Louis D'Esposito

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Executive Producer

Guardians of the Galaxy Vol. 3 (2023)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Executive Producer

Black Panther: Wakanda Forever (2022)

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Avengers: Endgame | ShotOnWhat?

Executive Producer

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Executive Producer

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Black Panther | ShotOnWhat?

Executive Producer

Black Panther (2018)

Directed by: Ryan Coogler

Cinematography by: Rachel Morrison

Edited by: Debbie Berman, Michael P. Shawver

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera, Canon EOS-C300 Mark II Camera, Red Weapon Dragon Camera

Lenses: Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision SL27-M 27 mm T1.9 Lens, Panavision SL30-MS 30 mm T1.9 Lens, Panavision SL35-M 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens

Thor: Ragnarok | ShotOnWhat?

Executive Producer

Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Guardians of the Galaxy Vol. 2 | ShotOnWhat?

Executive Producer

Guardians of the Galaxy Vol. 2 (2017)

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Fred Raskin, Craig Wood

Cameras: Red Weapon Dragon Camera

Lenses: Panavision Primo 70 Lenses

Spider-Man: Homecoming | ShotOnWhat?

Executive Producer

Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Doctor Strange | ShotOnWhat?

Executive Producer

Doctor Strange (2016)

Directed by: Scott Derrickson

Cinematography by: Ben Davis

Edited by: Sabrina Plisco, Wyatt Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera

Lenses: Angenieux Optimo Zoom Lenses, Fujinon Premier Lenses, Panavision 65mm Prime Lenses, Panavision Primo 70 Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Captain America: Civil War | ShotOnWhat?

Executive Producer

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

Avengers: Age of Ultron | ShotOnWhat?

Executive Producer

Avengers: Age of Ultron (2015)

Directed by: Joss Whedon

Cinematography by: Ben Davis

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA XT Studio Camera, Blackmagic Pocket Cinema Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera, Red One MX Camera

Lenses: Panavision Primo Anamorphic Lenses

Guardians of the Galaxy | ShotOnWhat?

Executive Producer

Guardians of the Galaxy (2014)

Directed by: James Gunn

Cinematography by: Ben Davis

Edited by: Fred Raskin, Hughes Winborne, Craig Wood

Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Xtal Xpress 50mm T2.3 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL24-MS 24 mm T1.7 Lens, Panavision SL27 27 mm T1.9 Lens

Captain America: The Winter Soldier | ShotOnWhat?

Executive Producer

Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

Thor: The Dark World | ShotOnWhat?

Executive Producer

Thor: The Dark World (2013)

Directed by: Alan Taylor

Cinematography by: Kramer Morgenthau

Edited by: Dan Lebental, Wyatt Smith

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Phantom Flex Camera, Red Epic Camera

Lenses: Panavision G Series Anamorphic Lenses

Iron Man Three | ShotOnWhat?

The Avengers | ShotOnWhat?

Executive Producer

The Avengers (2012)

Directed by: Joss Whedon

Cinematography by: Seamus McGarvey

Edited by: Jeffrey Ford, Lisa Lassek

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera

Lenses: Panavision Frazier Lenses, Panavision Lenses

Editing System: Avid Editing System

Captain America: The First Avenger | ShotOnWhat?

Executive Producer, Unit Production Manager

Captain America: The First Avenger (2011)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva, Jeffrey Ford

Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Thor | ShotOnWhat?

Executive Producer

Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Iron Man 2 | ShotOnWhat?

Executive Producer

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Iron Man | ShotOnWhat?

Executive Producer, Unit Production Manager

Iron Man (2008)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke CXX 15-40mm T2.0 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System, Final Cut Pro Editing System

The Pursuit of Happyness | ShotOnWhat?

Executive Producer, Unit Production Manager

The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

S.W.A.T. | ShotOnWhat?

Executive Producer

S.W.A.T. (2003)

Directed by: Clark Johnson

Cinematography by: Gabriel Beristain

Edited by: Michael Tronick

Sweet Home Alabama | ShotOnWhat?

First Assistant Director

Sweet Home Alabama (2002)

Directed by: Andy Tennant

Cinematography by: Andrew Dunn

Edited by: Troy Takaki, Tracey Wadmore-Smith

Stuart Little 2 | ShotOnWhat?

First Assistant Director

Stuart Little 2 (2002)

Directed by: Rob Minkoff

Cinematography by: Steven Poster

Edited by: Priscilla Nedd-Friendly

The Glass House | ShotOnWhat?

First Assistant Director

The Glass House (2001)

Directed by: Daniel Sackheim

Cinematography by: Alar Kivilo

Edited by: Howard E. Smith

Hollow Man | ShotOnWhat?

First Assistant Director

Hollow Man (2000)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Ron Vignone

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Standard Speed Prime Lenses

Dudley Do-Right | ShotOnWhat?

First Assistant Director

Dudley Do-Right (1999)

Directed by: Hugh Wilson

Cinematography by: Donald E. Thorin

Edited by: Don Brochu

I Still Know What You Did Last Summer | ShotOnWhat?

First Assistant Director

I Still Know What You Did Last Summer (1998)

Directed by: Danny Cannon

Cinematography by: Vernon Layton

Edited by: Peck Prior

I Know What You Did Last Summer | ShotOnWhat?

First Assistant Director

I Know What You Did Last Summer (1997)

Directed by: Jim Gillespie

Cinematography by: Denis Crossan

Edited by: Steve Mirkovich

Cameras: Panavision Cameras

The Shadow | ShotOnWhat?

First Assistant Director

The Shadow (1994)

Directed by: Russell Mulcahy

Cinematography by: Stephen H. Burum

Edited by: Peter Honess

Super Mario Bros. | ShotOnWhat?

First Assistant Director

Super Mario Bros. (1993)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Dean Semler

Edited by: Mark Goldblatt

Demolition Man | ShotOnWhat?

First Assistant Director

Demolition Man (1993)

Directed by: Marco Brambilla

Cinematography by: Alex Thomson

Edited by: Stuart Baird

Basic Instinct | ShotOnWhat?

Associate Producer, First Assistant Director

Basic Instinct (1992)

Directed by: Paul Verhoeven

Cinematography by: Jan de Bont

Edited by: Frank J. Urioste

Cameras: Panavision Panaflex Camera

Lenses: Panavision Primo Anamorphic Lenses

Another You | ShotOnWhat?

Associate Producer, First Assistant Director

Another You (1991)

Directed by: Maurice Phillips

Cinematography by: Victor J. Kemper

Edited by: Dennis M. Hill

Once Around | ShotOnWhat?

First Assistant Director

Once Around (1991)

Directed by: Lasse Hallström

Cinematography by: Theo van de Sande

Edited by: Andrew Mondshein

Cameras: Panavision Cameras

The Freshman | ShotOnWhat?

First Assistant Director

The Freshman (1990)

Directed by: Andrew Bergman

Cinematography by: William A. Fraker

Edited by: Barry Malkin

Glory | ShotOnWhat?

First Assistant Director: Second Unit

Glory (1989)

Directed by: Edward Zwick

Cinematography by: Freddie Francis

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Gold II Camera

Major League | ShotOnWhat?

First Assistant Director

Major League (1989)

Directed by: David S. Ward

Cinematography by: Reynaldo Villalobos

Edited by: Dennis M. Hill

Cameras: Panavision Cameras

D.O.A. | ShotOnWhat?

First Assistant Director

D.O.A. (1988)

Directed by: Annabel Jankel, Rocky Morton

Cinematography by: Yuri Neyman

Edited by: Raja Gosnell, Michael R. Miller

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera

Lenses: Zeiss Super Speed Lenses

The Secret of My Succe$s | ShotOnWhat?

Second Assistant Director

The Secret of My Success (1987)

Directed by: Herbert Ross

Cinematography by: Carlo Di Palma

Edited by: Paul Hirsch

A Chorus Line | ShotOnWhat?

Second Assistant Director

A Chorus Line (1985)

Directed by: Richard Attenborough

Cinematography by: Ronnie Taylor

Edited by: John Bloom

The Cotton Club | ShotOnWhat?

Second Assistant Director

The Cotton Club (1984)

Directed by: Francis Ford Coppola

Cinematography by: Stephen Goldblatt

Edited by: Robert Q. Lovett, Barry Malkin, Robert Schafer

Cameras: Panavision Cameras

Eddie and the Cruisers | ShotOnWhat?

Guitar Player At El Marko, Production Assistant

Eddie and the Cruisers (1983)

Directed by: Martin Davidson

Cinematography by: Fred Murphy

Edited by: Priscilla Nedd-Friendly

Cameras: Panavision Cameras

Easy Money | ShotOnWhat?

Production Assistant

Easy Money (1983)

Directed by: James Signorelli

Cinematography by: Fred Schuler

Edited by: Robert M. Reitano, Ronald Roose, Rick Shaine

Cameras: ARRIFLEX Camera

Lenses: ARRI / Zeiss Lenses

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