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Technicolor, New York | 70 Titles

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Good Night, and Good Luck. (2005)

Motion Picture | 2D | 2K Project | Black & White | 1.85:1 | 93 Minutes

Directed by | George Clooney | Cinematography by | Robert Elswit | Editing by | Stephen Mirrione

Starring | David Strathairn, George Clooney, Patricia Clarkson, Jeff Daniels

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Town (2010)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Ben Affleck | Cinematography by | Robert Elswit | Editing by | Dylan Tichenor

Starring | Ben Affleck, Rebecca Hall, Jon Hamm, Jeremy Renner

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Savages (2007)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 113 Minutes

Directed by | Tamara Jenkins | Cinematography by | W. Mott Hupfel III | Editing by | Brian A. Kates

Starring | Laura Linney, Philip Seymour Hoffman, Philip Bosco, Peter Friedman

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

Brief Interviews with Hideous Men (2009)

Motion Picture | 2D | Color | 2.39:1 | 80 Minutes

Directed by | John Krasinski | Cinematography by | John Bailey | Editing by | Zene Baker, Rich Fox

Starring | Julianne Nicholson, Ben Shenkman, Timothy Hutton, Michael Cerveris

Cameras | Panavision Panaflex Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses

The Wrestler (2008)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | Darren Aronofsky | Cinematography by | Maryse Alberti | Editing by | Andrew Weisblum

Starring | Mickey Rourke, Marisa Tomei, Evan Rachel Wood, Mark Margolis

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra 16 Lenses

The Devil Wears Prada (2006)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 109 Minutes

Directed by | David Frankel | Cinematography by | Florian Ballhaus | Editing by | Mark Livolsi

Starring | Anne Hathaway, Meryl Streep, Adrian Grenier, Emily Blunt

Cameras | ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

American Gangster (2007)

Motion Picture | 2D | Color | 1.85:1 | 157 Minutes

Directed by | Ridley Scott | Cinematography by | Harris Savides | Editing by | Pietro Scalia

Starring | Denzel Washington, Russell Crowe, Chiwetel Ejiofor, Josh Brolin

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Crazy People (1990)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Tony Bill, Barry L. Young | Cinematography by | Victor J. Kemper | Editing by | Mia Goldman

Starring | Dudley Moore, Daryl Hannah, Paul Reiser, J.T. Walsh

Cameras | ARRI ARRIFLEX Series Cameras, Panavision Panaflex Gold Camera

Lenses | Panavision Ultra Speed MKII Lenses

Night at the Museum: Battle of the Smithsonian (2009)

Motion Picture | 2D | Color, Black and White | 2.35:1 | 105 Minutes

Night at the Museum: Battle of the Smithsonian | ShotOnWhat?

Directed by | Shawn Levy | Cinematography by | John Schwartzman | Editing by | Dean Zimmerman, Don Zimmerman

Starring | Ben Stiller, Owen Wilson, Amy Adams, Hank Azaria

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Red One Camera

Lenses | Panavision Primo Anamorphic Lenses

Basic (2003)

Motion Picture | 2D | Color | 2.39:1 | 98 Minutes

Directed by | John McTiernan | Cinematography by | Steve Mason | Editing by | George Folsey Jr.

Starring | John Travolta, Samuel L. Jackson, Connie Nielsen, Tim Daly

Cameras | Panavision Panaflex Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Cop Out (2010)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

Cop Out | ShotOnWhat?

Directed by | Kevin Smith | Cinematography by | David Klein | Editing by | Kevin Smith

Starring | Bruce Willis, Tracy Morgan, Juan Carlos Hernández, Cory Fernandez

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Afterschool (2008)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 120 Minutes

Directed by | Antonio Campos | Cinematography by | Jody Lee Lipes | Editing by | Antonio Campos

Starring | Ezra Miller, Jeremy Allen White, Emory Cohen, Michael Stuhlbarg

Cameras | ARRIFLEX 535 Camera

Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

You Can Count on Me (2000)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

Directed by | Kenneth Lonergan | Cinematography by | Stephen Kazmierski | Editing by | Anne McCabe

Starring | Laura Linney, Matthew Broderick, Amy Ryan, Michael Countryman

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Before the Devil Knows You’re Dead (2007)

Motion Picture | Color | 117 Minutes

Directed by | Sidney Lumet | Cinematography by | Ron Fortunato | Editing by | Tom Swartwout

Starring | Philip Seymour Hoffman, Ethan Hawke, Albert Finney, Marisa Tomei

Cameras | Panavision Genesis Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Royal Tenenbaums (2001)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Wes Anderson | Cinematography by | Robert D. Yeoman | Editing by | Dylan Tichenor

Starring | Gene Hackman, Gwyneth Paltrow, Anjelica Huston, Ben Stiller

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Consenting Adults (1992)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | Alan J. Pakula | Cinematography by | Stephen Goldblatt | Editing by | Sam O'Steen

Starring | Kevin Kline, Mary Elizabeth Mastrantonio, Kevin Spacey, Rebecca Miller

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Capote (2005)

Motion Picture | 2D | Color | 2.39:1 | 114 Minutes

Directed by | Bennett Miller | Cinematography by | Adam Kimmel | Editing by | Christopher Tellefsen

Starring | Philip Seymour Hoffman, Clifton Collins Jr., Catherine Keener, Allie Mickelson

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

Goodfellas (1990)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Martin Scorsese | Cinematography by | Michael Ballhaus | Editing by | James Y. Kwei, Thelma Schoonmaker

Starring | Robert De Niro, Ray Liotta, Joe Pesci, Lorraine Bracco

Cameras | ARRIFLEX 35 BL4s Camera

Lenses | Zeiss Lenses

The Thomas Crown Affair (1999)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | John McTiernan | Cinematography by | Tom Priestley Jr. | Editing by | John Wright

Starring | Pierce Brosnan, Rene Russo, Denis Leary, Ben Gazzara

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Before Night Falls (2000)

Motion Picture | 2D | Color | 1.85:1 | 133 Minutes

Directed by | Julian Schnabel | Cinematography by | Xavier Grobet, Guillermo Rosas | Editing by | Michael Berenbaum

Starring | Javier Bardem, Johnny Depp, Olatz López Garmendia, Giovani Florido

Cameras | ARRIFLEX 35 BL4s Camera, ARRIFLEX 535 Camera

Lenses | Zeiss Super Speed Lenses

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