United States | 1624 Titles
Bad Times at the El Royale (2018)
Upstream Color (2013)
Directed by | Shane Carruth | Cinematography by | Shane Carruth | Editing by | Shane Carruth, David Lowery
Cameras | Panasonic Lumix DMC-GH2 Camera
The Wizard of Oz (1939)
Directed by | Victor Fleming, George Cukor, Mervyn LeRoy, Norman Taurog, Richard Thorpe, King Vidor | Cinematography by | Harold Rosson | Editing by | Blanche Sewell
Black Panther: Wakanda Forever (2022)
Directed by | Ryan Coogler | Cinematography by | Autumn Durald Arkapaw | Editing by | Kelley Dixon, Jennifer Lame, Michael P. Shawver
Cameras | Sony CineAlta VENICE Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses
Wilson (1944)
Directed by | Henry King | Cinematography by | Leon Shamroy, Ernest Palmer | Editing by | Barbara McLean
Cameras | Technicolor 3-Strip Camera
Den of Thieves (2018)
Directed by | Christian Gudegast | Cinematography by | Terry Stacey | Editing by | David S. Cox, Joel Cox, Nathan Godley
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Zeiss Master Prime Lenses
Vox Lux (2018)
Directed by | Brady Corbet | Cinematography by | Lol Crawley | Editing by | Matthew Hannam
Cameras | ARRICAM Lite (LT) Camera
Bound for Glory (1976)
Directed by | Hal Ashby | Cinematography by | Haskell Wexler | Editing by | Pembroke J. Herring, Robert C. Jones
Lenses | Panavision Lenses
Thor: Ragnarok (2017)
Directed by | Taika Waititi | Cinematography by | Javier Aguirresarobe | Editing by | Zene Baker, Joel Negron
12 Strong (2018)
Directed by | Nicolai Fuglsig | Cinematography by | Rasmus Videbæk | Editing by | Lisa Lassek
Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Reds (1981)
Directed by | Warren Beatty | Cinematography by | Vittorio Storaro | Editing by | Dede Allen, Craig McKay
Cameras | Technovision Cameras
Lenses | Technovision Lenses
Lost River (2014)
Directed by | Ryan Gosling | Cinematography by | Benoît Debie | Editing by | Nico Leunen, Valdís Óskarsdóttir
Lenses | Cooke 5/i Lenses, Zeiss Ultra Prime Lenses
Leave Her to Heaven (1945)
Directed by | John M. Stahl | Cinematography by | Leon Shamroy | Editing by | James B. Clark
Cameras | Technicolor 3-Strip Camera
A Farewell to Arms (1932)
Directed by | Frank Borzage | Cinematography by | Charles Lang | Editing by | Otho Lovering, George Nicholls Jr.
Buffy the Vampire Slayer (1997)
| Cinematography by | Michael Gershman, Raymond Stella, Kenneth Zunder, Michael D. O'Shea, Donald M. Morgan | Editing by | Regis Kimble, Peter Basinski, Skip Macdonald, Nancy Forner, Marilyn McMahon Adams, Kimberly Ray, Tammis Chandler, Joshua Charson, Louise Innes, Lisa Lassek, Geoffrey Rowland, Michael Kewley, Skip Schoolnik, Golda Savage, Michael Stern
Lenses | Panavision Lenses
Barbie (2023)
Directed by | Greta Gerwig | Cinematography by | Rodrigo Prieto | Editing by | Nick Houy
Cameras | ARRI ALEXA 65 Camera
Lenses | Panavision Lenses, Panavision System 65 Lenses
The Thief of Bagdad (1940)
Directed by | Ludwig Berger, Michael Powell, Tim Whelan, Alexander Korda, Zoltan Korda, William Cameron Menzies | Editing by | Charles Crichton
Cameras | Technicolor 3-Strip Camera
Bird Box (2018)
Directed by | Susanne Bier | Cinematography by | Salvatore Totino | Editing by | Ben Lester
Cameras | Red Helium (Weapon) 8K
Lenses | Zeiss Master Prime Lenses
The Holdovers (2023)
Directed by | Alexander Payne | Cinematography by | Eigil Bryld | Editing by | Kevin Tent
Cameras | ARRI ALEXA Mini Camera
The Killing Fields (1984)
