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Oscar Nominee: Best Sound Mixing | 85 Titles

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True Grit (2010) 2010 : 83rd Academy Awards

Aspect Ratio: 2.39:1

110 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Roger DeakinsEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen, Charles Portis
Starring | Jeff Bridges Matt Damon Hailee Steinfeld Josh Brolin

Editing System | Final Cut Pro Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Salt (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

100 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Phillip NoyceCinematography by ~ Robert ElswitEdited by ~ Stuart Baird, John GilroyWritten by ~ Kurt Wimmer
Starring | Angelina Jolie Liev Schreiber Chiwetel Ejiofor Daniel Olbrychski

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision 70-210 mm T2.8 (Custom by Dan Sasaki) Lens, Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII 24 mm T1.3 Lens, Panavision Ultra Speed MKII Lenses

Oscar Nominee: Best Sound Mixing

The King’s Speech (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 1.85:1

118 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Tom HooperCinematography by ~ Danny CohenEdited by ~ Tariq AnwarWritten by ~ David Seidler
Starring | Colin Firth Geoffrey Rush Helena Bonham Carter Derek Jacobi

Editing System | Lightworks Editing System

Finishing System | Filmlight Baselight Finishing System

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Social Network (2010) 2010 : 83rd Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ David FincherCinematography by ~ Jeff CronenwethEdited by ~ Kirk Baxter, Angus WallWritten by ~ Aaron Sorkin, Ben Mezrich
Starring | Jesse Eisenberg Andrew Garfield Justin Timberlake Rooney Mara

Editing System | Adobe Premiere Editing System

Finishing System | Quantel

Cameras | Red One MX Camera

Star Trek (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 2.39:1

127 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ J.J. AbramsCinematography by ~ Dan MindelEdited by ~ Maryann Brandon, Mary Jo MarkeyWritten by ~ Roberto Orci, Alex Kurtzman, Gene Roddenberry
Starring | Chris Pine Zachary Quinto Simon Pegg Leonard Nimoy

Editing System | Autodesk Smoke Editing System, Avid Editing System

Cameras | ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oscar Winner: Best Makeup

Transformers: Revenge of the Fallen (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.44:1, 2.39:1

150 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Michael BayCinematography by ~ Ben SeresinEdited by ~ Roger Barton, Tom Muldoon, Joel Negron, Paul RubellWritten by ~ Ehren Kruger, Roberto Orci, Alex Kurtzman
Starring | Shia LaBeouf Megan Fox Josh Duhamel Tyrese Gibson

Editing System | Avid Editing System

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Iwerks IW5A Camera, Panavision Panaflex Platinum Camera

Lenses | Angenieux Optimo Zoom Lenses, Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Oscar Nominee: Best Sound Mixing

Avatar (2009) 2009 : 82nd Academy Awards

3D

Aspect Ratio: 1.78:1 (16x9), 2.39:1

162 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ James CameronCinematography by ~ Mauro FioreEdited by ~ James Cameron, John Refoua, Stephen E. RivkinWritten by ~ James Cameron
Starring | Sam Worthington Zoe Saldaña Sigourney Weaver

Editing System | Adobe Premiere Editing System, Autodesk Smoke Editing System, Avid Editing System

Finishing System | DaVinci Finishing System, Quantel Pablo

Cameras | Sony CineAlta F23 Camera, Sony HDC-1500 Camera, Sony HDC-F950 Camera

Lenses | Canon Lenses, Fujinon HA16x6.3BE 6.3-101 mm T1.8 Lens, Fujinon HA5x7B-W50 7-35 mm Lens, Fujinon Lenses

Inglourious Basterds (2009) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 2.39:1

153 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Quentin TarantinoCinematography by ~ Robert RichardsonEdited by ~ Sally MenkeWritten by ~ Quentin Tarantino
Starring | Brad Pitt Diane Kruger Eli Roth Mélanie Laurent

Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses | Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Oscar Winner: Best Actor in a Supporting Role

WALL·E (2008) 2008 : 81st Academy Awards

2D, 3D

Aspect Ratio: 2.39:1

98 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Andrew StantonCinematography by ~ Martin RosenbergEdited by ~ Stephen SchafferWritten by ~ Andrew Stanton, Pete Docter, Andrew Stanton, Jim Reardon
Starring | Ben Burtt Elissa Knight Jeff Garlin Fred Willard

Oscar Winner: Best Animated Feature

The Dark Knight (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 1.44:1, 2.39:1

152 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Christopher NolanCinematography by ~ Wally PfisterEdited by ~ Lee SmithWritten by ~ Jonathan Nolan, Christopher Nolan, Christopher Nolan, David S. Goyer, Bob Kane
Starring | Christian Bale Heath Ledger Aaron Eckhart Michael Caine

Editing System | Avid Editing System

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Curious Case of Benjamin Button (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

166 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ David FincherCinematography by ~ Claudio MirandaEdited by ~ Kirk Baxter, Angus WallWritten by ~ Eric Roth, Eric Roth, Robin Swicord, F. Scott Fitzgerald
Starring | Brad Pitt Cate Blanchett Tilda Swinton Julia Ormond

Editing System | Final Cut Pro Editing System

Cameras | ARRIFLEX 435 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera

Lenses | Zeiss DigiPrime Lenses

Slumdog Millionaire (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

120 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Danny Boyle, Loveleen TandanCinematography by ~ Anthony Dod MantleEdited by ~ Chris DickensWritten by ~ Simon Beaufoy, Vikas Swarup
Starring | Dev Patel Freida Pinto Saurabh Shukla Anil Kapoor

Editing System | Avid Editing System

Finishing System | Quantel Pablo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 BL4s Camera, Canon EOS-1D Mark III Camera, Silicon Imaging SI-2K Mini Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens

The Hurt Locker (2008) 2009 : 82nd Academy Awards

2D

Aspect Ratio: 1.78:1 (16x9), 1.85:1

131 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Kathryn BigelowCinematography by ~ Barry AckroydEdited by ~ Chris Innis, Bob MurawskiWritten by ~ Mark Boal
Starring | Jeremy Renner Anthony Mackie Brian Geraghty Guy Pearce

Editing System | Avid Editing System

Cameras | Aaton A-Minima Camera, Aaton XTR Prod Camera, IDT / Redlake Cameras

Wanted (2008) 2008 : 81st Academy Awards

2D

Aspect Ratio: 2.39:1

110 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Timur BekmambetovCinematography by ~ Mitchell AmundsenEdited by ~ David BrennerWritten by ~ Michael Brandt, Derek Haas, Chris Morgan, Michael Brandt, Derek Haas, Mark Millar, J.G. Jones
Starring | Angelina Jolie James McAvoy Morgan Freeman Terence Stamp

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses | Panavision Primo Primes Spherical Lenses

3:10 to Yuma (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

122 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ James MangoldCinematography by ~ Phedon PapamichaelEdited by ~ Michael McCuskerWritten by ~ Halsted Welles, Michael Brandt, Derek Haas, Elmore Leonard
Starring | Russell Crowe Christian Bale Ben Foster Logan Lerman

Editing System | Avid Editing System

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Ratatouille (2007) 2007 : 80th Academy Awards

2D, 3D

Aspect Ratio: 2.39:1

111 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Brad Bird, Jan PinkavaCinematography by ~ Robert AndersonEdited by ~ Darren T. HolmesWritten by ~ Brad Bird, Jan Pinkava, Jim Capobianco, Brad Bird, Emily Cook, Kathy Greenberg, Bob Peterson
Starring | Brad Garrett Lou Romano Patton Oswalt Ian Holm

Oscar Winner: Best Animated Feature

The Bourne Ultimatum (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

115 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Paul GreengrassCinematography by ~ Oliver WoodEdited by ~ Christopher RouseWritten by ~ Tony Gilroy, Scott Z. Burns, George Nolfi, Tony Gilroy, Robert Ludlum
Starring | Matt Damon Edgar Ramírez Joan Allen Julia Stiles

Editing System | Avid Editing System, Final Cut Pro Editing System, Lightworks Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera

Lenses | Cooke S4 Lenses, Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

No Country for Old Men (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

122 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Ethan Coen, Joel CoenCinematography by ~ Roger DeakinsEdited by ~ Ethan Coen, Joel CoenWritten by ~ Joel Coen, Ethan Coen, Cormac McCarthy
Starring | Tommy Lee Jones Javier Bardem Josh Brolin Woody Harrelson

Editing System | Final Cut Pro Editing System

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Cooke S4 Lenses, Zeiss Master Prime Lenses

Transformers (2007) 2007 : 80th Academy Awards

2D

Aspect Ratio: 2.39:1

144 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Michael BayCinematography by ~ Mitchell AmundsenEdited by ~ Tom Muldoon, Paul Rubell, Glen ScantleburyWritten by ~ Roberto Orci, Alex Kurtzman, John Rogers, Roberto Orci, Alex Kurtzman
Starring | Shia LaBeouf Megan Fox Josh Duhamel Tyrese Gibson

Editing System | Avid Editing System, Final Cut Pro Editing System

Cameras | ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Dreamgirls (2006) 2006 : 79th Academy Awards

2D

Aspect Ratio: 2.39:1

130 Minutes

Oscar Nominee: Best Sound MixingDirected by ~ Bill CondonCinematography by ~ Tobias A. SchliesslerEdited by ~ Virginia KatzWritten by ~ Tom Eyen, Bill Condon
Starring | Beyoncé Jamie Foxx Eddie Murphy Danny Glover

Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses