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2K Scan Resolution | 84 Titles

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Inside Out (2015)

Motion Picture | 2D, 3D | Color | 1.78:1 (16x9), 1.85:1 | 95 Minutes

Directed by | Pete Docter, Ronnie Del Carmen | Editing by | Kevin Nolting

Starring | Amy Poehler, Bill Hader, Lewis Black, Mindy Kaling

Creed (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 133 Minutes

Directed by | Ryan Coogler | Cinematography by | Maryse Alberti | Editing by | Claudia Castello, Michael P. Shawver

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson, Phylicia Rashad

Cameras | ARRI ALEXA XT M Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Cooke S4 Lenses, Cooke Zoom Lenses

Spotlight (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 129 Minutes

Directed by | Tom McCarthy | Cinematography by | Masanobu Takayanagi | Editing by | Tom McArdle

Starring | Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber

Cameras | ARRI ALEXA XT Camera

Lenses | Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

The Big Short (2015)

Motion Picture | 2D | Color | 2.39:1 | 130 Minutes

Directed by | Adam McKay | Cinematography by | Barry Ackroyd | Editing by | Hank Corwin

Starring | Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt

Cameras | ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Steve Jobs (2015)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | Danny Boyle | Cinematography by | Alwin H. Küchler | Editing by | Elliot Graham

Starring | Michael Fassbender, Kate Winslet, Seth Rogen, Jeff Daniels

Cameras | ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Trumbo (2015)

Motion Picture | 2D | 2K Project | Black & White, Color | 1.85:1 | 124 Minutes

Directed by | Jay Roach | Cinematography by | Jim Denault | Editing by | Alan Baumgarten

Starring | Bryan Cranston, Diane Lane, Helen Mirren, Louis C.K.

Cameras | ARRI ALEXA XT Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Carol (2015)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Todd Haynes | Cinematography by | Edward Lachman | Editing by | Affonso Gonçalves

Starring | Cate Blanchett, Rooney Mara, Sarah Paulson, Kyle Chandler

Cameras | ARRIFLEX 416 Camera

Lenses | Angenieux HR Zoom Lenses, Cooke S4/i Lenses, Cooke Speed Panchro Lenses, Cooke Varopanchro Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

Fifty Shades of Grey (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Starring | Dakota Johnson, Jamie Dornan, Jennifer Ehle, Eloise Mumford

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The History Boys (2006)

Motion Picture | 2D | Color | 109 Minutes

Directed by | Nicholas Hytner | Cinematography by | Andrew Dunn | Editing by | John Wilson

Starring | Richard Griffiths, Frances de la Tour, Clive Merrison, Samuel Anderson

Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Il villaggio di cartone (2011)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Ermanno Olmi | Cinematography by | Fabio Olmi | Editing by | Paolo Cottignola

Starring | Michael Lonsdale, Rutger Hauer, Massimo De Francovich, Alessandro Haber

Cameras | ARRI ARRIFLEX Series Cameras, ARRI Cameras

Baloane de curcubeu (1982)

Motion Picture | 2D | Color | 132 Minutes

Directed by | Iosif Demian | Cinematography by | Valentin Popescu

Starring | Anton Aftenie, Marcela Andrei, László Botka, Magda Catone

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Friendship! (2010)

Motion Picture | 2D | Color, Black and White | 110 Minutes

Friendship! | ShotOnWhat?

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer

Starring | Matthias Schweighöfer, Friedrich Mücke, Alicja Bachleda, Todd Stashwick

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

The Lego Movie (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 100 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay

Starring | Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett

Cameras | ARRI ALEXA Series Cameras

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

No One Lives (2012)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | Ryûhei Kitamura | Cinematography by | Daniel Pearl | Editing by | Toby Yates

Starring | Luke Evans, Gary Grubbs, Adelaide Clemens, Derek Magyar

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra Prime Lenses

For Your Consideration (2006)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

For Your Consideration | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest

Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

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