Digital Colourist
Outlaw King (2018)
Directed by: David Mackenzie
Cinematography by: Barry Ackroyd
Edited by: Jake Roberts
Digital Colourist
American Animals (2018)
Directed by: Bart Layton
Cinematography by: Ole Bratt Birkeland
Digital Colourist
The Favourite (2018)
Directed by: Yorgos Lanthimos
Cinematography by: Robbie Ryan
Edited by: Yorgos Mavropsaridis
Supervising Digital Colourist
Murder on the Orient Express (2017)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Mick Audsley
Digital Colourist
The Killing of a Sacred Deer (2017)
Directed by: Yorgos Lanthimos
Cinematography by: Thimios Bakatakis
Edited by: Yorgos Mavropsaridis
Cameras: ARRICAM Lite (LT) Camera
Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Colourist
Jason Bourne (2016)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Colourist
American Honey (2016)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Joe Bini
Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera
Digital Colourist
London Has Fallen (2016)
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Digital Colourist
Eddie the Eagle (2015)
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Martin Walsh
Digital Colourist
Cinderella (2015)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Lenses: Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Digital Colorist
Kingsman: The Secret Service (2014)
Directed by: Matthew Vaughn
Cinematography by: George Richmond
Editing System: Avid Editing System
Digital Colourist
Jack Ryan: Shadow Recruit (2014)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Martin Walsh
Editing System: Avid Editing System
Digital Colorist
Philomena (2013)
Directed by: Stephen Frears
Cinematography by: Robbie Ryan
Edited by: Valerio Bonelli
Cameras: ARRI ALEXA Camera
Digital Colorist
Captain Phillips (2013)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Digital Colorist, Digital Colourist
The Woman in Black (2012)
Directed by: James Watkins
Cinematography by: Tim Maurice-Jones
Edited by: Jon Harris
Digital Colourist
Frankenweenie (2012)
Directed by: Tim Burton
Cinematography by: Peter Sorg
Cameras: Canon EOS-5D Mark II Camera
Editing System: Avid Editing System
Digital Colourist
Contraband (2012)
Directed by: Baltasar Kormákur
Cinematography by: Barry Ackroyd
Edited by: Elísabet Ronaldsdóttir
Cameras: Aaton Penelope Camera
Digital Colourist, Digital Intermediate Colorist: Deluxe 142
The Iron Lady (2011)
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Digital Colorist
Wuthering Heights (2011)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Colourist
The Inbetweeners Movie (2011)
Directed by: Ben Palmer
Cinematography by: Ben Wheeler
Cameras: ARRI ALEXA Camera
Digital Colourist
The Decoy Bride (2011)
Directed by: Sheree Folkson
Cinematography by: Nanu Segal
Edited by: Dan Farrell
Digital Colorist, Digital Colourist
Tyrannosaur (2011)
Directed by: Paddy Considine
Cinematography by: Erik Wilson
Edited by: Pia Di Ciaula
Cameras: Canon EOS-5D Mark II Camera, Red One MX Camera
Lenses: Cooke Speed Panchro Lenses
Digital Colorist, Digital Colourist
The Special Relationship (2010)
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Digital Colourist, Digital Intermediate Colorist
Green Zone (2010)
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Digital Colorist
Fish Tank (2009)
Directed by: Andrea Arnold
Cinematography by: Robbie Ryan
Edited by: Nicolas Chaudeurge
Digital Colourist
44 Inch Chest (2009)
Directed by: Malcolm Venville
Cinematography by: Daniel Landin
Edited by: Rick Russell
Cameras: ARRICAM Lite (LT) Camera
Digital Colorist: Ascent 142 Features
Vampire Killers (2009)
Directed by: Phil Claydon
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: Red One Camera
Digital Colourist
The Disappearance of Alice Creed (2009)
Directed by: J Blakeson
Cinematography by: Philipp Blaubach
Edited by: Mark Eckersley
Digital Colourist
The Crimson Wing: Mystery of the Flamingos (2008)
Cinematography by: Matthew Aeberhard
Edited by: Nicolas Chaudeurge
Digital Colorist
Telstar: The Joe Meek Story (2008)
Directed by: Nick Moran
Cinematography by: Peter Wignall
Edited by: Alex Marsh
Digital Colourist
The Escapist (2008)
Directed by: Rupert Wyatt
Cinematography by: Philipp Blaubach
Edited by: Joe Walker
Colorist, Digital Colourist UK
Quantum of Solace (2008)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Digital Intermediate Colorist
RocknRolla (2008)
Directed by: Guy Ritchie
Cinematography by: David Higgs
Edited by: James Herbert
Cameras: ARRIFLEX D-20 Camera
Additional Digital Colorist, Digital Colourist
Sweeney Todd: The Demon Barber of Fleet Street (2007)
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Digital Colourist
The Baker (2007)
Directed by: Gareth Lewis
Cinematography by: Sean Bobbitt
Edited by: Alan Strachan
Cameras: ARRI Cameras
Colorist, Digital Colourist
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Digital Colorist: Soho Images
Black Book (2006)
Directed by: Paul Verhoeven
Cinematography by: Karl Walter Lindenlaub
Digital Colourist
Terry Pratchett's Hogfather (2006)
Directed by: Vadim Jean
Cinematography by: Gavin Finney
Edited by: Joe McNally
Cameras: ARRIFLEX D-20 Camera
Digital Colourist
The Brothers Grimm (2005)
Directed by: Terry Gilliam
Cinematography by: Newton Thomas Sigel
Edited by: Lesley Walker
