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Technicolor, New York | 70 Titles

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Breakup at a Wedding (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Victor Quinaz | Cinematography by | Giovanni P. Autran | Editing by | Giovanni P. Autran, Evan Leed, Charlie Porter

Starring | Alison Fyhrie, Philip Quinaz, Mary Grill, Chris Manley

Cameras | Sony PMW-EX1 Camera

A Walk Among the Tombstones (2014)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt

Starring | Liam Neeson, Dan Stevens, David Harbour, Boyd Holbrook

Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

St. Vincent (2014)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

Directed by | Theodore Melfi | Cinematography by | John Lindley | Editing by | Sarah Flack, Peter Teschner

Starring | Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Martell

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Non-Stop (2014)

Motion Picture | 2D | Color | 2.39:1 | 106 Minutes

Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May

Starring | Liam Neeson, Julianne Moore, Scoot McNairy, Michelle Dockery

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Runner Runner (2013)

Motion Picture | 2D | Color | 2.39:1 | 88 Minutes

Directed by | Brad Furman | Cinematography by | Mauro Fiore | Editing by | Jeff McEvoy

Starring | Ben Affleck, Justin Timberlake, Gemma Arterton, Anthony Mackie

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Boardwalk Empire (2010)

Television Series | 2D | Color | 1.78:1 (16x9) | 55 Minutes

Boardwalk Empire | ShotOnWhat?

| Cinematography by | William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier | Editing by | Kate Sanford, Tim Streeto, Eric Lorenz, Sidney Wolinsky, Perri B. Frank

Starring | Steve Buscemi, Kelly Macdonald, Michael Shannon, Shea Whigham

Cameras | Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Step Up (2006)

Motion Picture | 2D | Color | 2.35:1 | 104 Minutes

Step Up | ShotOnWhat?

Directed by | Anne Fletcher | Cinematography by | Michael Seresin | Editing by | Nancy Richardson

Starring | Channing Tatum, Jenna Dewan, Damaine Radcliff, De'Shawn Washington

Cameras | ARRICAM Studio (ST) Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Cruising (1980)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | William Friedkin | Cinematography by | James A. Contner | Editing by | Bud S. Smith, M. Scott Smith

Starring | Al Pacino, Paul Sorvino, Karen Allen, Richard Cox

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Altered States (1980)

Motion Picture | 2D | Color | 1.37:1, 1.85:1 | 102 Minutes

Directed by | Ken Russell | Cinematography by | Jordan Cronenweth | Editing by | Eric Jenkins, Jack Harnish

Starring | William Hurt, Blair Brown, Bob Balaban, Charles Haid

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

A Bronx Tale (1993)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Robert De Niro | Cinematography by | Reynaldo Villalobos | Editing by | Robert Q. Lovett, David Ray

Starring | Robert De Niro, Chazz Palminteri, Lillo Brancato, Francis Capra

Cameras | Panavision Cameras

Lenses | Panavision Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Cemetery Club (1993)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | Bill Duke | Cinematography by | Steven Poster | Editing by | John Carter

Starring | Ellen Burstyn, Olympia Dukakis, Diane Ladd, Danny Aiello

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision Ultra Speed MKII Lenses

Narc (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Joe Carnahan | Cinematography by | Alex Nepomniaschy | Editing by | John Gilroy

Starring | Ray Liotta, Jason Patric, Chi McBride, Dan Leis

Cameras | ARRIFLEX 35 BL Camera, ARRIFLEX 35 IIC Camera, Moviecam Compact Camera

Lenses | Zeiss Super Speed Lenses

Margin Call (2011)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 107 Minutes

Directed by | J.C. Chandor | Cinematography by | Frank G. DeMarco | Editing by | Pete Beaudreau

Starring | Zachary Quinto, Stanley Tucci, Kevin Spacey, Paul Bettany

Cameras | ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Red One MX Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Zeiss Standard Speed Prime Lenses

Burn After Reading (2008)

Motion Picture | 2D | Color | 1.85:1 | 96 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Emmanuel Lubezki | Editing by | Ethan Coen, Joel Coen

Starring | Brad Pitt, Frances McDormand, George Clooney, John Malkovich

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Anything Else (2003)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Woody Allen | Cinematography by | Darius Khondji | Editing by | Alisa Lepselter

Starring | Woody Allen, Jason Biggs, Christina Ricci, Danny DeVito

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Happening (2008)

Motion Picture | 2D | Color | 1.85:1 | 91 Minutes

The Happening | ShotOnWhat?

Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV

Starring | Mark Wahlberg, Zooey Deschanel, John Leguizamo, Ashlyn Sanchez

Cameras | Panavision Cameras

Wonder Boys (2000)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 107 Minutes

Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Dede Allen

Starring | Michael Douglas, Tobey Maguire, Frances McDormand, Robert Downey Jr.

Cameras | Panavision Panaflex Millennium Camera

Lenses | Panavision Frazier Lenses, Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

When in Rome (2010)

Motion Picture | 2D | Color | 2.35:1 | 91 Minutes

When in Rome | ShotOnWhat?

Directed by | Mark Steven Johnson | Cinematography by | John Bailey | Editing by | Ryan Folsey, Andrew Marcus

Starring | Kristen Bell, Josh Duhamel, Anjelica Huston, Danny DeVito

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Ransom (1996)

Motion Picture | 2D | Black & White, Color | 1.85:1 | 121 Minutes

Directed by | Ron Howard | Cinematography by | Piotr Sobocinski | Editing by | Daniel P. Hanley, Mike Hill

Starring | Mel Gibson, Gary Sinise, Rene Russo, Brawley Nolte

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

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