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Next Day Air (2009)

Motion Picture | 2D | Color | 84 Minutes

Directed by | Benny Boom | Cinematography by | David A. Armstrong | Editing by | David Checel

Starring | Yasiin Bey, Mike Epps, Donald Faison, Wood Harris

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Willow (1988)

Motion Picture | 2D | Color | 126 Minutes

Directed by | Ron Howard | Cinematography by | Adrian Biddle | Editing by | Daniel P. Hanley, Mike Hill, Richard Hiscott

Starring | Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses

The Bourne Legacy (2012)

Motion Picture | 2D | Color | 2.35:1 | 135 Minutes

The Bourne Legacy | ShotOnWhat?

Directed by | Tony Gilroy | Cinematography by | Robert Elswit | Editing by | John Gilroy

Starring | Jeremy Renner, Rachel Weisz, Edward Norton, Scott Glenn

Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses

Get Smart (2008)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Get Smart | ShotOnWhat?

Directed by | Peter Segal | Cinematography by | Dean Semler | Editing by | Richard Pearson

Starring | Steve Carell, Anne Hathaway, Alan Arkin, Dwayne Johnson

Cameras | Panavision Genesis Camera, Panavision Panastar Camera

Lenses | Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

A.I. Artificial Intelligence (2001)

Motion Picture | 2D | Color | 1.85:1 | 146 Minutes

Directed by | Steven Spielberg | Cinematography by | Janusz Kaminski | Editing by | Michael Kahn

Starring | Haley Joel Osment, Jude Law, Frances O'Connor, Sam Robards

Cameras | Panavision Cameras

Lenses | ARRI / Zeiss Lenses

Lockout (2012)

Motion Picture | 2D | Color | 2.35:1 | 95 Minutes

Lockout | ShotOnWhat?

Directed by | James Mather, Steve Saint Leger | Cinematography by | James Mather | Editing by | Camille Delamarre, Eamonn Power

Starring | Guy Pearce, Maggie Grace, Peter Stormare, Vincent Regan

Cameras | Red One MX Camera

Lenses | Red Pro Prime Lenses

Faubourg 36 (2008)

Motion Picture | 2D | 4K Project | Color | 2.20:1, 2.39:1 | 120 Minutes

Directed by | Christophe Barratier | Cinematography by | Tom Stern | Editing by | Yves Deschamps

Starring | Gérard Jugnot, Clovis Cornillac, Kad Merad, Nora Arnezeder

Cameras | Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Indiana Jones and the Last Crusade (1989)

Motion Picture | 2D | Color | 2.35:1 | 127 Minutes

Directed by | Steven Spielberg | Cinematography by | Douglas Slocombe | Editing by | Michael Kahn, George Lucas

Starring | Harrison Ford, Sean Connery, Alison Doody, Denholm Elliott

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

Postcards from the Future (2007)

Motion Picture | 2D | Color | 1.85:1 | 38 Minutes

Postcards from the Future | ShotOnWhat?

Directed by | Alan Chan | Cinematography by | Eric Adkins | Editing by | John McGinley

Starring | Robb Hughes, Cori Bright, Freddie Johnson, Denise Gossett

Cameras | Dalsa Origin Camera

Lenses | Zeiss Ultra Prime Lenses, Zeiss Ultra Prime Planar 65 mm T1.9 Lens

Little Children (2006)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 136 Minutes

Directed by | Todd Field | Cinematography by | Antonio Calvache | Editing by | Leo Trombetta

Starring | Kate Winslet, Jennifer Connelly, Patrick Wilson, Jackie Earle Haley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Pleasantville (1998)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 124 Minutes

Directed by | Gary Ross | Cinematography by | John Lindley | Editing by | William Goldenberg

Starring | Tobey Maguire, Jeff Daniels, Joan Allen, Reese Witherspoon

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Ben-Hur (1959)

Motion Picture | 2D | Film Project | Color | 2.55:1, 2.76:1 | 212 Minutes

Directed by | William Wyler | Cinematography by | Robert Surtees | Editing by | John D. Dunning, Ralph E. Winters, Margaret Booth

Starring | Charlton Heston, Jack Hawkins, Stephen Boyd, Haya Harareet

Cameras | MGM Camera 65 Camera

Lenses | Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Lenses, Panavision Lenses

Est – Ouest (1999)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Régis Wargnier | Cinematography by | Laurent Dailland | Editing by | Hervé Schneid

Starring | Oleg Menshikov, Sandrine Bonnaire, Catherine Deneuve, Sergey Bodrov

Cameras | Technovision Cameras

Lenses | Technovision Lenses

Shadow of the Vampire (2000)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 92 Minutes

Directed by | E. Elias Merhige | Cinematography by | Lou Bogue | Editing by | Chris Wyatt

Starring | John Malkovich, Willem Dafoe, Udo Kier, Cary Elwes

Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Super Speed Lenses

Nova Zembla (2011)

Motion Picture | 3D | Color | 108 Minutes

Directed by | Reinout Oerlemans | Cinematography by | Lennert Hillege | Editing by | Michiel Reichwein

Starring | Robert de Hoog, Victor Reinier, Jan Decleir, Juda Goslinga

Cameras | Red Epic Camera, Red One MX Camera

Lenses | Zeiss Ultra Prime Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

The Mask of Zorro (1998)

Motion Picture | 2D | Color | 2.39:1 | 136 Minutes

Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Thom Noble

Starring | Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, José María de Tavira

Cameras | ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses | Cooke Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

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