Technicolor, New York | 70 Titles
The Dark Knight Rises (2012)
Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith
Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Chasing Amy (1997)
Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Scott Mosier, Kevin Smith
Cameras | ARRIFLEX 16SR2 Camera
Lenses | Zeiss Super Speed Lenses
Eighth Grade (2018)
Directed by | Bo Burnham | Cinematography by | Andrew Wehde | Editing by | Jennifer Lilly
Cameras | Red Helium 8K Camera
The Beguiled (2017)
Directed by | Sofia Coppola | Cinematography by | Philippe Le Sourd | Editing by | Sarah Flack
Cameras | ARRICAM Lite (LT) Camera
Lenses | Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
The Box (2009)
Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Mid90s (2018)
Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy
Cameras | ARRIFLEX 416 Camera
Lenses | Zeiss Super Speed Lenses
The Post (2017)
Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Sarah Broshar, Michael Kahn
Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses
Moonlight (2016)
Directed by | Barry Jenkins | Cinematography by | James Laxton | Editing by | Joi McMillon, Nat Sanders
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses
Past Lives (2023)
Directed by | Celine Song | Cinematography by | Shabier Kirchner | Editing by | Keith Fraase
Cameras | Panavision Panaflex Millennium XL Camera
Lenses | Panavision Primo Zooms Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Zoolander (2001)
Directed by | Ben Stiller | Cinematography by | Barry Peterson | Editing by | Greg Hayden
Cameras | Panavision Panaflex Platinum Camera
Clockers (1995)
Directed by | Spike Lee | Cinematography by | Malik Hassan Sayeed | Editing by | Sam Pollard
Cameras | ARRIFLEX 535 Camera, Moviecam Compact Camera
Uncut Gems (2019)
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Darius Khondji | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Cameras
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses
Beyond the Night (2018)
Directed by | Jason Noto | Cinematography by | Daniel Sharnoff | Editing by | Kathryn J. Schubert
Lenses | Cooke Anamorphic/i 100mm T2.3 Lens, Cooke Anamorphic/i 135mm T2.3 Lens, Cooke Anamorphic/i 25mm T2.3 Lens, Cooke Anamorphic/i 32mm T2.3 Lens, Cooke Anamorphic/i 40mm T2.3 Lens, Cooke Anamorphic/i 50mm T2.3 Lens, Cooke Anamorphic/i 65mm MACRO T2.6 Lens
A Quiet Place (2018)
Directed by | John Krasinski | Cinematography by | Charlotte Bruus Christensen | Editing by | Christopher Tellefsen
Lenses | Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Spider-Man 3 (2007)
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski
Lenses | Panavision Primo Anamorphic Lenses
Good Time (2017)
Directed by | Benny Safdie, Josh Safdie | Cinematography by | Sean Price Williams | Editing by | Ronald Bronstein, Benny Safdie
Cameras | ARRICAM Lite (LT) Camera
Lenses | Zeiss Super Speed Lenses
Four Days in September (1997)
Directed by | Bruno Barreto | Cinematography by | Félix Monti | Editing by | Isabelle Rathery
Cameras | ARRIFLEX 535 B Camera
Triple 9 (2016)
Directed by | John Hillcoat | Cinematography by | Nicolas Karakatsanis | Editing by | Dylan Tichenor
Kate & Leopold (2001)
Directed by | James Mangold | Cinematography by | Stuart Dryburgh | Editing by | David Brenner
Cameras | Panavision Cameras
Lenses | Panavision Lenses