Digital Compositor: Image Engine
Pokémon: Detective Pikachu (2019)
Directed by: Rob Letterman
Cinematography by: John Mathieson
Compositor: Method Studios
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' An Untold Story (2016)
Directed by: Dean White
Cinematography by: Stephen Jackson
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' Labor of Love (2016)
Directed by: Billy Gierhart
Cinematography by: Stephen Jackson
Edited by: Joe Talbot Hall
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' Her Handsome Hero (2016)
Directed by: Romeo Tirone
Cinematography by: Stephen Jackson
Edited by: Mark Goldman
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' Last Rites (2016)
Directed by: Craig Powell
Cinematography by: Stephen Jackson
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' The Brothers Jones (2016)
Directed by: Eagle Egilsson
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' Sisters (2016)
Directed by: Romeo Tirone
Cinematography by: Stephen Jackson
Edited by: Joe Talbot Hall
Visual Effects: Image Engine
'Game of Thrones' Mother's Mercy (2015)
Directed by: David Nutter
Cinematography by: Robert McLachlan
Edited by: Tim Porter
Visual Effects: Image Engine
'Game of Thrones' The Gift (2015)
Directed by: Miguel Sapochnik
Cinematography by: Fabian Wagner
Edited by: Crispin Green
Digital Compositor: Scanline VFX
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Digital Compositor: Image Engine
Chappie (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' Swan Song (2015)
Directed by: Gwyneth Horder-Payton
Cinematography by: Stephen Jackson
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' The Bear King (2015)
Directed by: Geofrey Hildrew
Cinematography by: Tony Mirza
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' The Bear and the Bow (2015)
Directed by: Ralph Hemecker
Cinematography by: Stephen Jackson
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' The Broken Kingdom (2015)
Directed by: Alrick Riley
Cinematography by: Stephen Jackson
Edited by: Mark Goldman
Visual Effects Lead Compositor: Zoic Studios
'Once Upon a Time' The Price (2015)
Directed by: Romeo Tirone
Cinematography by: Stephen Jackson
Edited by: Geofrey Hildrew
Digital Compositor: LOOK! Effects
Noah (2014)
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Andrew Weisblum
Cameras: ARRI ALEXA Plus Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Visual Effects: LOOK! Effects
'Game of Thrones' The Lion and the Rose (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: LOOK! Effects
'Game of Thrones' Breaker of Chains (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Katie Weiland
Visual Effects: LOOK! Effects
'Game of Thrones' Two Swords (2014)
Cinematography by: Jonathan Freeman
Edited by: Katie Weiland
Digital Compositor: Image Engine
R.I.P.D. (2013)
Directed by: Robert Schwentke
Cinematography by: Alwin H. Küchler
Edited by: Mark Helfrich
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Digital Compositor: Image Engine
Furious 6 (2013)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Digital Compositor: Method Studios Vancouver
G.I. Joe: Retaliation (2013)
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Compositor: Image Engine
Lone Survivor (2013)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Colby Parker Jr.
Cameras: Phantom Flex Camera, Red Epic Camera
Digital Compositor: CIS Vancouver
Journey 2: The Mysterious Island (2012)
Directed by: Brad Peyton
Cinematography by: David Tattersall
Edited by: David Rennie
Composite Artist: Image Design
Zero Dark Thirty (2012)
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Digital Compositor: Method Studios Vancouver
Dark Shadows (2012)
Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: Chris Lebenzon
Visual Effects: LOOK! Effects / Visual Effects: Image Engine - 5 Episodes, 2014-2015
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Visual Effects Lead Compositor: Zoic Studios - 11 Episodes, 2015-2016
Once Upon a Time (2011)
Directed by: Ralph Hemecker, Ron Underwood, Dean White, Romeo Tirone, Steve Pearlman, Gwyneth Horder-Payton, Billy Gierhart, David Solomon, Milan Cheylov, Alrick Riley, Eagle Egilsson, David Barrett, Paul A. Edwards, Guy Ferland, Mario Van Peebles, Geofrey Hildrew, Jon Amiel, Morgan Beggs, Mick Garris, Sharat Raju, Greg Beeman, Mark Mylod, Victor Nelli Jr., Anthony Hemingway, Bryan Spicer, Michael Waxman, David Boyd, Ciaran Donnelly, Andy Goddard, Alex Zakrzewski, Ernest R. Dickerson, Adam Horowitz, Mairzee Almas, Norman Buckley, Rob Duncan, Eriq La Salle, Jennifer Lynch, Craig Powell, Alex Kalymnios, Michael Schultz, Tara Nicole Weyr, Kate Woods, Tessa Blake, Nina Lopez-Corrado, Steve Miner, Antonio Negret, Lana Parrilla, Ellen S. Pressman
Digital Compositor: Mr.X Inc.
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Digital Compositor: Mr.X Inc.
A Dangerous Method (2011)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Cooke S4 Lenses
Digital Compositor: Mr.X
Hanna (2011)
Directed by: Joe Wright
Cinematography by: Alwin H. Küchler
Edited by: Paul Tothill
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony Other Camera
Editing System: Lightworks Editing System
Digital Compositor: Switch VFX
Saw 3D: The Final Chapter (2010)
Directed by: Kevin Greutert
Cinematography by: Brian Gedge
Edited by: Andrew Coutts
Cameras: Silicon Imaging SI-2K Camera
Digital Compositor: Hybride
Dragonball Evolution (2009)
Directed by: James Wong
Cinematography by: Robert McLachlan
Digital Artist: Hybride
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Digital Compositor: Hybride
Shorts (2009)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Cameras: Panavision Genesis Camera
Digital Compositor: Hybride
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Digital Compositor: Hybride
The Final Destination (2009)
Directed by: David R. Ellis
Cinematography by: Glen MacPherson
Edited by: Mark Stevens
Cameras: Sony CineAlta F23 Camera, Sony HDC-F950 Camera
Digital Compositor: Hybride
Whiteout (2009)
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Digital Compositor: Hybride
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Digital Compositor: Hybride
300 (2006)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Production Assistant: Hybride
Snakes on a Plane (2006)
Directed by: David R. Ellis
Cinematography by: Adam Greenberg
Edited by: Howard E. Smith
Post Production Assistant: Hybride
The Adventures of Sharkboy and Lavagirl 3-D (2005)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Production Assistant: Hybride
The Last Sign (2005)
Directed by: Douglas Law
Cinematography by: Jean-Claude Larrieu
Production Assistant: Hybride Technologies
Sin City (2005)
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDC-F950 Camera, Sony Other Camera
Editing System: Avid Editing System
Post Production Assistant: Hybride
Maurice Richard (2005)
Directed by: Charles Binamé
Cinematography by: Pierre Gill
Edited by: Michel Arcand
Post Production Assistant: Hybride
Battle of the Brave (2004)
Directed by: Jean Beaudin
Cinematography by: Louis de Ernsted
Cameras: ARRIFLEX Camera, Moviecam Cameras
Post Production Assistant: Hybride
Sky Captain and the World of Tomorrow (2004)
Directed by: Kerry Conran
Cinematography by: Eric Adkins
Edited by: Sabrina Plisco
Cameras: Sony HDW-F900 Camera
Editing System: Final Cut Pro Editing System
Post Production Assistant: Hybride
Spy Kids 3-D: Game Over (2003)
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Production Assistant: Hybride
Spymate (2003)
Directed by: Robert Vince
Cinematography by: Mike Southon
Edited by: Kelly Herron
