Computer generated imagery | 238 Titles
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
X: First Class (2011)
Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Tower Heist (2011)
The Apparition (2012)
Directed by | Todd Lincoln | Cinematography by | Daniel Pearl | Editing by | Jeff Betancourt, Tom Elkins, Harold Parker
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Panavision Panaflex Millennium XL2 Camera
Lenses | Panavision C Series Anamorphic Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Panavision E Series Anamorphic Lenses
The Adjustment Bureau (2011)
Directed by | George Nolfi | Cinematography by | John Toll | Editing by | Jay Rabinowitz
Cameras | Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Kick-Ass (2010)
Directed by | Matthew Vaughn | Cinematography by | Ben Davis | Editing by | Eddie Hamilton, Jon Harris, Pietro Scalia
Cameras | Panavision Panaflex Millennium XL Camera
I Am Number Four (2011)
Directed by | D.J. Caruso | Cinematography by | Guillermo Navarro | Editing by | Vince Filippone, Jim Page
Knight and Day (2010)
Directed by | James Mangold | Cinematography by | Phedon Papamichael | Editing by | Quincy Z. Gunderson, Michael McCusker
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Salt (2010)
Directed by | Phillip Noyce | Cinematography by | Robert Elswit | Editing by | Stuart Baird, John Gilroy
Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses
Fantastic Four: Rise of the Silver Surfer (2007)
Directed by | Tim Story | Cinematography by | Larry Blanford | Editing by | Peter S. Elliot, William Hoy
Cameras | Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Lenses | Panavision Primo Anamorphic Lenses
Ghost Rider (2007)
Directed by | Mark Steven Johnson | Cinematography by | Russell Boyd | Editing by | Richard Francis-Bruce
Cameras | Panavision Cameras
Underworld: Rise of the Lycans (2009)
Directed by | Patrick Tatopoulos | Cinematography by | Ross Emery | Editing by | Peter Amundson, Eric Potter
Cameras | Panavision Genesis Camera, Red One Camera
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
Pirates of the Caribbean: On Stranger Tides (2011)
Directed by | Rob Marshall | Cinematography by | Dariusz Wolski | Editing by | David Brenner, Wyatt Smith
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Harry Potter and the Deathly Hallows: Part 1 (2010)
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
The Incredible Hulk (2008)
Directed by | Louis Leterrier | Cinematography by | Peter Menzies Jr. | Editing by | Rick Shaine, Vincent Tabaillon, John Wright
The Box (2009)
Directed by | Richard Kelly | Cinematography by | Steven Poster | Editing by | Sam Bauer
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
