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Eastman EXR 200T 5293/7293 Neg. Film | 103 Titles

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Clockers (1995)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard

Starring | Harvey Keitel, John Turturro, Delroy Lindo

Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Super Speed Lenses

Shine (1996)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Scott Hicks | Cinematography by | Geoffrey Simpson | Editing by | Pip Karmel

Starring | Geoffrey Rush, Armin Mueller-Stahl, Justin Braine

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Canon Lenses, Cooke Varotal Lenses, Zeiss Standard Speed Prime Lenses

Snake Eyes (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 98 Minutes

Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow

Starring | Nicolas Cage, Gary Sinise, John Heard

Cameras | Moviecam Compact Camera, Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens

Apollo 13 (1995)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.78:1 (16x9), 2.39:1 | 140 Minutes

Directed by | Ron Howard | Cinematography by | Dean Cundey | Editing by | Daniel P. Hanley, Mike Hill

Starring | Tom Hanks, Bill Paxton, Kevin Bacon

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Contact (1997)

Motion Picture | 2D | Color | 2.39:1 | 150 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Jodie Foster, Matthew McConaughey, Tom Skerritt, John Hurt

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses

Munich (2005)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 164 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Eric Bana, Daniel Craig, Marie-Josée Croze, Ciarán Hinds

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0

Rosewood (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 140 Minutes

Directed by | John Singleton | Cinematography by | Johnny E. Jensen | Editing by | Bruce Cannon

Starring | Jon Voight, Ving Rhames, Don Cheadle, Bruce McGill

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Velvet Goldmine (1998)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Maryse Alberti | Editing by | James Lyons

Starring | Ewan McGregor, Jonathan Rhys Meyers, Christian Bale, Toni Collette

Cameras | Aaton Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Primo Primes Spherical Lenses

A Beautiful Mind (2001)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 135 Minutes

Directed by | Ron Howard | Cinematography by | Roger Deakins | Editing by | Daniel P. Hanley, Mike Hill

Starring | Russell Crowe, Ed Harris, Jennifer Connelly, Christopher Plummer

Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Standard Speed Prime Lenses, Zeiss Super Speed Lenses

The Lord of the Rings: The Two Towers (2002)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 179 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Michael Horton

Starring | Elijah Wood, Ian McKellen, Viggo Mortensen, Orlando Bloom

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera, Mitchell Cameras, Moviecam Compact Camera

Lenses | Angenieux Lenses, Zeiss Ultra Prime Lenses

The Lord of the Rings: The Fellowship of the Ring (2001)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 178 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert

Starring | Elijah Wood, Ian McKellen, Orlando Bloom, Sean Bean

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Ultra Prime Lenses

The Lord of the Rings: The Return of the King (2003)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 201 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Elijah Wood, Viggo Mortensen, Ian McKellen, Orlando Bloom

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Nixon (1995)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 192 Minutes

Directed by | Oliver Stone | Cinematography by | Robert Richardson | Editing by | Brian Berdan, Hank Corwin

Starring | Anthony Hopkins, Joan Allen, Powers Boothe, Ed Harris

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Tango (1998)

Motion Picture | 2D | Film Project | Color | 2.0:1, 2.39:1 | 115 Minutes

Directed by | Carlos Saura | Cinematography by | Vittorio Storaro | Editing by | Julia Juaniz

Starring | Miguel Ángel Solá, Cecilia Narova, Mía Maestro, Juan Carlos Copes

Cameras | Technovision Cameras

Lenses | Technovision Lenses

The Perfect Storm (2000)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Wolfgang Petersen | Cinematography by | John Seale | Editing by | Richard Francis-Bruce

Starring | George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ALZ3 270-840 mm T4.5 Lens

How the Grinch Stole Christmas (2000)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Directed by | Ron Howard | Cinematography by | Donald Peterman | Editing by | Daniel P. Hanley, Mike Hill

Starring | Jim Carrey, Taylor Momsen, Kelley, Jeffrey Tambor

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision SL10 10 mm T1.9 Lens, Panavision SL14.5-CF 14.5 mm T1.9 Lens, Panavision SL17.5-CF 17.5 mm T1.9 Lens, Panavision SL21-CF 21 mm T1.9 Lens, Panavision SL27-CF 27 mm T1.9 Lens, Panavision SL35-CF 35 mm T1.8 Lens

The Rock (1996)

Motion Picture | 2D | Color | 136 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce

Starring | Sean Connery, Nicolas Cage, Ed Harris, John Spencer

Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Independence Day (1996)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 145 Minutes

Directed by | Roland Emmerich | Cinematography by | Karl Walter Lindenlaub | Editing by | David Brenner

Starring | Will Smith, Bill Pullman, Jeff Goldblum, Mary McDonnell

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Lenses

Billy’s Hollywood Screen Kiss (1998)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 92 Minutes

Directed by | Tommy O'Haver | Cinematography by | Mark Mervis | Editing by | Jeff Betancourt

Starring | Sean Hayes, Brad Rowe, Armando Valdes-Kennedy, Mr. Dan

Cameras | Panavision Silent Reflex PSR Camera

Lenses | Panavision Auto-Panatar B50 50 mm T2.5, Panavision HS35 35 mm T1.4 Lens

The Portrait of a Lady (1996)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 144 Minutes

Directed by | Jane Campion | Cinematography by | Stuart Dryburgh | Editing by | Veronika Jenet

Starring | Nicole Kidman, John Malkovich, Barbara Hershey, Martin Donovan

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