24-frame Playback: San Francisco
The Matrix Resurrections (2021)
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Video Playback
'13 Reasons Why' The Chalk Machine (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
Video Playback
'13 Reasons Why' The Smile at the End of the Dock (2018)
Directed by: Eliza Hittman
Cinematography by: Cameron Duncan
Edited by: Sue Blainey
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'13 Reasons Why' The Third Polaroid (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
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'13 Reasons Why' The Little Girl (2018)
Directed by: Michael Morris
Cinematography by: Ivan Strasburg
Edited by: Jacques Gravett
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'13 Reasons Why' The Missing Page (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
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'13 Reasons Why' Smile, Bitches (2018)
Directed by: Kat Candler
Cinematography by: Ivan Strasburg
Edited by: Philip Harrison
Video Playback - 6 Episodes, 2018
13 Reasons Why (2017)
Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer
Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams
Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox
Cameras: Panasonic VariCam 35
Editing System: Avid Editing System
Camera Engineer: Kerner Optical
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Camera Engineer: Kerner Optical
The Last Airbender (2010)
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Camera Engineer: Kerner Optical
Terminator Salvation (2009)
Directed by: McG
Cinematography by: Shane Hurlbut
Edited by: Conrad Buff IV
Camera Engineer: Kerner Optical
Avatar (2009)
Directed by: James Cameron
Cinematography by: Mauro Fiore
Model Visual Effects: Kerner Optical
Pirates of the Caribbean: At World's End (2007)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Panavision SL14.5 14.5 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5 17.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21 21 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL24-CF 24 mm T1.8 Lens, Panavision SL27 27 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL30-CF 30 mm T1.8 Lens, Panavision SL40 40 mm T1.9 Lens, Panavision SL50 50 mm T1.9 Lens, Panavision SL65 65 mm T1.8 Lens, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Stage Technician: Models, ILM
Mission: Impossible III (2006)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Camera Engineer
Pirates of the Caribbean: Dead Man's Chest (2006)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Camera Engineer
Poseidon (2006)
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Camera Engineer
Star Wars: Episode III - Revenge of the Sith (2005)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDC-F950 Camera
Camera Engineer
Pirates of the Caribbean: The Curse of the Black Pearl (2003)
Directed by: Gore Verbinski
Cinematography by: Dariusz Wolski
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Camera Engineer
Star Wars: Episode II - Attack of the Clones (2002)
Directed by: George Lucas
Cinematography by: David Tattersall
Cameras: Sony HDW-F900 Camera
Video Playback Engineer
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
Camera Engineer
Star Wars: Episode I - The Phantom Menace (1999)
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
24 Frame Video Operator
Flubber (1997)
Directed by: Les Mayfield
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Camera Engineer
DragonHeart (1996)
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Video Playback 24 Frame
Scream (1996)
Directed by: Wes Craven
Cinematography by: Mark Irwin
Edited by: Patrick Lussier
Cameras: Moviecam Compact Camera
Lenses: Clairmont Anamorphic Lenses
Editing System: Lightworks Editing System
Camera Engineer
The Indian in the Cupboard (1995)
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Video Playback Operator
Mrs. Doubtfire (1993)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
24 Frame Video Operator
Golden Gate (1993)
Directed by: John Madden
Cinematography by: Bobby Bukowski
Edited by: Sean Barton
Video Playback Operator
Made in America (1993)
Directed by: Richard Benjamin
Cinematography by: Ralf D. Bode
Edited by: Jacqueline Cambas
Camera Engineer: ILM
The Meteor Man (1993)
Directed by: Robert Townsend
Cinematography by: John A. Alonzo
Cameras: Panavision Panaflex Gold Camera
Video Playback Operator
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Engineering Service: ILM
Ghost (1990)
Directed by: Jerry Zucker
Cinematography by: Adam Greenberg
Edited by: Walter Murch
Cameras: ARRI ARRIFLEX Series Cameras
Vistaglide System: ILM
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Model Maker
*batteries not included (1987)
Directed by: Matthew Robbins
Cinematography by: John McPherson
Edited by: Cynthia Scheider
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Equipment Engineer
Enemy Mine (1985)
Directed by: Wolfgang Petersen
Cinematography by: Tony Imi
Edited by: Hannes Nikel
Electrician
A View to a Kill (1985)
Directed by: John Glen
Cinematography by: Alan Hume
Edited by: Peter Davies
Electronic Engineer: ILM
Star Wars: Episode VI - Return of the Jedi (1983)
Directed by: Richard Marquand
Model Electronics: ILM
Star Trek II: The Wrath of Khan (1982)
Directed by: Nicholas Meyer
Cinematography by: Gayne Rescher
Edited by: William Paul Dornisch
Cameras: Dykstraflex Camera, Panavision Cameras
Electronic Engineer: ILM
Poltergeist (1982)
Directed by: Tobe Hooper
Cinematography by: Matthew F. Leonetti
Edited by: Michael Kahn
Cameras: Ultracam 35 Camera
Model Electronics: ILM
E.T. the Extra-Terrestrial (1982)
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Carol Littleton
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Electronics Engineer: ILM
Raiders of the Lost Ark (1981)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
