Elika Burns

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Journey 2: The Mysterious Island | ShotOnWhat?

Roto/paint Lead: Pixomondo

Journey 2: The Mysterious Island (2012)

Directed by: Brad Peyton

Cinematography by: David Tattersall

Edited by: David Rennie

Cameras: Phantom HD Camera, Red Digital Cinema Cameras, Red One Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera

Snow White and the Huntsman | ShotOnWhat?

Roto/paint Artist: Pixomondo

Snow White and the Huntsman (2012)

Directed by: Rupert Sanders

Cinematography by: Greig Fraser

Edited by: Conrad Buff IV, Neil Smith

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Panavision 65mm Prime Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Thin Ice | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Thin Ice (2011)

Directed by: Jill Sprecher

Cinematography by: Dick Pope

Edited by: Lee Percy

Justin Bieber: Never Say Never | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Justin Bieber: Never Say Never (2011)

Directed by: Jon M. Chu

Cinematography by: Reed Smoot

Edited by: Jay Cassidy, Jillian Moul, Avi Youabian

Cameras: ARRI ALEXA Camera, Sony CineAlta F23 Camera, Sony CineAlta F35 Camera

Larry Crowne | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Larry Crowne (2011)

Directed by: Tom Hanks

Cinematography by: Philippe Rousselot

Edited by: Alan Cody

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

RED | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

The Twilight Saga: Eclipse | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

The Twilight Saga: Eclipse (2010)

Directed by: David Slade

Cinematography by: Javier Aguirresarobe

Edited by: Art Jones, Nancy Richardson

Cameras: Panavision Cameras

Gulliver's Travels | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Iron Man 2 | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Iron Man 2 (2010)

Directed by: Jon Favreau

Cinematography by: Matthew Libatique

Edited by: Dan Lebental, Richard Pearson

Cameras: Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Killers | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Killers (2010)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Richard Francis-Bruce, Mary Jo Markey

Cameras: ARRIFLEX D-21 Camera

Lenses: Hawk V-Series Lenses

The A-Team | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

The A-Team (2010)

Directed by: Joe Carnahan

Cinematography by: Mauro Fiore

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Watchmen | ShotOnWhat?

Roto/paint Artist: CIS Hollywood / Roto/paint Supervisor: CIS Hollywood

Watchmen (2009)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: William Hoy

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

Old Dogs | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Old Dogs (2009)

Directed by: Walt Becker

Cinematography by: Jeffrey L. Kimball

Edited by: Ryan Folsey, Tom Lewis

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Invictus | ShotOnWhat?

Visual Effects Group: CIS Hollywood

Invictus (2009)

Directed by: Clint Eastwood

Cinematography by: Tom Stern

Edited by: Joel Cox, Gary Roach

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Informant! | ShotOnWhat?

Digital Artist

The Informant! (2009)

Directed by: Steven Soderbergh

Cinematography by: Steven Soderbergh

Edited by: Stephen Mirrione

Cameras: Red One Camera

The Men Who Stare at Goats | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

The Men Who Stare at Goats (2009)

Directed by: Grant Heslov

Cinematography by: Robert Elswit

Edited by: Tatiana S. Riegel

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

I Love You, Beth Cooper | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

I Love You, Beth Cooper (2009)

Directed by: Chris Columbus

Cinematography by: Phil Abraham

Edited by: Peter Honess

State of Play | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

State of Play (2009)

Directed by: Kevin Macdonald

Cinematography by: Rodrigo Prieto

Edited by: Justine Wright

Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Twilight | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Twilight (2008)

Directed by: Catherine Hardwicke

Cinematography by: Elliot Davis

Edited by: Nancy Richardson

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Meet Dave | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Meet Dave (2008)

Directed by: Brian Robbins

Cinematography by: Clark Mathis

Edited by: Ned Bastille

Death Race | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Death Race (2008)

Directed by: Paul W.S. Anderson

Cinematography by: Scott Kevan

Edited by: Niven Howie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Wanted | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Speed Racer | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Speed Racer (2008)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: David Tattersall

Edited by: Roger Barton, Zach Staenberg

Cameras: Phantom HD Camera, Phantom V Series Camera, Sony CineAlta F23 Camera

Lenses: Zeiss DigiPrime Lenses

The Express | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

The Express (2008)

Directed by: Gary Fleder

Cinematography by: Kramer Morgenthau

Edited by: Padraic McKinley, William Steinkamp

Leatherheads | ShotOnWhat?

Rotoscope/paint Artist: CIS Hollywood

Leatherheads (2008)

Directed by: George Clooney

Cinematography by: Newton Thomas Sigel

Edited by: Stephen Mirrione

Charlie Wilson's War | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Charlie Wilson's War (2007)

Directed by: Mike Nichols

Cinematography by: Stephen Goldblatt

Edited by: John Bloom, Antonia Van Drimmelen

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Evan Almighty | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Evan Almighty (2007)

Directed by: Tom Shadyac

Cinematography by: Ian Baker

Edited by: Scott Hill

Cameras: Panavision Cameras

Editing System: Lightworks Editing System

Rush Hour 3 | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Rush Hour 3 (2007)

Directed by: Brett Ratner

Cinematography by: James M. Muro

Edited by: Mark Helfrich, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Bourne Ultimatum | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

The Bourne Ultimatum (2007)

Directed by: Paul Greengrass

Cinematography by: Oliver Wood

Edited by: Christopher Rouse

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses: Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Pirates of the Caribbean: At World's End | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Pirates of the Caribbean: At World's End (2007)

Directed by: Gore Verbinski

Cinematography by: Dariusz Wolski

Edited by: Stephen E. Rivkin, Craig Wood

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Hairspray | ShotOnWhat?

Roto/paint Supervisor: CIS Hollywood

Hairspray (2007)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Michael Tronick

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Speed Panchro Lenses, Zeiss Master Prime Lenses

Enchanted | ShotOnWhat?

Roto/paint Artist: CIS Hollywood

Enchanted (2007)

Directed by: Kevin Lima

Cinematography by: Don Burgess

Edited by: Gregory Perler, Stephen A. Rotter

Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Open Range | ShotOnWhat?

Digital Paint And Rotoscope Artist

Open Range (2003)

Directed by: Kevin Costner

Cinematography by: James M. Muro

Edited by: Michael J. Duthie, Miklos Wright

Willard | ShotOnWhat?

Digital Artist: Centropolis Effects

Willard (2003)

Directed by: Glen Morgan

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Maid in Manhattan | ShotOnWhat?

Roto/paint Artist: Centropolis

Maid in Manhattan (2002)

Directed by: Wayne Wang

Cinematography by: Karl Walter Lindenlaub

Edited by: Craig McKay

The Scorpion King | ShotOnWhat?

Rotoscope/paint Artist: CFX

The Scorpion King (2002)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Greg Parsons, Michael Tronick

Vanilla Sky | ShotOnWhat?

Roto/paint Artist: CFX

Vanilla Sky (2001)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Mark Livolsi

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Primes Spherical Lenses

K-PAX | ShotOnWhat?

Roto/paint Artist: CFX

K-PAX (2001)

Directed by: Iain Softley

Cinematography by: John Mathieson

Edited by: Craig McKay

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