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Super 35 Camera Aperture | 846 Titles

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30 Days of Night (2007)

Motion Picture | 2D | Color | 2.39:1 | 113 Minutes

Directed by | David Slade | Cinematography by | Jo Willems | Editing by | Art Jones

Starring | Josh Hartnett, Melissa George, Danny Huston, Ben Foster

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Primes Spherical Lenses

Green Lantern (2011)

Motion Picture | 3D | Color | 2.35:1 | 114 Minutes

Green Lantern | ShotOnWhat?

Directed by | Martin Campbell | Cinematography by | Dion Beebe | Editing by | Stuart Baird

Starring | Ryan Reynolds, Blake Lively, Peter Sarsgaard, Mark Strong

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

House of Flying Daggers (2004)

Motion Picture | 2D | Color | 2.39:1 | 119 Minutes

Directed by | Yimou Zhang | Cinematography by | Xiaoding Zhao | Editing by | Long Cheng

Starring | Ziyi Zhang, Takeshi Kaneshiro, Andy Lau, Dandan Song

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Cooke Lenses, Zeiss Lenses

Limitless (2011)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

Limitless | ShotOnWhat?

Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty

Starring | Bradley Cooper, Anna Friel, Abbie Cornish, Robert De Niro

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera

Lenses | Cooke S4 Lenses

X: First Class (2011)

Motion Picture | 2D | Color | 2.35:1 | 131 Minutes

X: First Class | ShotOnWhat?

Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith

Starring | James McAvoy, Michael Fassbender, Jennifer Lawrence, Kevin Bacon

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Pars vite et reviens tard (2007)

Motion Picture | 2D | Color | 2.39:1 | 116 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Yann Malcor

Starring | José Garcia, Lucas Belvaux, Marie Gillain, Olivier Gourmet

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

A Better Life (2011)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert

Starring | Demián Bichir, José Julián, Eddie 'Piolin' Sotelo, Joaquín Cosio

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La conquête (2011)

Motion Picture | 2D | Color | 2.39:1 | 105 Minutes

Directed by | Xavier Durringer | Cinematography by | Gilles Porte | Editing by | Catherine Schwartz

Starring | Denis Podalydès, Florence Pernel, Bernard Le Coq, Michèle Moretti

Cameras | Moviecam Compact Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Le code a changé (2009)

Motion Picture | 2D | Color | 2.39:1 | 100 Minutes

Directed by | Danièle Thompson | Cinematography by | Jean-Marc Fabre | Editing by | Sylvie Landra

Starring | Karin Viard, Dany Boon, Marina Foïs, Patrick Bruel

Cameras | Moviecam Compact MK2 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Living Hell (2008)

Television Movie | Color | 2.39:1 | 92 Minutes

Directed by | Richard Jefferies | Cinematography by | Eric Leach | Editing by | Russell Denove

Starring | Johnathon Schaech, Erica Leerhsen, James McDaniel, Jason Wiles

Cameras | Panavision Cameras

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

Kundun (1997)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 134 Minutes

Directed by | Martin Scorsese | Cinematography by | Roger Deakins | Editing by | Thelma Schoonmaker

Starring | Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tenzin Yeshi Paichang

Cameras | ARRIFLEX 535 B Camera

Lenses | Cooke Lenses, Cooke Super Cine Varotal 25-250mm f2.8 Lens, Zeiss Standard Speed Prime Lenses

Colombiana (2011)

Motion Picture | 2D | Color | 2.35:1 | 108 Minutes

Colombiana | ShotOnWhat?

Directed by | Olivier Megaton | Cinematography by | Romain Lacourbas | Editing by | Camille Delamarre

Starring | Zoe Saldana, Michael Vartan, Callum Blue, Jordi Mollà

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Adjustment Bureau (2011)

Motion Picture | 2D | Color | 1.85:1 | 106 Minutes

Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz

Starring | Matt Damon, Emily Blunt, Lisa Thoreson, Florence Kastriner

Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses

The American (2010)

Motion Picture | 2D | Color | 2.35:1 | 105 Minutes

The American | ShotOnWhat?

Directed by | Anton Corbijn | Cinematography by | Martin Ruhe | Editing by | Andrew Hulme

Starring | George Clooney, Paolo Bonacelli, Violante Placido, Irina Björklund

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Cider House Rules (1999)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 126 Minutes

Directed by | Lasse Hallström | Cinematography by | Oliver Stapleton | Editing by | Lisa Zeno Churgin

Starring | Tobey Maguire, Charlize Theron, Michael Caine, Delroy Lindo

Cameras | Moviecam Compact Camera

Lenses | Cooke S4 Lenses

Babel (2006)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 143 Minutes

Directed by | Alejandro G. Iñárritu | Cinematography by | Rodrigo Prieto | Editing by | Douglas Crise, Stephen Mirrione

Starring | Brad Pitt, Cate Blanchett, Gael García Bernal, Mohamed Akhzam

Cameras | ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Kick-Ass (2010)

Motion Picture | 2D | Color | 2.35:1, 2.40:1 | 117 Minutes

Kick-Ass | ShotOnWhat?

Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Eddie Hamilton, Jon Harris, Pietro Scalia

Starring | Aaron Taylor-Johnson, Nicolas Cage, Chloë Grace Moretz, Garrett M. Brown

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision G Series Anamorphic Lenses

I Am Number Four (2011)

Motion Picture | 2D | Color | 1.85:1 | 111 Minutes

I Am Number Four | ShotOnWhat?

Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page

Starring | Alex Pettyfer, Timothy Olyphant, Dianna Agron, Teresa Palmer

Cameras | ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Knight and Day (2010)

Motion Picture | 2D | Color | 2.35:1 | 109 Minutes

Knight and Day | ShotOnWhat?

Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker

Starring | Tom Cruise, Cameron Diaz, Peter Sarsgaard, Jordi Mollà

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Jane Eyre (2011)

Motion Picture | 2D | Color | 1.85:1 | 120 Minutes

Directed by | Cary Joji Fukunaga | Cinematography by | Adriano Goldman | Editing by | Melanie Oliver

Starring | Mia Wasikowska, Michael Fassbender, Jamie Bell, Su Elliot

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

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