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United States | 1624 Titles

United States 3.00/5 1 Vote

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Mid90s (2018)

Motion Picture | 2D | 2K Project | Color | 1.33:1 (4x3), 1.78:1 (16x9) | 85 Minutes

Directed by | Jonah Hill | Cinematography by | Christopher Blauvelt | Editing by | Nick Houy

Starring | Sunny Suljic, Katherine Waterston, Lucas Hedges

Cameras | ARRIFLEX 416 Camera

Lenses | Zeiss Super Speed Lenses

Mississippi Burning (1988)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 128 Minutes

Directed by | Alan Parker | Cinematography by | Peter Biziou | Editing by | Gerry Hambling

Starring | Gene Hackman, Willem Dafoe, Frances McDormand, Brad Dourif

Cameras | Panavision Panaflex Gold Camera

Lenses | Cooke Varotal Lenses, Panavision Ultra Speed MKII Lenses

Creed II (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 130 Minutes

Directed by | Steven Caple Jr. | Cinematography by | Kramer Morgenthau | Editing by | Dana E. Glauberman, Saira Haider, Paul Harb

Starring | Michael B. Jordan, Sylvester Stallone, Tessa Thompson

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Panavision Lenses, Zeiss Master Prime Lenses

Cleopatra (1934)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 100 Minutes

Directed by | Cecil B. DeMille | Cinematography by | Victor Milner | Editing by | Anne Bauchens

Starring | Claudette Colbert, Warren William, Henry Wilcoxon

Cameras | Mitchell Standard Camera

The Hummingbird Project (2018)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 111 Minutes

Directed by | Kim Nguyen | Cinematography by | Nicolas Bolduc | Editing by | Nicolas Chaudeurge, Arthur Tarnowski

Starring | Jesse Eisenberg, Alexander Skarsgård, Salma Hayek

Cameras | ARRI ALEXA Mini Camera

Lenses | Hawk V-Lite Lenses

Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Skippy (1931)

Motion Picture | 2D | Film Project | Black & White | 85 Minutes

Directed by | Norman Taurog | Cinematography by | Karl Struss

Starring | Jackie Cooper, Robert Coogan, Mitzi Green

Cameras | Mitchell Cameras

A Letter to Three Wives (1949)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 103 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Arthur C. Miller | Editing by | J. Watson Webb Jr.

Starring | Jeanne Crain, Linda Darnell, Ann Sothern

The Treasure of the Sierra Madre (1948)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 126 Minutes

Directed by | John Huston | Cinematography by | Ted D. McCord | Editing by | Owen Marks

Starring | Humphrey Bogart, Walter Huston, Tim Holt

Cameras | Mitchell Cameras

Sunrise (1927)

Motion Picture | 2D | Film Project | Black & White | 1.33:1 (4x3) | 94 Minutes

Directed by | F.W. Murnau | Cinematography by | Charles Rosher, Karl Struss | Editing by | Harold D. Schuster

Starring | George O'Brien, Janet Gaynor, Margaret Livingston

Cameras | Mitchell Standard Camera

Slender Man (2018)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 93 Minutes

Directed by | Sylvain White | Cinematography by | Luca Del Puppo | Editing by | Jake York

Starring | Joey King, Julia Goldani Telles, Jaz Sinclair

Cameras | Sony PMW-F55 Camera, Sony α7S II Camera

Lenses | Hawk Hawk65 Series Lenses, Hawk V-Lite Lenses

The Quiet Man (1952)

Motion Picture | 2D | Film Project | Color | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Winton C. Hoch | Editing by | Jack Murray

Starring | John Wayne, Maureen O'Hara, Barry Fitzgerald, Ward Bond

Cameras | Mitchell Cameras

Ocean’s Eight (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 110 Minutes

Directed by | Gary Ross | Cinematography by | Eigil Bryld | Editing by | Juliette Welfling

Starring | Sandra Bullock, Cate Blanchett, Anne Hathaway

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses, Zeiss Master Zoom 16.5–110mm T2.6 Lens

A Place in the Sun (1951)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 122 Minutes

Directed by | George Stevens | Cinematography by | William C. Mellor | Editing by | William Hornbeck

Starring | Montgomery Clift, Elizabeth Taylor, Shelley Winters, Anne Revere

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Grapes of Wrath (1940)

Motion Picture | 2D | Film Project | Black & White | 1.37:1 | 129 Minutes

Directed by | John Ford | Cinematography by | Gregg Toland | Editing by | Robert L. Simpson

Starring | Henry Fonda, Jane Darwell, John Carradine, Charley Grapewin

Cameras | Mitchell Cameras

Extremely Wicked, Shockingly Evil and Vile (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Joe Berlinger | Cinematography by | Brandon Trost | Editing by | Josh Schaeffer

Starring | Lily Collins, Zac Efron, Angela Sarafyan

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision C Series Anamorphic Lenses

Hustlers (2019)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 110 Minutes

Directed by | Lorene Scafaria | Cinematography by | Todd Banhazl | Editing by | Kayla Emter

Starring | Constance Wu, Jennifer Lopez, Julia Stiles

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision E Series Anamorphic Lenses, Panavision Panaspeed Series Lenses

Us (2019)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Jordan Peele | Cinematography by | Mike Gioulakis | Editing by | Nicholas Monsour

Starring | Lupita Nyong'o, Winston Duke, Elisabeth Moss

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Fujinon Alura Lenses, Zeiss Master Prime Lenses

As the Dust Settles: A Participatory Documentary Shot at Burning Man (2013)

Documentary | 2D | Color | 1.78:1 (16x9) | 85 Minutes

Directed by | Jamie Dee, Roger Ingraham, Jeremy Lubman, Katheryn Mcgaffigan, Tarynn Wiehahn | Cinematography by | Clayton H. Haskell, Stephen Martel Lucas | Editing by | Mike Hedge

Starring | Jamie Dee, Roger Ingraham, Jeremy Lubman

Cameras | Red Digital Cinema Cameras

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