Digital Studio | 26 Titles
Dunkirk (2017)
 Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith 
 
  Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera 
 Spectre (2015)
 Directed by | Sam Mendes | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith 
 
  Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera 
  Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses 
The Dinosaur Hour Extra (2023)
 Directed by | Sidney Berthier | Cinematography by | Alasdair Tallentire | Editing by | Sidney Berthier 
 
  Cameras | Sony ILME-FX6 Camera, Sony α7 Series Cameras 
  Lenses | Sony G Master Series Lenses 
DEC Ukraine Humanitarian Appeal (2022)
 Directed by | Sidney Berthier | Cinematography by | Sidney Berthier | Editing by | Sidney Berthier 
 
  Cameras | Sony α7 Series Cameras 
  Lenses | Sony G Master Series Lenses 
Society of the Snow (2023)
 Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí 
 
  Cameras | ARRI ALEXA Mini LF Camera 
  Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses 
WALL·E (2008)
Leap: Rise of the Beast (2011)
 Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel 
 
  Cameras | Canon EOS Rebel T2i Camera 
  Lenses | Canon EF-S 18-55mm f4 Lens 
Zombie Ed (2013)
 Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks 
 
  Cameras | Nikon D4 Camera 
  Lenses | Nikon - Nikkor Lenses 
Noctambulous (2011)
 Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo 
 
  Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera 
  Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses 
  Parasite   (2019)  
 
    Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang 
 
  Cameras | ARRI ALEXA 65 Camera 
 Skull (2018)
 Directed by | Yusron Fuadi | Editing by | Yusron Fuadi  
 
  Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85 mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE 
Spider-Man 3 (2007)
 Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski  
 
  Lenses | Panavision Primo Anamorphic Lenses 
The 5th Wave (2016)
 Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell 
 
  Cameras | ARRI ALEXA XT Plus Camera 
 Prologue (2015)
 Directed by | Richard Williams
 
 Inside Out (2015)
Kickstart Theft (2012)
 Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe 
 
  Cameras | Sony CineAlta F65 Camera 
  Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens 
Brother Bear (2003)
And They’re Off (2011)
 Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers 
 
  Cameras | Canon Cameras 
 
  
 




























































