tim Hill

Cinematography by: Peter Lyons Collister

Edited by: Peter S. Elliot

Constantine | ShotOnWhat?

Rigging Key Grip

Constantine (2005)

Directed by: Francis Lawrence

Cinematography by: Philippe Rousselot

Edited by: Wayne Wahrman

Win a Date with Tad Hamilton! | ShotOnWhat?

Rigging Key Grip

Win a Date with Tad Hamilton! (2004)

Directed by: Robert Luketic

Cinematography by: Peter Lyons Collister

Edited by: Scott Hill

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Lightworks Editing System

Cradle 2 the Grave | ShotOnWhat?

Rigging Key Grip

Cradle 2 the Grave (2003)

Directed by: Andrzej Bartkowiak

Cinematography by: Daryn Okada

Edited by: Derek Brechin

Cameras: Panavision Cameras

Bad Boys II | ShotOnWhat?

Rigging Key Grip

Bad Boys II (2003)

Directed by: Michael Bay

Cinematography by: Amir Mokri

Edited by: Roger Barton, Mark Goldblatt, Tom Muldoon

Cameras: Bell & Howell Eyemo Camera, Cine SL-35 Camera, Pan-Arri 435es Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Avid Editing System

Men in Black II | ShotOnWhat?

Rigging Key Grip

Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Showtime | ShotOnWhat?

Rigging Key Grip

Showtime (2002)

Directed by: Tom Dey

Cinematography by: Thomas Kloss

Edited by: Billy Weber

Planet of the Apes | ShotOnWhat?

Rigging Key Grip

Planet of the Apes (2001)

Directed by: Tim Burton

Cinematography by: Philippe Rousselot

Edited by: Chris Lebenzon

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Kid | ShotOnWhat?

Rigging Grip

The Kid (2000)

Directed by: Jon Turteltaub

Cinematography by: Peter Menzies Jr.

Edited by: Peter Honess, David Rennie

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Cell | ShotOnWhat?

Key Rigging Grip

The Cell (2000)

Directed by: Tarsem Singh

Cinematography by: Paul Laufer

Edited by: Robert Duffy, Paul Rubell

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke S4 Lenses, Panavision Primo Primes Spherical Lenses

The General's Daughter | ShotOnWhat?

First Company Rigging Grip

The General's Daughter (1999)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Instinct | ShotOnWhat?

Key Grip: Additional Photography

Instinct (1999)

Directed by: Jon Turteltaub

Cinematography by: Philippe Rousselot

Edited by: Richard Francis-Bruce

Mercury Rising | ShotOnWhat?

Rigging Key Grip: Los Angeles

Mercury Rising (1998)

Directed by: Harold Becker

Cinematography by: Michael Seresin

Edited by: Peter Honess

The Parent Trap | ShotOnWhat?

Rigging Key Grip

The Parent Trap (1998)

Directed by: Nancy Meyers

Cinematography by: Dean Cundey

Edited by: Stephen A. Rotter

Trial and Error | ShotOnWhat?

Best Boy Grip

Trial and Error (1997)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cameras: ARRIFLEX 535 Camera

As Good as It Gets | ShotOnWhat?

Key Grip: Additional Photography

As Good as It Gets (1997)

Directed by: James L. Brooks

Cinematography by: John Bailey

Edited by: Richard Marks

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Alien: Resurrection | ShotOnWhat?

Rigging Key Grip

Alien Resurrection (1997)

Directed by: Jean-Pierre Jeunet

Cinematography by: Darius Khondji

Edited by: Hervé Schneid

Cameras: Aaton 35-III Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Out to Sea | ShotOnWhat?

Key Rigging Grip

Out to Sea (1997)

Directed by: Martha Coolidge

Cinematography by: Lajos Koltai

Edited by: Anne V. Coates

Matilda | ShotOnWhat?

Key Rigging Grip

Matilda (1996)

Directed by: Danny DeVito

Cinematography by: Stefan Czapsky

Edited by: Lynzee Klingman, Brent White

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Heat | ShotOnWhat?

Rigging Best Boy Grip

Heat (1995)

Directed by: Michael Mann

Cinematography by: Dante Spinotti

Edited by: Pasquale Buba, William Goldenberg, Dov Hoenig, Tom Rolf

Cameras: Cine SL-35 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Showgirls | ShotOnWhat?

Rigging Best Boy

Showgirls (1995)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Mark Helfrich

Cameras: ARRIFLEX 35 BL4s Camera, Moviecam Compact Camera

True Lies | ShotOnWhat?

Grip

True Lies (1994)

Directed by: James Cameron

Cinematography by: Russell Carpenter

Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Beaumont Vista Vision Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Greedy | ShotOnWhat?

Dolly Grip, Rigging Key Grip

Greedy (1994)

Directed by: Jonathan Lynn

Cinematography by: Gabriel Beristain

Edited by: Tony Lombardo

Cops and Robbersons | ShotOnWhat?

Grip

Cops and Robbersons (1994)

Directed by: Michael Ritchie

Cinematography by: Gerry Fisher

Edited by: Stephen A. Rotter, William S. Scharf

Of Mice and Men | ShotOnWhat?

Grip

Of Mice and Men (1992)

Directed by: Gary Sinise

Cinematography by: Kenneth MacMillan

Edited by: Robert L. Sinise

CrissCross | ShotOnWhat?

Grip

CrissCross (1992)

Directed by: Chris Menges

Cinematography by: Ivan Strasburg

Edited by: Tony Lawson

Body of Evidence | ShotOnWhat?

Grip

Body of Evidence (1992)

Directed by: Uli Edel

Cinematography by: Douglas Milsome

Edited by: Thom Noble

Cameras: ARRIFLEX Camera

Lenses: ARRI Lenses

Kuffs | ShotOnWhat?

Grip

Kuffs (1992)

Directed by: Bruce A. Evans

Cinematography by: Thomas Del Ruth

Edited by: Stephen Semel

Powwow Highway | ShotOnWhat?

Grip

Powwow Highway (1989)

Directed by: Jonathan Wacks

Cinematography by: Toyomichi Kurita

Edited by: Jim Stewart

Drugstore Cowboy | ShotOnWhat?

Grip

Drugstore Cowboy (1989)

Directed by: Gus Van Sant

Cinematography by: Robert D. Yeoman

Edited by: Mary Bauer, Curtiss Clayton

Johnny Be Good | ShotOnWhat?

Grip: Texas

Johnny Be Good (1988)

Directed by: Bud S. Smith

Cinematography by: Robert D. Yeoman

Edited by: M. Scott Smith

Mississippi Burning | ShotOnWhat?

Grip

Mississippi Burning (1988)

Directed by: Alan Parker

Cinematography by: Peter Biziou

Edited by: Gerry Hambling

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

Rampage | ShotOnWhat?

Grip

Rampage (1987)

Directed by: William Friedkin

Cinematography by: Robert D. Yeoman

Edited by: Jere Huggins

Cameras: Panavision Cameras

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