Super 35 Camera Aperture | 846 Titles
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot, William Hoy
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Lenses | Panavision Primo Anamorphic Lenses
Blindness (2008)
Directed by | Fernando Meirelles | Cinematography by | César Charlone | Editing by | Daniel Rezende
Cameras | Aaton 35-III Camera, Aaton A-Minima Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Sony DCR-PC110 Camera
Lenses | Canon Lenses, Fujinon Lenses, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Ghost Rider (2007)
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras | Panavision Cameras
Gosford Park (2001)
Directed by | Robert Altman | Cinematography by | Andrew Dunn | Editing by | Tim Squyres
Cameras | Panavision Panaflex Platinum Camera
Ying xiong (2002)
Directed by | Yimou Zhang | Cinematography by | Christopher Doyle | Editing by | Angie Lam, Vincent Lee, Ru Zhai
Cameras | ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Lenses | Angenieux Lenses, Cooke Lenses
An Education (2009)
Directed by | Lone Scherfig | Cinematography by | John de Borman | Editing by | Barney Pilling
Cameras | ARRIFLEX 235 Camera
Lenses | Cooke Speed Panchro Lenses
I Killed My Mother (2009)
Directed by | Xavier Dolan | Cinematography by | Stéphanie Anne Weber Biron | Editing by | Hélène Girard
Cameras | Red One Camera
Dreamgirls (2006)
Fred Claus (2007)
Directed by | David Dobkin | Cinematography by | Remi Adefarasin | Editing by | Mark Livolsi
Lenses | Zeiss Ultra Prime Lenses
August Rush (2007)
Directed by | Kirsten Sheridan | Cinematography by | John Mathieson | Editing by | William Steinkamp
Cameras | Panavision Cameras
Lenses | Panavision Lenses
What Happens in Vegas (2008)
Directed by | Tom Vaughan | Cinematography by | Matthew F. Leonetti | Editing by | Matt Friedman
Cameras | Panavision Cameras
Notting Hill (1999)
Directed by | Roger Michell | Cinematography by | Michael Coulter | Editing by | Nick Moore
Cameras | Moviecam Cameras
Moulin Rouge! (2001)
Directed by | Baz Luhrmann | Cinematography by | Donald McAlpine | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium Camera
The Maiden Heist (2009)
Directed by | Peter Hewitt | Cinematography by | Ueli Steiger | Editing by | Carole Kravetz Aykanian
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Against the Ropes (2004)
Directed by | Charles S. Dutton | Cinematography by | Jack N. Green | Editing by | Eric L. Beason
Cameras | Panavision Cameras
Lenses | Panavision Lenses
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
I Love You, Man (2009)
Directed by | John Hamburg | Cinematography by | Lawrence Sher | Editing by | William Kerr
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera
I’m Not There. (2007)
Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Jay Rabinowitz
Cameras | Aaton LTR Camera, Moviecam Compact Camera