Super 35 Camera Aperture | 846 Titles
Army of One (1993)
Directed by | Vic Armstrong | Cinematography by | Daniel L. Turrett | Editing by | Paul Morton
Cameras | Todd-AO CineSpace 70 Camera
L.A. Confidential (1997)
Directed by | Curtis Hanson | Cinematography by | Dante Spinotti | Editing by | Peter Honess
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Veronica Guerin (2003)
Directed by | Joel Schumacher | Cinematography by | Brendan Galvin | Editing by | David Gamble
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Alex Rider: Operation Stormbreaker (2006)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Andrew MacRitchie
Cameras | ARRIFLEX 435 Camera
Lenses | Angenieux Lenses, ARRI / Zeiss Lenses
Dreamer: Inspired by a True Story (2005)
Directed by | John Gatins | Cinematography by | Fred Murphy | Editing by | David Rosenbloom
Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Red Riding Hood (2011)
Directed by | Catherine Hardwicke | Cinematography by | Mandy Walker | Editing by | Nancy Richardson, Julia Wong
The Lovely Bones (2009)
The Special Relationship (2010)
Directed by | Richard Loncraine | Cinematography by | Barry Ackroyd | Editing by | Melanie Oliver
Cameras | ARRICAM Lite (LT) Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
White Noise (2005)
Directed by | Geoffrey Sax | Cinematography by | Chris Seager | Editing by | Nick Arthurs
Cameras | Panavision Cameras
Lenses | Panavision Lenses
Reservoir Dogs (1992)
21 Jump Street (2012)
Directed by | Phil Lord, Christopher Miller | Cinematography by | Barry Peterson | Editing by | Joel Negron
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera
Easy Virtue (2008)
Directed by | Stephan Elliott | Cinematography by | Martin Kenzie | Editing by | Sue Blainey
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Ninja Assassin (2009)
Directed by | James McTeigue | Cinematography by | Karl Walter Lindenlaub | Editing by | Giancarlo Ganziano, Joseph Jett Sally
Lenses | Zeiss Master Prime Lenses
American Beauty (1999) 
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Tariq Anwar, Christopher Greenbury
Cameras | Panavision Panaflex Platinum Camera
Les émotifs anonymes (2010)
Directed by | Jean-Pierre Améris | Cinematography by | Gérard Simon | Editing by | Philippe Bourgueil
Cameras | Moviecam Compact MK2 Camera
Crouching Tiger, Hidden Dragon (2000)
Directed by | Ang Lee | Cinematography by | Peter Pau | Editing by | Tim Squyres
Cameras | ARRIFLEX 435 ES Camera
Lenses | Zeiss Lenses
The Fighter (2010)
Takers (2010)
Directed by | John Luessenhop | Cinematography by | Michael Barrett | Editing by | Armen Minasian
Cameras | ARRIFLEX 435 ES Camera, Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
Dead Presidents (1995)
Directed by | Albert Hughes, Allen Hughes | Cinematography by | Lisa Rinzler | Editing by | Dan Lebental
Cameras | Panavision Panaflex Gold II Camera
X-Men Origins: Wolverine (2009)
Directed by | Gavin Hood | Cinematography by | Donald McAlpine | Editing by | Nicolas De Toth, Megan Gill
