On Set Visual Effects Supervisor / DFX Supervisor - 11 Episodes, 2022
The Sandman (2022)
Directed by: Jamie Childs, Andrés Baiz, Louise Hooper, Hisko Hulsing, Mairzee Almas, Mike Barker, Coralie Fargeat
Cameras: Red Monstro 8K Camera
Visual Effects Supervisor
'Arrow' Star City Slayer (2019)
Directed by: Gregory Smith
Cinematography by: Chris Banting
Visual Effects Supervisor
'Arrow' My Name Is Emiko Queen (2019)
Directed by: Andi Armaganian
Cinematography by: Neil Cervin
Visual Effects Supervisor
'Arrow' Past Sins (2019)
Directed by: David Ramsey
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Emerald Archer (2019)
Directed by: Glen Winter
Cinematography by: Neil Cervin
Visual Effects Supervisor
'Arrow' Brothers & Sisters (2019)
Directed by: Marcus Stokes
Cinematography by: Neil Cervin
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Star City 2040 (2019)
Directed by: James Bamford
Cinematography by: Neil Cervin
Visual Effects Supervisor
'Arrow' Inheritance (2019)
Directed by: Patia Prouty
Cinematography by: Gordon Verheul
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Lost Canary (2019)
Directed by: Kristin Windell
Cinematography by: Neil Cervin
Edited by: Patrick Brian
Visual Effects Supervisor
'Arrow' Spartan (2019)
Directed by: Avi Youabian
Cinematography by: Gordon Verheul
Edited by: Thomas Wallerstein
Visual Effects Supervisor
'Arrow' Confessions (2019)
Directed by: Tara Miele
Cinematography by: Neil Cervin
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Living Proof (2019)
Directed by: Gordon Verheul
Cinematography by: Chris Banting
Edited by: Patrick Brian
Visual Effects Supervisor
'Arrow' You Have Saved This City (2019)
Directed by: James Bamford
Cinematography by: Neil Cervin
Edited by: Thomas Wallerstein
Visual Effects Supervisor
'Arrow' The Longbow Hunters (2018)
Directed by: Laura Belsey
Cinematography by: Neil Cervin
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Elseworlds, Part 2 (2018)
Directed by: James Bamford
Cinematography by: Gordon Verheul
Edited by: Patrick Brian
Visual Effects Supervisor
'Arrow' Unmasked (2018)
Directed by: Alexandra La Roche
Cinematography by: Neil Cervin
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Due Process (2018)
Directed by: Kristin Windell
Cinematography by: Neil Cervin
Visual Effects Supervisor
'Arrow' The Demon (2018)
Directed by: Mark Bunting
Edited by: David Holland
Visual Effects Supervisor
'Arrow' Level Two (2018)
Directed by: Ben Hernandez Bray
Cinematography by: Neil Cervin
Visual Effects Supervisor
'Arrow' Crossing Lines (2018)
Directed by: Gordon Verheul
Cinematography by: Chris Banting
Edited by: Patrick Brian
Digital Effects Artist: Scanline VFX
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Visual Effects Artist
Deadpool (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras: ARRI ALEXA XT Plus Camera
Editing System: Adobe Premiere Editing System
Digital Effects Artist
The 5th Wave (2016)
Directed by: J Blakeson
Cinematography by: Enrique Chediak
Edited by: Paul Rubell
Cameras: ARRI ALEXA XT Plus Camera
Fx Artist: Scanline VFX
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Digital Effects Artist: Scanline VFX
Pan (2015)
Directed by: Joe Wright
Cameras: ARRI ALEXA XT Camera, Phantom Flex Camera
Effects Lead
Furious 7 (2015)
Directed by: James Wan
Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Nikon - Nikkor Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision SL100 100 mm T1.9 Lens, Panavision SL125 125 mm T1.8 Lens, Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL150 150 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL35 35 mm T1.9 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SL75 75 mm T1.9 Lens, Panavision SL85 85 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Super Speed Lenses, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Lenses
Visual Effects: Scanline VFX
'Game of Thrones' The Children (2014)
Directed by: Alex Graves
Cinematography by: Anette Haellmigk
Edited by: Tim Porter
Fx Artist: Scanline VFX
Pompeii (2014)
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Effects Artist: Scanline VFX
Godzilla (2014)
Directed by: Gareth Edwards
Cinematography by: Seamus McGarvey
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Plus Camera, Phantom Flex Camera
Digital Effects Artist: Scanline VFX / Vfx Crew: Scanline VFX
300: Rise of an Empire (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Fx Artist: Pixomondo
Star Trek Into Darkness (2013)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Digital Effects Artist: Scanline VFX
Iron Man Three (2013)
Directed by: Shane Black
Cinematography by: John Toll
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens
Fx Artist: Pixomondo
'Game of Thrones' Blackwater (2012)
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Edited by: Oral Norrie Ottey
Visual Effects Artist: Pixomondo
'Game of Thrones' What Is Dead May Never Die (2012)
Directed by: Alik Sakharov
Cinematography by: P.J. Dillon
Edited by: Katie Weiland
Visual Effects Supervisor - 22 Episodes, 2018-2019
Arrow (2012)
Directed by: James Bamford, John Behring, Glen Winter, Michael Schultz, Wendey Stanzler, Gregory Smith, Laura Belsey, Guy Norman Bee, Nick Copus, Jesse Warn, Gordon Verheul, Antonio Negret, Kristin Windell, Thor Freudenthal, Eagle Egilsson, Rob Hardy, Dermott Downs, Kevin Tancharoen, Mark Bunting, Ben Hernandez Bray, Joel Novoa, Tara Miele, David Barrett, Kenneth Fink, Douglas Aarniokoski, Mairzee Almas, J.J. Makaro, Ken Shane, Andi Armaganian, Alexandra La Roche, David Ramsey, John Dahl, David Grossman, Vincent Misiano, David Nutter, Michael Offer, Bethany Rooney, Peter Leto, Stephen Surjik, Larry Teng, Lexi Alexander, John Badham, Dwight H. Little, Charlotte Brändström, Kevin Fair, John F. Showalter, Mary Lambert, Katie Cassidy, Ruba Nadda, Patia Prouty, Marcus Stokes, Avi Youabian
Cinematography by: Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett
Edited by: Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks
Cameras: ARRI ALEXA Camera
Lenses: Angenieux HP Zoom Lenses
Fx Artist: Pixomondo
The Amazing Spider-Man (2012)
Directed by: Marc Webb
Cinematography by: John Schwartzman
Cameras: Red Epic Camera
Cg Fx Artist: Pixomondo
Red Tails (2012)
Directed by: Anthony Hemingway
Cinematography by: John B. Aronson
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, Sony CineAlta F35 Camera
Editing System: Lightworks Editing System
Fx Artist: Pixomondo
The Hunger Games (2012)
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Effects Artist: Pixomondo / Visual Effects Artist: Pixomondo / Visual Effects: Scanline VFX - 3 Episodes, 2012-2014, Fx Artist: Pixomondo / Visual Effects Artist: Pixomondo / Visual Effects: Scanline VFX - 3 Episodes, 2012-2014
Game of Thrones (2011)
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Cg Artist: Pixomondo
Hugo (2011)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
