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Technicolor, Montreal | 4 Titles

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The Day After Tomorrow (2004)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 124 Minutes

Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner

Starring | Dennis Quaid, Jake Gyllenhaal, Emmy Rossum

Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses

Three Night Stand (2013)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 86 Minutes

Directed by | Pat Kiely | Cinematography by | Robert Vroom | Editing by | Jared Curtis

Starring | Sam Huntington, Meaghan Rath, Darren Curtis, Robb Jamieson

Cameras | ARRI ALEXA FR Camera

Lenses | Cooke miniS4/i 100mm T2.8 Lens, Cooke miniS4/i 18mm T2.8 Lens, Cooke miniS4/i 25mm T2.8 Lens, Cooke miniS4/i 32mm T2.8 Lens, Cooke miniS4/i 50mm T2.8 Lens, Cooke miniS4/i 75mm T2.8 Lens

Warm Bodies (2013)

Motion Picture | 2D | Color, Black and White | 2.39:1 | 98 Minutes

Warm Bodies | ShotOnWhat?

Directed by | Jonathan Levine | Cinematography by | Javier Aguirresarobe | Editing by | Nancy Richardson

Starring | Nicholas Hoult, Teresa Palmer, John Malkovich, Analeigh Tipton

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Wescam Cameras

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Young Victoria (2009)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Jean-Marc Vallée | Cinematography by | Hagen Bogdanski | Editing by | Jill Bilcock, Matt Garner

Starring | Emily Blunt, Rupert Friend, Paul Bettany, Miranda Richardson

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Ultra Prime Lenses

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