2K Scan Resolution | 84 Titles
Transformers: The Last Knight (2017)
 Directed by | Michael Bay | Cinematography by | Jonathan Sela | Editing by | Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer  
 
  Lenses | ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses 
Blade Runner (1982)
 Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings  
 
  Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses 
Maître du monde (2011)
 Directed by | Enrico Alexander Giordano | Cinematography by | Daniel Brouwer | Editing by | Enrico Alexander Giordano
 
 Starring | Boris Beynet
  Cameras | Panasonic AG-HVX200 Camera 
  Lenses | Canon FD 135 mm f2.5 SC Lens, Canon FD 24 mm f2.8 SSC Lens, Canon FD 35 mm f2.0 SSC Lens, Canon FD 50 mm f1.4 SSC Lens, Canon FD 85 mm f1.8 SSC Lens 
Dunkirk (2017)
 Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith 
 
  Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera 
 The Lobster (2015)
 Directed by | Yorgos Lanthimos | Cinematography by | Thimios Bakatakis | Editing by | Yorgos Mavropsaridis 
 
  Cameras | ARRI ALEXA XT Camera 
 Casino Royale (2006)
 Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera 
  Lenses | Angenieux Lenses, Cooke S4/i Lenses 
Quantum of Solace (2008)
 Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson 
 
  Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera 
  Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses 
Star Wars: Episode IV – A New Hope (1977)
 Directed by | George Lucas | Cinematography by | Gilbert Taylor | Editing by | Richard Chew, T.M. Christopher, Paul Hirsch, Marcia Lucas, George Lucas 
 
  Cameras | ARRIFLEX 35 III Camera, Dykstraflex Camera, Mitchell VistaVision Camera, Panavision Cameras, Panavision Super PSR R-200 
 Vartul (Circle) (2009)
 Directed by | Santosh Ram | Cinematography by | Anand Mansukh, Pravin Mokal | Editing by | Vinod Gama Borate 
 
  Cameras | ARRIFLEX 435 Camera 
The Lord of the Rings: The Fellowship of the Ring (2001)
 Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | John Gilbert  
 
  Lenses | Zeiss Ultra Prime Lenses 
The Day After Tomorrow (2004)
 Directed by | Roland Emmerich | Cinematography by | Ueli Steiger | Editing by | David Brenner 
 
  Cameras | ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera 
 Bran Nue Dae (2009)
The Journey (2002)
 Directed by | Edwin Avaness, Emy Hovanesyan | Cinematography by | Edwin Avaness | Editing by | Edwin Avaness 
 
  Cameras | Sony HDW-F900 Camera 
Kis Uykusu (2014)
 Directed by | Nuri Bilge Ceylan | Cinematography by | Gökhan Tiryaki | Editing by | Nuri Bilge Ceylan, Bora Göksingöl 
 
  Cameras | Sony CineAlta F65 Camera 
  Lenses | Zeiss Master Prime Lenses 
Le militaire (2014)
 Directed by | Noël Mitrani | Cinematography by | Bruno Philip | Editing by | Arthur Tarnowski 
 
  Cameras | Aaton XTR Prod Camera 
  Lenses | Zeiss Compact Prime CP.2 Distagon 21 mm T2.9 Lens, Zeiss Compact Prime CP.2 Distagon 28 mm T2.1 Lens, Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Planar 50 mm T2.1 Macro Lens, Zeiss Compact Prime CP.2 Planar 85 mm T2.1 Lens 
Divergence (2007)
 Directed by | Patrick J. Donnelly | Cinematography by | Patrick J. Donnelly | Editing by | Patrick J. Donnelly, Robert Mead 
 
  Lenses | ARRI / Fujinon Lenses 
Eventual (2023)
Falling Down (1993)
 Directed by | Joel Schumacher | Cinematography by | Andrzej Bartkowiak | Editing by | Paul Hirsch 
 
  Cameras | Panavision Panaflex Platinum Camera 
 Indefinite (2015)
 Directed by | Kane Arcadia | Cinematography by | Carlos Schneider | Editing by | Ken Lee 
 
  Cameras | ARRIFLEX 16SR2 Camera 
  Lenses | Cinema Products Lenses 
The Veil (2016)
 Directed by | Phil Joanou | Cinematography by | Steeven Petitteville | Editing by | Paul Norling 
 
  Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA XT Plus Camera, Bolex H16 Camera, Phantom Flex Camera 
  Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic Lenses, CamTec Lenses, Cineovision Lenses, Kowa Cine Prominar Anamorphic 100mm T3.4 Lens, Kowa Cine Prominar Anamorphic 40mm T2.3 Lens, Kowa Cine Prominar Anamorphic 50mm T2.3 Lens, Kowa Cine Prominar Anamorphic 75mm T2.8 Lens 
 
  
 














































































