Operations Manager: Company 3 UK
Aftersun (2022)
Directed by: Charlotte Wells
Cinematography by: Gregory Oke
Edited by: Blair McClendon
Cameras: ARRICAM Lite (LT) Camera
Lenses: Cooke S4/i Lenses
Head Of Operations: Company 3
Tár (2022)
Directed by: Todd Field
Cinematography by: Florian Hoffmeister
Edited by: Monika Willi
Lenses: ARRI Signature Prime Lenses
Operations Manager: Company 3 UK
House of Gucci (2021)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA Mini LF Camera
Operations Manager: Company 3 UK
No Time to Die (2021)
Directed by: Cary Joji Fukunaga
Cinematography by: Linus Sandgren
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, ARRIFLEX 765 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Operations Manager: Dailies, Company 3
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Head Of Operations: UK
Christopher Robin (2018)
Directed by: Marc Forster
Cinematography by: Matthias Koenigswieser
Edited by: Matt Chesse
Head Of Operations
Suburbicon (2017)
Directed by: George Clooney
Cinematography by: Robert Elswit
Edited by: Stephen Mirrione
Cameras: ARRI ALEXA XT Plus Camera
Head Of Operations: Company 3
All the Money in the World (2017)
Movie
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Claire Simpson
Cameras: ARRI ALEXA XT Series Cameras
Lenses: Panavision Super Speed Lenses
Operations Manager: Company 3 UK
Wonder Woman (2017)
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Operations Manager: Company 3
Anthropoid (2016)
Directed by: Sean Ellis
Cinematography by: Sean Ellis
Edited by: Richard Mettler
Cameras: ARRIFLEX 416 Camera
Lenses: Hawk V-Lite 16 Lens
Operations Manager: Company 3
Assassin's Creed (2016)
Directed by: Justin Kurzel
Cinematography by: Adam Arkapaw
Edited by: Christopher Tellefsen
Cameras: ARRI ALEXA 65 Camera
Dailies
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Operations Manager: Company 3
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Operations Manager, Company 3
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Operations Manager: Company 3
Spectre (2015)
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Operations Manager: Company 3
Mission: Impossible - Rogue Nation (2015)
Directed by: Christopher McQuarrie
Cinematography by: Robert Elswit
Edited by: Eddie Hamilton
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Operations Manager: Company 3
Hercules (2014)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Cameras: ARRI ALEXA XT Camera
Post-production Supervisor
'Misfits' Episode #5.2 (2013)
Directed by: William McGregor
Cinematography by: Adam Etherington
Edited by: Robin Hill
Visual Effects Producer
'Merlin' With All My Heart (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Tom White
Post-production Supervisor
'Misfits' Episode #4.7 (2012)
Directed by: Dusan Lazarevic
Cinematography by: Damian Bromley
Edited by: Richard Graham
Post-production Supervisor
'Misfits' Episode #4.2 (2012)
Directed by: Nirpal Bhogal
Cinematography by: Damian Bromley
Edited by: Jake Roberts
Visual Effects Producer
'Merlin' The Death Song of Uther Pendragon (2012)
Directed by: Justin Molotnikov
Cinematography by: Dale McCready
Edited by: Jeremy Strachan
Visual Effects Producer
'Merlin' Another's Sorrow (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Visual Effects Producer
'Merlin' The Disir (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Visual Effects Producer
'Merlin' The Dark Tower (2012)
Directed by: Ashley Way
Cinematography by: Ashley Rowe
Edited by: Elen Pierce Lewis
Visual Effects Producer
'Merlin' A Lesson in Vengeance (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Belinda Cottrell
Visual Effects Producer
'Merlin' The Hollow Queen (2012)
Directed by: Alice Troughton
Cinematography by: Ashley Rowe
Edited by: Tom White
Post-production Supervisor
'Misfits' Episode #3.2 (2011)
Cinematography by: Felix Wiedemann
Edited by: Robin Peters
Post-production Supervisor
'Misfits' Episode #3.3 (2011)
Directed by: William Sinclair
Cinematography by: Felix Wiedemann
Edited by: Tom Hemmings
Post-production Supervisor
'Misfits' Episode #3.4 (2011)
Cinematography by: Felix Wiedemann
Edited by: Robin Peters
Post-production Supervisor
'Misfits' Episode #3.5 (2011)
Directed by: William Sinclair
Cinematography by: Felix Wiedemann
Edited by: Tom Hemmings
Post-production Supervisor
'Misfits' Episode #3.6 (2011)
Directed by: Jonathan van Tulleken
Cinematography by: Felix Wiedemann
Edited by: James Hughes
Post-production Supervisor
'Misfits' Episode #3.7 (2011)
Directed by: William Sinclair
Cinematography by: Felix Wiedemann
Edited by: Tom Hemmings
Post-production Supervisor
'Misfits' Episode #3.8 (2011)
Directed by: Jonathan van Tulleken
Cinematography by: Felix Wiedemann
Edited by: James Hughes
Visual Effects Executive Producer: Bluff Hampton Company
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
3d Post Supervisor / Production Support: Cinesite
The Nutcracker in 3D (2010)
Directed by: Andrey Konchalovskiy
Cinematography by: Mike Southon
Visual Effects
Tamara Drewe (2010)
Directed by: Stephen Frears
Cinematography by: Ben Davis
Edited by: Mick Audsley
Visual Effects: Bluff Hampton Company
Nine (2009)
Directed by: Rob Marshall
Cinematography by: Dion Beebe
3D Production Manager: Cinesite
Moon (2009)
Directed by: Duncan Jones
Cinematography by: Gary Shaw
Edited by: Nicolas Gaster
Cg Manager: Cinesite
Harry Potter and the Half-Blood Prince (2009)
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Post-production Supervisor - 10 Episodes, 2011-2013
Misfits (2009)
Directed by: Tom Green, Jonathan van Tulleken, Tom Harper, Wayne Yip, China Moo-Young, Owen Harris, Alex Garcia Lopez, William Sinclair, Nirpal Bhogal, William McGregor, Dusan Lazarevic, Lewis Arnold, Lawrence Gough, Amanda Boyle
Cinematography by: Christopher Ross, Felix Wiedemann, Damian Bromley, David Raedeker, Adam Etherington, Tim Sidell, Simon Tindall, Jonathan Harvey, Sam Care
Edited by: Tom Hemmings, Andrew MacRitchie, Crispin Green, David Head, Robin Peters, Jake Roberts, Matthew Tabern, Robin Hill, Celia Haining, James Hughes, Richard Graham, Stephen Haren, Christopher Watson, Mark Eckersley, Kim Gaster
Cameras: Red One Camera
3D Supervisor: Cinesite
Bedtime Stories (2008)
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Visual Effects Producer - 7 Episodes, 2012
Merlin (2008)
Directed by: Jeremy Webb, Alice Troughton, David Moore, Justin Molotnikov, Ashley Way, Ed Fraiman, James Hawes, Metin Hüseyin, Alex Pillai, Stuart Orme, Declan O'Dwyer
Cinematography by: Dale McCready, Ashley Rowe, Sam McCurdy, Geoffrey Wharton, Peter Greenhalgh, Jim O'Donnell
Edited by: Simon Reglar, Elen Pierce Lewis, Jeremy Strachan, Fiona Colbeck, Tom White, Mark Eckersley, Crispin Green, Mark Thornton, Bjorn Johnson, Andrew McClelland, Jackie Ophir, Belinda Cottrell, Tim Marchant, Annie Kocur, William Webb
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
3D Manager: Cinesite
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Digital Artist: Cinesite
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Production Support: Cinesite
Arn: Tempelriddaren (2007)
Directed by: Peter Flinth
Cinematography by: Eric Kress
Senior Producer: Framestore CFC
United 93 (2006)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Editing System: Avid Editing System
Senior Producer: Framestore CFC
Basic Instinct 2 (2006)
Directed by: Michael Caton-Jones
Cinematography by: Gyula Pados
Senior Digital Intermediate Producer, Senior Producer: Framestore CFC
Breaking and Entering (2006)
Directed by: Anthony Minghella
Cinematography by: Benoît Delhomme
Edited by: Lisa Gunning
Lenses: Zeiss Ultra Prime Lenses
Senior Producer: Framestore CFC
Flyboys (2006)
Directed by: Tony Bill
Cinematography by: Henry Braham
Senior Producer: Framestore CFC
Lassie (2005)
Directed by: Charles Sturridge
Cinematography by: Howard Atherton
Producer: Framestore CFC
Breakfast on Pluto (2005)
Directed by: Neil Jordan
Cinematography by: Declan Quinn
Edited by: Tony Lawson
Senior Producer: Framestore CFC
Nanny McPhee (2005)
Directed by: Kirk Jones
Cinematography by: Henry Braham
Senior Digital Intermediate Producer: Framestore CFC
The Constant Gardener (2005)
Directed by: Fernando Meirelles
Cinematography by: César Charlone
Edited by: Claire Simpson
Cameras: Aaton A-Minima Camera, Aaton XTR Prod Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Angenieux HR Zoom Lenses
Senior Producer: Framestore CFC
The Proposition (2005)
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Jon Gregory
Executive Producer: Framestore-CFC
Resident Evil: Apocalypse (2004)
Directed by: Alexander Witt
Edited by: Eddie Hamilton
Digital Intermediate Producer: Framestore CFC
Bridget Jones: The Edge of Reason (2004)
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Digital Grade Producer
Thunderbirds (2004)
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Digital Lab Producer
Enduring Love (2004)
Directed by: Roger Michell
Cinematography by: Haris Zambarloukos
Edited by: Nicolas Gaster
Digital Intermediate Producer
Layer Cake (2004)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Cameras: Moviecam Compact Camera
Lenses: Cooke Xtal Express Lenses
Senior Producer: Framestore CFC
The Libertine (2004)
Directed by: Laurence Dunmore
Cinematography by: Alexander Melman
Edited by: Jill Bilcock
Digital Intermediate Producer, Senior Digital Grade Producer: Framestore CFC
Around the World in 80 Days (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Digital Intermediate Producer, Producer: Framestore CFC
Beyond the Sea (2004)
Directed by: Kevin Spacey
Cinematography by: Eduardo Serra
Edited by: Trevor Waite
Digital Lab Producer
Bright Young Things (2003)
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Digital Lab Producer: Framestore CFC, Digital Lab Producer: Framestore CFC / Digital Laboratory Producer
Cold Mountain (2003)
Directed by: Anthony Minghella
Cinematography by: John Seale
Edited by: Walter Murch
Editing System: Final Cut Pro Editing System
Digital Lab Producer: Cinesite Europe
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
