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Technicolor | 826 Titles

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The Wrestler (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum

Starring | Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Mark Margolis

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra 16 Lenses

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 143 Minutes

Directed by | Andrew Adamson | Cinematography by | Donald McAlpine | Editing by | Sim Evan-Jones, Jim May

Starring | Tilda Swinton, Georgie Henley, William Moseley, Skandar Keynes

Cameras | ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Primes Spherical Lenses

Girl with a Pearl Earring (2003)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Peter Webber | Cinematography by | Eduardo Serra | Editing by | Kate Evans

Starring | Scarlett Johansson, Colin Firth, Tom Wilkinson, Judy Parfitt

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses

All the Pretty Horses (2000)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

All the Pretty Horses | ShotOnWhat?

Directed by | Billy Bob Thornton | Cinematography by | Barry Markowitz | Editing by | Sally Menke

Starring | Matt Damon, Penélope Cruz, Henry Thomas, Angelina Torres

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Devil Wears Prada (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Anne Hathaway, Meryl Streep, Adrian Grenier, Emily Blunt

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

The Odd Life of Timothy Green (2012)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

The Odd Life of Timothy Green | ShotOnWhat?

Directed by | Peter Hedges | Cinematography by | John Toll | Editing by | Andrew Mondshein

Starring | Jennifer Garner, Joel Edgerton, CJ Adams, Odeya Rush

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

American Gangster (2007)

Motion Picture | 2D | Color | 1.85:1 | 157 Minutes

Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia

Starring | Denzel Washington, Russell Crowe, Chiwetel Ejiofor, Josh Brolin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Crazy People (1990)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman

Starring | Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh

Cameras | ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Ultra Speed MKII Lenses

Slumdog Millionaire (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 120 Minutes

Directed by | Danny Boyle, Loveleen Tandan | Cinematography by | Anthony Dod Mantle | Editing by | Chris Dickens

Starring | Dev Patel, Freida Pinto, Saurabh Shukla, Anil Kapoor

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

Saving Private Ryan (1998)

Motion Picture | 2D | Color | 1.85:1 | 169 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Tom Hanks, Matt Damon, Tom Sizemore, Edward Burns

Cameras | Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Ocean’s Thirteen (2007)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Ocean’s Thirteen | ShotOnWhat?

Directed by | Steven Soderbergh | Cinematography by | Steven Soderbergh | Editing by | Stephen Mirrione

Starring | George Clooney, Brad Pitt, Matt Damon, Michael Mantell

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Prince of Persia: The Sands of Time (2010)

Motion Picture | 2D | Color | 2.35:1 | 116 Minutes

Prince of Persia: The Sands of Time | ShotOnWhat?

Directed by | Mike Newell | Cinematography by | John Seale | Editing by | Mick Audsley, Michael Kahn, Martin Walsh

Starring | Jake Gyllenhaal, Gemma Arterton, Ben Kingsley, Alfred Molina

Cameras | Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

The Pursuit of Happyness (2006)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Gabriele Muccino | Cinematography by | Phedon Papamichael | Editing by | Hughes Winborne

Starring | Will Smith, Thandiwe Newton, Jaden Smith, Brian Howe

Cameras | Panavision Cameras

Lenses | Panavision Lenses

About Adam (2000)

Motion Picture | 2D | Color | 1.85:1 | 97 Minutes

Directed by | Gerard Stembridge | Cinematography by | Bruno de Keyzer | Editing by | Mary Finlay

Starring | Stuart Townsend, Kate Hudson, Tommy Tiernan, Frances O'Connor

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

King Kong (2005)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 187 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jamie Selkirk

Starring | Naomi Watts, Jack Black, Adrien Brody, Thomas Kretschmann

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 105 Minutes

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman

Starring | Ben Stiller, Owen Wilson, Amy Adams, Hank Azaria

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision Primo Anamorphic Lenses

Black Hawk Down (2001)

Motion Picture | 2D | Color | 2.39:1 | 144 Minutes

Directed by | Ridley Scott | Cinematography by | Slawomir Idziak | Editing by | Pietro Scalia

Starring | Josh Hartnett, Ewan McGregor, Tom Sizemore, Eric Bana

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux HR Zoom Lenses, Zeiss Ultra Prime Lenses

The Crazies (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 101 Minutes

The Crazies | ShotOnWhat?

Directed by | Breck Eisner | Cinematography by | Maxime Alexandre | Editing by | Billy Fox

Starring | Radha Mitchell, Timothy Olyphant, Danielle Panabaker, Joe Anderson

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera

Lenses | Zeiss Master Prime Lenses

Reign of Fire (2002)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Rob Bowman | Cinematography by | Adrian Biddle | Editing by | Thom Noble, Declan McGrath

Starring | Matthew McConaughey, Christian Bale, Izabella Scorupco, Gerard Butler

Cameras | Panavision Cameras

Armageddon (1998)

Motion Picture | 2D | Color | 2.20:1, 2.39:1 | 151 Minutes

Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Mark Goldblatt, Chris Lebenzon, Glen Scantlebury

Starring | Bruce Willis, Billy Bob Thornton, Ben Affleck, Liv Tyler

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

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