Francesco Pintore

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Mission: Impossible - Dead Reckoning Part One | ShotOnWhat?

First Assistant Photographer, First Assistant Photographer: Italy Unit

Mission: Impossible - Dead Reckoning Part One (2023)

Directed by: Christopher McQuarrie

Cinematography by: Fraser Taggart

Edited by: Eddie Hamilton

Cameras: ARRI ALEXA Mini LF Camera, Sony CineAlta VENICE Camera, Z CAM E2-F6 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision H Series Lenses, Zeiss Compact Prime Lenses

House of Gucci | ShotOnWhat?

First Assistant Camera: "b" Camera

House of Gucci (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Panaspeed Series Lenses

All the Money in the World | ShotOnWhat?

First Assistant Camera: "b" Camera

All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

"Master of None" Le Nozze | ShotOnWhat?

First Assistant "a" Camera

'Master of None' Le Nozze (2017)

Television Episode

Directed by: Aziz Ansari

Cinematography by: Mark Schwartzbard

Edited by: Daniel Haworth

"Master of None" The Thief | ShotOnWhat?

First Assistant "a" Camera

'Master of None' The Thief (2017)

Television Episode

Directed by: Aziz Ansari

Cinematography by: Mark Schwartzbard

Edited by: Jennifer Lilly

Ben-Hur | ShotOnWhat?

First Assistant Camera: "a" Camera

Ben-Hur (2016)

Directed by: Timur Bekmambetov

Cinematography by: Oliver Wood

Edited by: Dody Dorn, Richard Francis-Bruce

Cameras: ARRI ALEXA Series Cameras, GoPro (Woodman Labs) Cameras, Red Digital Cinema Cameras

Editing System: Avid Editing System

Master of None | ShotOnWhat?

First Assistant "a" Camera - 2 Episodes, 2017

Master of None (2015)

Television Series

Directed by: Aziz Ansari, Eric Wareheim, James Ponsoldt, Lynn Shelton, Melina Matsoukas, Alan Yang

Cinematography by: Mark Schwartzbard

Edited by: Jennifer Lilly, Suzy Elmiger, Daniel Haworth

Cameras: Panasonic VariCam 35

Lenses: Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

The Man from U.N.C.L.E. | ShotOnWhat?

First Assistant Camera

The Man from U.N.C.L.E. (2015)

Directed by: Guy Ritchie

Cinematography by: John Mathieson

Edited by: James Herbert

Cameras: ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera

Lenses: Cooke Varotal Lenses, Panavision E Series Anamorphic Lenses, Zeiss Super Speed Lenses

Ra.One | ShotOnWhat?

First Assistant Camera "a" Camera: Main Unit

Ra.One (2011)

Directed by: Anubhav Sinha

Cinematography by: V. Manikanandan, Nicola Pecorini

Edited by: Sanjay Sharma, Martin Walsh

The Tourist | ShotOnWhat?

First Assistant Camera: "a" Camera

The Tourist (2010)

Directed by: Florian Henckel von Donnersmarck

Cinematography by: John Seale

Edited by: Joe Hutshing, Patricia Rommel

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The American | ShotOnWhat?

Additional First Assistant Camera

The American (2010)

Directed by: Anton Corbijn

Cinematography by: Martin Ruhe

Edited by: Andrew Hulme

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Eat Pray Love | ShotOnWhat?

First Assistant Camera: Second Unit, Italy

Eat Pray Love (2010)

Directed by: Ryan Murphy

Cinematography by: Robert Richardson

Edited by: Bradley Buecker

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Final Cut Pro Editing System

Prince of Persia: The Sands of Time | ShotOnWhat?

Additional First Assistant Camera

Prince of Persia: The Sands of Time (2010)

Directed by: Mike Newell

Cinematography by: John Seale

Edited by: Mick Audsley, Michael Kahn, Martin Walsh

Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

Editing System: Final Cut Pro Editing System

Body of Lies | ShotOnWhat?

First Assistant Camera: "d" Camera

Body of Lies (2008)

Directed by: Ridley Scott

Cinematography by: Alexander Witt

Edited by: Pietro Scalia

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

Jumper | ShotOnWhat?

Additional First Assistant Camera: Italy

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Mission: Impossible III | ShotOnWhat?

Assistant Camera: Italy

Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

The Passion of the Christ | ShotOnWhat?

Second Assistant Camera: "b" Camera

The Passion of the Christ (2004)

Directed by: Mel Gibson

Cinematography by: Caleb Deschanel

Edited by: Steve Mirkovich, John Wright

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Order | ShotOnWhat?

Second Assistant "a" Camera

The Order (2003)

Directed by: Brian Helgeland

Cinematography by: Nicola Pecorini

Edited by: Kevin Stitt

The Lizzie McGuire Movie | ShotOnWhat?

Clapper Loader: "a" Camera, Rome

The Lizzie McGuire Movie (2003)

Directed by: Jim Fall

Cinematography by: Jerzy Zielinski

Edited by: Margaret Goodspeed

Cameras: Panavision Cameras

Gangs of New York | ShotOnWhat?

Camera Loader: "b" Camera , Focus Puller: Second Unit

Gangs of New York (2002)

Directed by: Martin Scorsese

Cinematography by: Michael Ballhaus

Edited by: Thelma Schoonmaker

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Editing System: Lightworks Editing System

Hannibal | ShotOnWhat?

Additional Assistant Camera: Florence

Hannibal (2001)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Malèna | ShotOnWhat?

First Assistant "b" Camera / Focus Puller: "b" Camera / Second Assistant Camera, Operator Assistant

Malèna (2000)

Directed by: Giuseppe Tornatore

Cinematography by: Lajos Koltai

Edited by: Massimo Quaglia

Cameras: Panavision Cameras

Lenses: Panavision Primo Anamorphic Lenses

U-571 | ShotOnWhat?

Second Assistant "a" Camera

U-571 (2000)

Directed by: Jonathan Mostow

Cinematography by: Oliver Wood

Edited by: Wayne Wahrman

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses

Stigmata | ShotOnWhat?

Second Assistant Camera

Stigmata (1999)

Directed by: Rupert Wainwright

Cinematography by: Jeffrey L. Kimball

Edited by: Michael J. Duthie, Michael R. Miller

Titus | ShotOnWhat?

Second Assistant "a" Camera

Titus (1999)

Directed by: Julie Taymor

Cinematography by: Luciano Tovoli

Edited by: Françoise Bonnot

Cameras: ARRIFLEX 35 BL Camera, ARRIFLEX 535 Camera

Lenses: Zeiss Lenses

Dangerous Beauty | ShotOnWhat?

Second Assistant Camera

Dangerous Beauty (1998)

Directed by: Marshall Herskovitz

Cinematography by: Bojan Bazelli

Edited by: Arthur Coburn, Steven Rosenblum

Double Team | ShotOnWhat?

Second Assistant Camera

Double Team (1997)

Directed by: Hark Tsui

Cinematography by: Peter Pau

Edited by: Bill Pankow

Cameras: ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Lenses, Zeiss Lenses

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