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2K Scan Resolution | 78 Titles

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Ping Pong Summer (2014)

Motion Picture | 2D | Color | 92 Minutes

Directed by | Michael Tully | Cinematography by | Wyatt Garfield | Editing by | Marc Vives

Starring | Marcello Conte, Judah Friedlander, Amy Sedaris, Lea Thompson

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra 16 Lenses

Il villaggio di cartone (2011)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Ermanno Olmi | Cinematography by | Fabio Olmi | Editing by | Paolo Cottignola

Starring | Michael Lonsdale, Rutger Hauer, Massimo De Francovich, Alessandro Haber

Cameras | ARRI ARRIFLEX Series Cameras, ARRI Cameras

Baloane de curcubeu (1982)

Motion Picture | 2D | Color | 132 Minutes

Directed by | Iosif Demian | Cinematography by | Valentin Popescu

Starring | Anton Aftenie, Marcela Andrei, László Botka, Magda Catone

Cameras | ARRIFLEX 35 IIC Camera

Lenses | Cooke Speed Panchro Lenses

Do Começo ao Fim (2009)

Motion Picture | 2D | Color | 2.35:1 | 94 Minutes

Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma

Starring | Júlia Lemmertz, Fábio Assunção, Jean Pierre Noher, Louise Cardoso

Cameras | Aaton Cameras

Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

Nosso Lar (2010)

Motion Picture | 2D | Color | 2.35:1 | 103 Minutes

Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes

Starring | Renato Prieto, Fernando Alves Pinto, Rosanne Mulholland, Inez Viana

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Friendship! (2010)

Motion Picture | 2D | Color, Black and White | 110 Minutes

Friendship! | ShotOnWhat?

Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer

Starring | Matthias Schweighöfer, Friedrich Mücke, Alicja Bachleda, Todd Stashwick

Cameras | Moviecam Compact MK2 Camera, Moviecam Superlight Camera

Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Verrückt nach Paris (2002)

Motion Picture | 2D | Color | 1.85:1 | 90 Minutes

Directed by | Pago Bahlke, Eike Besuden | Cinematography by | Piotr Lenar | Editing by | Margot Neubert-Maric

Starring | Paula Kleine, Wolfgang Goettsch, Frank Grabski, Dominique Horwitz

Cameras | ARRIFLEX 16SR3 Advanced Camera, Sony HDW-F900 Camera

Lenses | Fujinon E Series Lenses, Zeiss Lenses

The Lego Movie (2014)

Motion Picture | 2D, 3D | Color | 2.39:1 | 100 Minutes

Directed by | Phil Lord, Christopher Miller | Cinematography by | Pablo Plaisted, Barry Peterson | Editing by | David Burrows, Chris McKay

Starring | Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett

Cameras | ARRI ALEXA Series Cameras

2012 (2009)

Motion Picture | 2D, 3D | Color | 2.39:1 | 158 Minutes

Directed by | Roland Emmerich | Cinematography by | Dean Semler | Editing by | David Brenner, Peter S. Elliot

Starring | John Cusack, Thandiwe Newton, Chiwetel Ejiofor, Amanda Peet

Cameras | Panavision Cameras, Panavision Genesis Camera

Lenses | Panavision Lenses, Panavision Primo Primes Spherical Lenses

No One Lives (2012)

Motion Picture | 2D | Color | 2.39:1 | 86 Minutes

Directed by | Ryûhei Kitamura | Cinematography by | Daniel Pearl | Editing by | Toby Yates

Starring | Luke Evans, Gary Grubbs, Adelaide Clemens, Derek Magyar

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Ultra Prime Lenses

For Your Consideration (2006)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

For Your Consideration | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest

Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

The Paperboy (2012)

Motion Picture | 2D | Color | 2.35:1 | 107 Minutes

The Paperboy | ShotOnWhat?

Directed by | Lee Daniels | Cinematography by | Roberto Schaefer | Editing by | Joe Klotz

Starring | Matthew McConaughey, Nicole Kidman, John Cusack, Zac Efron

Cameras | Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses | Canon Lenses, Zeiss Super Speed Lenses

Curfew (2012)

Short Film | 2D | Color | 2.39:1 | 19 Minutes

Directed by | Shawn Christensen | Cinematography by | Daniel Katz | Editing by | Shawn Christensen, Evan Henke

Starring | Shawn Christensen, Fatima Ptacek, Kim Allen, Dana Segal

Cameras | Red One Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Silver Linings Playbook (2012)

Motion Picture | 2D | Color | 2.39:1 | 122 Minutes

Directed by | David O. Russell | Cinematography by | Masanobu Takayanagi | Editing by | Jay Cassidy, Crispin Struthers

Starring | Bradley Cooper, Jennifer Lawrence, Robert De Niro, Jacki Weaver

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Les Misérables (2012)

Motion Picture | 2D | Color | 1.85:1 | 158 Minutes

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Chris Dickens, Melanie Oliver

Starring | Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Bullet to the Head (2012)

Motion Picture | 2D | Color, Black and White | 1.85:1 | 92 Minutes

Bullet to the Head | ShotOnWhat?

Directed by | Walter Hill | Cinematography by | Lloyd Ahern II | Editing by | Timothy Alverson

Starring | Sylvester Stallone, Jason Momoa, Christian Slater, Sung Kang

Cameras | ARRI ALEXA Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Oblivion (2013)

Motion Picture | 2D | 4K Project | Color | 1.85:1, 2.39:1 | 124 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Richard Francis-Bruce

Starring | Tom Cruise, Morgan Freeman, Andrea Riseborough, Olga Kurylenko

Cameras | Red Epic Camera, Sony CineAlta F65 Camera

Lenses | Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

Quantum of Solace (2008)

Motion Picture | 2D | Color | 2.35:1 | 106 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse, Richard Pearson

Starring | Daniel Craig, Olga Kurylenko, Mathieu Amalric, Judi Dench

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

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