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Digital Studio | 23 Titles

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Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

A Blood Throne (2020)

Short Film | 2D | 4K Project | Color | 2.39:1 | 40 Minutes

Directed by | Xavier Garcia | Cinematography by | Jonathan Garcia | Editing by | Xavier Garcia

Starring | Pierre Rumpf, Arissa Page, Danny Irizarry

Cameras | Panasonic Lumix DMC-GH5 Camera

Lenses | SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens

Leap: Rise of the Beast (2011)

Direct to Video | 2D | HD Project | Color | 2.39:1 | 75 Minutes

Directed by | Chris Tempel | Cinematography by | Chris Tempel | Editing by | Chris Tempel

Starring | Benjamin Baker, Alexander J. Bonds, Matt Clark

Cameras | Canon EOS Rebel T2i Camera

Lenses | Canon EF-S 18-55mm f4 Lens

Zombie Ed (2013)

Direct to Video | Color | 104 Minutes

Directed by | Ren Blood | Cinematography by | Shaun Dallas | Editing by | Scotty Baldwin, Russell Parks

Starring | William Cutting, Kelly Petering, Myles McLane

Cameras | Nikon D4 Camera

Lenses | Nikon - Nikkor Lenses

Noctambulous (2011)

Motion Picture | 2D | HD Project | Color | 1.78:1 (16x9) | 79 Minutes

Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo

Starring | Kelvin C. Bias, Megan Corry, Erin Sullivan, William Linton

Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera

Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses

Parasite (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 132 Minutes

Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang

Starring | Kang-ho Song, Sun-kyun Lee, Yeo-jeong Jo, Woo-sik Choi

Cameras | ARRI ALEXA 65 Camera

Lenses | ARRI Rental Prime DNA Lenses, Hasselblad Lenses

Skinjob (2017)

Short Film | 2D | 2K Project | Color | 1.78:1 (16x9) | 15 Minutes

Directed by | Steve Simmons | Editing by | Wayne Daniells

Skull (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Yusron Fuadi | Editing by | Yusron Fuadi

Starring | Eka Nusa Pertiwi, Yusron Fuadi, Guh S Mana, Haydar Salishz

Cameras | Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, Panasonic Lumix DMC-GH3 Camera

Lenses | Nikon - Nikkor Lenses, Samyang VDSLR II Cine 85mm T1.5 Lens, Zeiss Distagon T* 25mm f2.0 ZE

Spider-Man 3 (2007)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 139 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Topher Grace, Thomas Haden Church

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The 5th Wave (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 112 Minutes

Directed by | J Blakeson | Cinematography by | Enrique Chediak | Editing by | Paul Rubell

Starring | Chloë Grace Moretz, Matthew Zuk, Gabriela Lopez, Bailey Anne Borders

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

WALL·E (2008)

Motion Picture | 2D, 3D | Color | 2.39:1 | 98 Minutes

Directed by | Andrew Stanton | Cinematography by | Martin Rosenberg | Editing by | Stephen Schaffer

Starring | Ben Burtt, Elissa Knight, Jeff Garlin, Fred Willard

Prologue (2015)

Short Film | 2D | Color | 6 Minutes

Directed by | Richard Williams

Inside Out (2015)

Motion Picture | 2D, 3D | Color | 1.78:1 (16x9), 1.85:1 | 95 Minutes

Directed by | Pete Docter, Ronnie Del Carmen | Editing by | Kevin Nolting

Starring | Amy Poehler, Bill Hader, Lewis Black, Mindy Kaling

Kickstart Theft (2012)

Short Film | 2D | 4K Project | Color | 2.39:1 | 7 Minutes

Directed by | Fred Goodich | Cinematography by | Vilmos Zsigmond | Editing by | Gib Jaffe

Starring | Kimani Shillingford, Samuel Caruana, Mickaëlle X. Bizet, Frankie Ray

Cameras | Sony CineAlta F65 Camera

Lenses | Canon CN-E 30-105 mm T2.8 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens

Brother Bear (2003)

Motion Picture | 2D | Color | 1.66:1, 2.39:1 | 85 Minutes

Directed by | Aaron Blaise, Robert Walker | Editing by | Tim Mertens

Starring | Joaquin Phoenix, Jeremy Suarez, Rick Moranis, Jason Raize

Spectre (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 148 Minutes

And They’re Off (2011)

Motion Picture | 2D | Color | 1.78:1 (16x9) | 90 Minutes

And They’re Off | ShotOnWhat?

Directed by | Rob Schiller | Cinematography by | Ulf Soderqvist | Editing by | Stephen R. Myers

Starring | Sean Astin, Bob Baffert, Camilla Ball, Michael Blaiklock

Cameras | Canon Cameras

The Hobbit: An Unexpected Journey (2012)

Motion Picture | 3D | Color | 2.39:1 | 169 Minutes

Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen

Starring | Martin Freeman, Ian McKellen, Richard Armitage, Andy Serkis

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Atlas Shrugged II: The Strike (2012)

Motion Picture | 2D | Color | 1.78:1 (16x9), 2.39:1 | 111 Minutes

Atlas Shrugged II: The Strike | ShotOnWhat?

Directed by | John Putch | Cinematography by | Ross Berryman | Editing by | John Gilbert

Starring | Samantha Mathis, Jason Beghe, Esai Morales, Patrick Fabian

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

One from the Heart (1981)

Motion Picture | Color | 107 Minutes

Directed by | Francis Ford Coppola | Cinematography by | Ronald Víctor García, Vittorio Storaro | Editing by | Rudi Fehr, Anne Goursaud, Randy Roberts

Starring | Frederic Forrest, Teri Garr, Raul Julia, Nastassja Kinski

Cameras | ARRIFLEX 35 BL Camera

Lenses | Cooke Super Cine Varotal 25-250mm f2.8 Lens

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