Film Negative Stock » Eastman Kodak Neg. Films

Eastman 400T 5295 Neg. Film : 17Eastman Color Negative 100T 5254/7254 Film : 30Eastman Color Negative 125T 5247 Film : 32Eastman Color Negative 250T 5293/7293 Film : 19Eastman Color Negative 400T 5294 Film : 23Eastman Color Negative 50T 5251 Neg. Film : 12Eastman Color Negative II 100T 5247/7247 F... : 24Eastman Double-X 5222/7222 Neg. Film : 44Eastman Ektachrome (Daylight) 160D 5239/72... : 8Eastman Ektachrome (Tungsten) 7240 Neg. Fi... : 4Eastman Ektachrome 25T 7252 Neg. Film : 2Eastman Ektachrome High Speed (Daylight) 7... : 3Eastman Ektachrome High Speed (Tungsten) 7... : 1Eastman EXR Neg. Film : 261Eastman High Speed 250D 5297/7297 Neg. Fil... : 18Eastman Plus-X 7276 Neg. Film : 4Eastman Plus-X 80D/64T 5231/7231 Neg. Film : 9Eastman Super-XX 1232 Neg. Film : 2Eastman Tri-X 7278 Neg. Film : 2Kodachrome 25 (Daylight) 7267 Neg. Film : 1Kodachrome Professional 5267 Neg. Film : 1Kodak 500T 5230/7230 Neg. Film : 6Kodak Ektachrome 100D 5285/7285 Neg. Film : 18Kodak SFX 200T SO-214 Neg. Film : 17Kodak Tri-X 7266 Neg. Film : 1Kodak Vision 2 Film Neg. Film : 402Kodak Vision 200T 5274 Neg. Film : 98Kodak Vision 250D 5246/7246 Neg. Film : 96Kodak Vision 3 Film Neg. Film : 398Kodak Vision 320T 5277/7277 Neg. Film : 55Kodak Vision 500T 5263/7263 Neg. Film : 3Kodak Vision 500T 5279 Neg. Film : 226Kodak Vision 800T 5289/7289 Neg. Film : 31Kodak Vision Expression 500T 5284/7284 Neg... : 10Kodak Vision Film : 7

Eastman Kodak Neg. Films | 1495 Titles

Eastman Kodak Neg. Films 4.00/5 2 Votes

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YPF (2007)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Martin Gero | Cinematography by | Arthur E. Cooper | Editing by | Mike Banas

Starring | Aaron Abrams, Carly Pope, Kristin Booth, Josh Dean

Cameras | ARRIFLEX 16SR3 Camera

Rear Window (1954)

Motion Picture | 2D | Color, Color | 1.66:1 | 112 Minutes

Rear Window | ShotOnWhat?

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini

Starring | James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter

Cameras | Mitchell BNC Camera

Roseanna’s Grave (1997)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | Paul Weiland | Cinematography by | Henry Braham | Editing by | Martin Walsh

Starring | Jean Reno, Mercedes Ruehl, Polly Walker, Mark Frankel

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

We Were Soldiers (2002)

Motion Picture | 2D | Color | 2.39:1 | 138 Minutes

Directed by | Randall Wallace | Cinematography by | Dean Semler | Editing by | William Hoy

Starring | Mel Gibson, Madeleine Stowe, Greg Kinnear, Sam Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

28 Weeks Later (2007)

Motion Picture | 2D | Color | 1.85:1 | 100 Minutes

Directed by | Juan Carlos Fresnadillo | Cinematography by | Enrique Chediak | Editing by | Chris Gill

Starring | Jeremy Renner, Rose Byrne, Robert Carlyle, Harold Perrineau

Cameras | Aaton A-Minima Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Sony HVR-Z1E Camera

Lenses | Zeiss Ultra 16 Lenses, Zeiss Ultra Prime Lenses

Good Will Hunting (1997)

Motion Picture | 2D | Color | 1.85:1 | 126 Minutes

Directed by | Gus Van Sant | Cinematography by | Jean-Yves Escoffier | Editing by | Pietro Scalia

Starring | Robin Williams, Matt Damon, Ben Affleck, Stellan Skarsgård

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Bel Ami (2012)

Motion Picture | Color | 2.35:1 | 102 Minutes

Bel Ami | ShotOnWhat?

Directed by | Declan Donnellan, Nick Ormerod | Cinematography by | Stefano Falivene | Editing by | Gavin Buckley, Masahiro Hirakubo

Starring | Robert Pattinson, Uma Thurman, Kristin Scott Thomas, Christina Ricci

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

The Grandfather (1998)

Motion Picture | 2D | Color | 151 Minutes

Directed by | José Luis Garci | Cinematography by | Raúl Pérez Cubero | Editing by | Miguel González Sinde

Starring | Fernando Fernán Gómez, Rafael Alonso, Cayetana Guillén Cuervo, Agustín González

Cameras | Panavision Panaflex Gold II Camera

When in Rome (2010)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

When in Rome | ShotOnWhat?

Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus

Starring | Kristen Bell, Josh Duhamel, Anjelica Huston, Danny DeVito

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Arn: Tempelriddaren (2007)

Motion Picture | 2D | Color | 2.39:1 | 139 Minutes

Directed by | Peter Flinth | Cinematography by | Eric Kress | Editing by | Søren B. Ebbe, Morten Højbjerg, Anders Villadsen

Starring | Joakim Nätterqvist, Sofia Helin, Stellan Skarsgård, Michael Nyqvist

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Zeiss Ultra Prime Lenses

Jûsan-nin no shikaku (2010)

Motion Picture | 2D | Color | 2.39:1 | 141 Minutes

Directed by | Takashi Miike | Cinematography by | Nobuyasu Kita | Editing by | Kenji Yamashita

Starring | Koji Yakusho, Takayuki Yamada, Yûsuke Iseya, Ikki Sawamura

Cameras | ARRI Cameras

Lenses | Angenieux Lenses, ARRI / Zeiss Lenses

3 Needles (2005)

Motion Picture | 2D | Color | 1.85:1 | 127 Minutes

Directed by | Thom Fitzgerald | Cinematography by | Tom Harting | Editing by | Susan Shanks

Starring | Chloë Sevigny, Lucy Liu, Shawn Ashmore, Mabel Adams

Cameras | ARRIFLEX 35 BL4 Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Standard Speed Prime Lenses

1492: Conquest of Paradise (1992)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 154 Minutes

Directed by | Ridley Scott | Cinematography by | Adrian Biddle | Editing by | William M. Anderson, Françoise Bonnot, Les Healey, Armen Minasian, Deborah Zeitman

Starring | Gérard Depardieu, Armand Assante, Sigourney Weaver, Loren Dean

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Little Miss Sunshine (2006)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Jonathan Dayton, Valerie Faris | Cinematography by | Tim Suhrstedt | Editing by | Pamela Martin

Starring | Steve Carell, Toni Collette, Greg Kinnear, Abigail Breslin

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

All My Friends Are Leaving Brisbane (2007)

Motion Picture | 2D | Color | 1.85:1 | 76 Minutes

Directed by | Louise Alston | Cinematography by | Judd Overton | Editing by | Nicola Scarrott

Starring | Charlotte Gregg, Matt Zeremes, Ryan Johnson, Cindy Nelson

Cameras | ARRIFLEX 16SR3 Advanced Camera

Lenses | Angenieux HR Zoom Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

J.S.A.: Joint Security Area (2000)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Chan-wook Park | Cinematography by | Sung-Bok Kim | Editing by | Sang-beom Kim

Starring | Yeong-ae Lee, Byung-Hun Lee, Kang-ho Song, Tae-woo Kim

Cameras | ARRIFLEX 35 III Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Lenses

Bridge to Terabithia (2007)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Bridge to Terabithia | ShotOnWhat?

Directed by | Gabor Csupo | Cinematography by | Michael Chapman | Editing by | John Gilbert

Starring | Josh Hutcherson, AnnaSophia Robb, Zooey Deschanel, Robert Patrick

Cameras | Panavision Cameras

Triumph of the Spirit (1989)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 120 Minutes

Directed by | Robert M. Young | Cinematography by | Curtis Clark | Editing by | Norman Buckley, Arthur Coburn

Starring | Willem Dafoe, Edward James Olmos, Robert Loggia, Wendy Gazelle

Cameras | Aaton 35-III Camera, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

Iron Man 2 (2010)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 124 Minutes

Directed by | Jon Favreau | Cinematography by | Matthew Libatique | Editing by | Dan Lebental, Richard Pearson

Starring | Robert Downey Jr., Mickey Rourke, Gwyneth Paltrow, Don Cheadle

Cameras | Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

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