Camera Operator
A Star Is Born (2018)
Directed by: Bradley Cooper
Cinematography by: Matthew Libatique
Edited by: Jay Cassidy
Cameras: ARRI ALEXA Mini Camera
Lenses: Angenieux Optimo Anamorphic Lenses, Cooke Anamorphic/i SF 25mm T2.3 Lens, Cooke Anamorphic/i SF 32mm T2.3 Lens, Cooke Anamorphic/i SF 40mm T2.3 Lens, Cooke Anamorphic/i SF 50mm T2.3 Lens, Cooke Anamorphic/i SF 75mm T2.3 Lens, Cooke Anamorphic/i SF Prime Lenses, Kowa Cine Prominar Anamorphic Lenses
Camera Operator: Additional Photography
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Camera Operator
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Jon Gregory
Cameras: ARRI ALEXA XT Series Cameras
Camera Operator: Second Unit
Tomorrowland (2015)
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Camera Operator / Steadicam Operator
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Camera Operator
The Maze Runner (2014)
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Steadicam Operator
Wild (2014)
Directed by: Jean-Marc Vallée
Cinematography by: Yves Bélanger
Cameras: ARRI ALEXA XT Camera
Camera Operator
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
"a" Camera Operator
Seven Psychopaths (2012)
Directed by: Martin McDonagh
Cinematography by: Ben Davis
Edited by: Lisa Gunning
Camera Operator
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
Red Riding Hood (2011)
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Camera Operator / Steadicam Operator
J. Edgar (2011)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Camera Operator: "a" Camera, Additional Photography
Tron (2010)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: James Haygood
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Editing System: Avid Editing System
Camera Operator: "a" Camera / Steadicam Operator
Charlie St. Cloud (2010)
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Camera Operator
Tooth Fairy (2010)
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Camera Operator / Steadicam Operator
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Camera Operator / Steadicam Operator
Invictus (2009)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Operator: Additional Photography
Old Dogs (2009)
Directed by: Walt Becker
Cinematography by: Jeffrey L. Kimball
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator
Stop-Loss (2008)
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Camera Operator
The Day the Earth Stood Still (2008)
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Additional Camera Operator
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Additional Camera Operator
The Spiderwick Chronicles (2008)
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Camera Operator / Steadicam Operator
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Camera Operator / Steadicam Operator
Gran Torino (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Editing System: Avid Editing System
Camera Operator
Rails & Ties (2007)
Directed by: Alison Eastwood
Cinematography by: Tom Stern
Edited by: Gary Roach
Additional Camera Operator
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Camera Operator
Letters from Iwo Jima (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Camera Operator
The Last Kiss (2006)
Directed by: Tony Goldwyn
Cinematography by: Tom Stern
Edited by: Lisa Zeno Churgin
Camera Operator / Steadicam Operator
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Camera Operator: "a" Camera
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Camera Operator
A Sound of Thunder (2005)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Camera Operator
Be Cool (2005)
Directed by: F. Gary Gray
Cinematography by: Jeffrey L. Kimball
Edited by: Sheldon Kahn
Steadicam Operator: Los Angeles
Where the Truth Lies (2005)
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Platinum Camera
Camera Operator
50 First Dates (2004)
Directed by: Peter Segal
Cinematography by: Jack N. Green
Edited by: Jeff Gourson
Cameras: Panavision Cameras
Camera Operator / Steadicam Operator
Million Dollar Baby (2004)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Cameras: Panavision Panaflex Platinum Camera
Camera Operator: "a" Camera
Bobby Jones: Stroke of Genius (2004)
Directed by: Rowdy Herrington
Cinematography by: Tom Stern
Edited by: Pasquale Buba
Cameras: Panavision Cameras
Camera Operator / Steadicam Operator
Mystic River (2003)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Camera Operator
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Camera Operator / Steadicam Operator
Blood Work (2002)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Steadicam Operator
Vanilla Sky (2001)
Directed by: Cameron Crowe
Cinematography by: John Toll
Cameras: Panavision Panaflex Gold Camera
Camera Operator / Steadicam Operator
Space Cowboys (2000)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Steadicam Operator
Romeo Must Die (2000)
Directed by: Andrzej Bartkowiak
Cinematography by: Glen MacPherson
Edited by: Derek Brechin
Camera Operator
Pay It Forward (2000)
Directed by: Mimi Leder
Cinematography by: Oliver Stapleton
Edited by: David Rosenbloom
Cameras: Panavision Cameras
Steadicam Operator
Nutty Professor II: The Klumps (2000)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Camera Operator / Steadicam Operator
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Camera Operator / Steadicam Operator
Double Jeopardy (1999)
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Camera Operator: "a" Camera / Steadicam Operator
End of Days (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Camera Operator: Los Angeles Post-production Unit
The Thin Red Line (1998)
Directed by: Terrence Malick
Cinematography by: John Toll
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Panavision C100 100 mm T2.8 Lens, Panavision C40 40 mm T2.8 Lens, Panavision C50 50 mm T2.3 Lens, Panavision C75 75 mm T2.5 Lens, Panavision Primo AL100 100 mm T2.0 Lens, Panavision Primo AL40 40 mm T2.0 Lens, Panavision Primo AL50 50 mm T2.0 Lens, Panavision Primo AL75 75 mm T2.0 Lens
Editing System: Avid Editing System
Camera Operator
The Patriot (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Derek Brechin
Cameras: Panavision Cameras
Camera Operator: "a" Camera / Steadicam Operator
Midnight in the Garden of Good and Evil (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: Panavision Cameras
Camera Operator / Steadicam Operator
Absolute Power (1997)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Camera Operator / Steadicam Operator
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Camera Operator / Steadicam Operator
Home Alone 3 (1997)
Directed by: Raja Gosnell
Cinematography by: Julio Macat
Cameras: Panavision Panaflex Gold Camera
Camera Operator
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
Camera Operator
'The X-Files' Talitha Cumi (1996)
Directed by: R.W. Goodwin
Cinematography by: John S. Bartley
Edited by: Jim Gross
Steadicam Operator
Congo (1995)
Directed by: Frank Marshall
Cinematography by: Allen Daviau
Edited by: Anne V. Coates
Camera Operator / Steadicam Operator
The Bridges of Madison County (1995)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Camera Operator
Look Who's Talking Now (1993)
Directed by: Tom Ropelewski
Cinematography by: Oliver Stapleton
Camera Operator - 1 Episode, 1996
The X-Files (1993)
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
Camera Operator
To Grandmother's House We Go (1992)
Directed by: Jeff Franklin
Cinematography by: Richard Leiterman
Edited by: Bill Petty
Steadicam Operator
The Freshman (1990)
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Steadicam Operator
Dead Bang (1989)
Directed by: John Frankenheimer
Cinematography by: Gerry Fisher
Edited by: Robert F. Shugrue
