Technicolor | 826 Titles
The Savages (2007)
Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4 Lenses
Why Did I Get Married Too? (2010)
Made of Honor (2008)
Directed by | Paul Weiland | Cinematography by | Tony Pierce-Roberts | Editing by | Richard Marks
Cameras | Panavision Cameras
Brief Interviews with Hideous Men (2009)
Directed by | John Krasinski | Cinematography by | John Bailey | Editing by | Zene Baker, Rich Fox
Cameras | Panavision Panaflex Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Being John Malkovich (1999)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | Eric Zumbrunnen
Lenses | Cooke S4 Lenses
Free Willy (1993)
Directed by | Simon Wincer | Cinematography by | Robbie Greenberg | Editing by | O. Nicholas Brown
Lenses | Panavision Primo Anamorphic Lenses
The Book of Eli (2010)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Don Burgess | Editing by | Cindy Mollo
Cameras | Red One Camera
Lenses | Panavision Primo Anamorphic Lenses
The A-Team (2010)
Directed by | Joe Carnahan | Cinematography by | Mauro Fiore | Editing by | Roger Barton, Jim May
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Harry Potter and the Sorcerer’s Stone (2001)
Directed by | Chris Columbus | Cinematography by | John Seale | Editing by | Richard Francis-Bruce
Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Gran Torino (2008)
Moonrise Kingdom (2012)
Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Andrew Weisblum
Cameras | Aaton A-Minima Camera, Aaton Xterà Camera
Lenses | Canon Lenses, Zeiss Super Speed Lenses
Evita (1996)
Directed by | Alan Parker | Cinematography by | Darius Khondji | Editing by | Gerry Hambling
Cameras | Moviecam Compact Camera
Lenses | Cooke Xtal Express Lenses
Where the Wild Things Are (2009)
Directed by | Spike Jonze | Cinematography by | Lance Acord | Editing by | James Haygood, Eric Zumbrunnen
Don’t Tell (2005)
Directed by | Cristina Comencini | Cinematography by | Fabio Cianchetti | Editing by | Cecilia Zanuso
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Steal Big Steal Little (1995)
Alien: Resurrection (1997)
Shanghai (2010)
Directed by | Mikael Håfström | Cinematography by | Benoît Delhomme | Editing by | Peter Boyle, Kevin Tent
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Amistad (1997)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn
Cameras | Panavision Panaflex Platinum Camera
Lenses | Zeiss Super Speed Lenses
The Stepfather (2009)
Directed by | Nelson McCormick | Cinematography by | Patrick Cady | Editing by | Eric L. Beason
Cameras | Panavision Panaflex Gold II Camera
A Walk to Remember (2002)
Directed by | Adam Shankman | Cinematography by | Julio Macat | Editing by | Emma E. Hickox
Cameras | ARRI Cameras
