Computer generated imagery | 232 Titles
Shutter Island (2010)
Country | USA
Type | Motion Picture
Running Time | 138 Minutes
Aspect Ratio | 2.39:1
Directed by | Martin Scorsese | Cinematography by | Robert Richardson | Editing by | Thelma Schoonmaker Cameras | ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
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Thor (2011)
Country | USA
Type | Motion Picture
Running Time | 115 Minutes
Aspect Ratio | 2.35:1
Directed by | Kenneth Branagh | Cinematography by | Haris Zambarloukos | Editing by | Paul Rubell Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses
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Missing Girl (2017)
Country | Dominican Republic
Type | Short Film
Running Time | 8 Minutes
Aspect Ratio | 2.39:1
Directed by | Jimmy Barranco | Cinematography by | Jimmy Barranco | Editing by | Jimmy Barranco Cameras | Blackmagic Pocket Cinema Camera
Lenses | Canon Lenses, Sigma Lenses
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Spider-Man 3 (2007)
Country | USA
Type | Motion Picture
Running Time | 139 Minutes
Aspect Ratio | 2.39:1
Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski Lenses | Panavision Primo Anamorphic Lenses
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The Curious Case of Benjamin Button (2008)
Country | USA
Type | Motion Picture
Running Time | 166 Minutes
Aspect Ratio | 2.39:1
Directed by | David Fincher | Cinematography by | Claudio Miranda | Editing by | Kirk Baxter, Angus Wall Lenses | Zeiss DigiPrime Lenses
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The Expendables (2010)
Country | USA, Bulgaria
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 2.39:1
Directed by | Sylvester Stallone | Cinematography by | Jeffrey L. Kimball | Editing by | Ken Blackwell, Paul Harb Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
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End of Days (1999)
Country | USA
Type | Motion Picture
Running Time | 122 Minutes
Aspect Ratio | 2.39:1
Directed by | Peter Hyams | Cinematography by | Peter Hyams | Editing by | Jeff Gullo, Steven Kemper Cameras | Panavision Cameras
Lenses | Panavision Lenses
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Van Helsing (2004)
Country | USA, Czech Republic, Romania
Type | Motion Picture
Running Time | 131 Minutes
Aspect Ratio | 1.85:1
Directed by | Stephen Sommers | Cinematography by | Allen Daviau | Editing by | Bob Ducsay, Kelly Matsumoto, Jim Maymodified:
Dinosaur (2000)
Country | USA
Type | Motion Picture
Running Time | 82 Minutes
Aspect Ratio | 1.85:1
Directed by | Eric Leighton, Ralph Zondag | Cinematography by | David R. Hardberger, Steven Douglas Smith | Editing by | H. Lee Peterson Cameras | VistaVision Cameras
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Buffy the Vampire Slayer (1997)
Country | USA
Type | Television Series
Running Time | 44 Minutes
Aspect Ratio | 1.33:1 (4x3), 1.78:1 (16x9)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern Lenses | Panavision Lenses
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Transformers (2007)
Country | USA
Type | Motion Picture
Running Time | 144 Minutes
Aspect Ratio | 2.39:1
Directed by | Michael Bay | Cinematography by | Mitchell Amundsen | Editing by | Tom Muldoon, Paul Rubell, Glen Scantlebury Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Lenses | Angenieux HR 25-250mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens
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The Rock (1996)
Country | USA
Type | Motion Picture
Running Time | 136 Minutes
Directed by | Michael Bay | Cinematography by | John Schwartzman | Editing by | Richard Francis-Bruce Cameras | Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
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Boots on the Ground (2017)
Country | UK
Type | Motion Picture
Running Time | 86 Minutes
Aspect Ratio | 1.78:1 (16x9)
Directed by | Louis Melville | Cinematography by | Boyd Skinner | Editing by | Lucas Roche Cameras | GoPro HERO4 Black
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Pickings (2018)
Country | USA
Type | Motion Picture
Running Time | 103 Minutes
Aspect Ratio | 1.85:1
Capture Resolution | 5120x2134 - (2.40:1) Capture Resolution, 5120x2700 - (1.90:1) Capture Resolution
Directed by | Usher Morgan | Cinematography by | Usher Morgan, Louis Obioha | Editing by | Usher Morganmodified:
Il ragazzo invisibile: Fratelli (2018)
Country | Italy
Type | Motion Picture
Running Time | 100 Minutes
Directed by | Gabriele Salvatores | Cinematography by | Italo Petriccione Cameras | ARRI ALEXA XT Camera
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Raymond’s 5 (2017)
Country | UK
Type | Motion Picture
Capture Resolution | 4096x2160 - (1.90:1) Capture Resolution
Directed by | James Hastings | Cinematography by | Francis Cousins Cameras | Red Raven Camera
Lenses | Canon Lenses
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Bølgen (2015)
Country | Norway, Sweden
Type | Motion Picture
Running Time | 105 Minutes
Directed by | Roar Uthaug | Cinematography by | John Christian Rosenlund | Editing by | Christian Siebenherzmodified:
Historia de un oso (2014)
Country | Chile
Type | Short Film
Running Time | 11 Minutes
Directed by | Gabriel Osorio Vargas | Cinematography by | Gabriel Osorio Vargas | Editing by | Pato Escala Pierartmodified:
The 100 Year-Old Man Who Climbed Out the Window and Disappeared (2013)
Country | Sweden, Russia, UK, France, Spain, Germany
Type | Motion Picture
Running Time | 114 Minutes
Aspect Ratio | 2.39:1
Directed by | Felix Herngren | Cinematography by | Göran Hallberg | Editing by | Henrik Källberg Cameras | ARRI ALEXA Camera
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Boundin’ (2003)
Country | USA
Type | Short Film
Running Time | 5 Minutes
Aspect Ratio | 1.85:1
Directed by | Bud Luckey, Roger Gould | Cinematography by | Jesse Hollander | Editing by | Steve Bloommodified:
